Author: Caroline Vout
Publisher: Princeton University Press
ISBN: 1400890276
Category : Art
Languages : en
Pages : 375
Book Description
How did the statues of ancient Greece wind up dictating art history in the West? How did the material culture of the Greeks and Romans come to be seen as "classical" and as "art"? What does "classical art" mean across time and place? In this ambitious, richly illustrated book, art historian and classicist Caroline Vout provides an original history of how classical art has been continuously redefined over the millennia as it has found itself in new contexts and cultures. All of this raises the question of classical art's future. What we call classical art did not simply appear in ancient Rome, or in the Renaissance, or in the eighteenth-century Academy. Endlessly repackaged and revered or rebuked, Greek and Roman artifacts have gathered an amazing array of values, both positive and negative, in each new historical period, even as these objects themselves have reshaped their surroundings. Vout shows how this process began in antiquity, as Greeks of the Hellenistic period transformed the art of fifth-century Greece, and continued through the Roman empire, Constantinople, European court societies, the neoclassical English country house, and the nineteenth century, up to the modern museum. A unique exploration of how each period of Western culture has transformed Greek and Roman antiquities and in turn been transformed by them, this book revolutionizes our understanding of what classical art has meant and continues to mean.
Classical Art
Author: Caroline Vout
Publisher: Princeton University Press
ISBN: 1400890276
Category : Art
Languages : en
Pages : 375
Book Description
How did the statues of ancient Greece wind up dictating art history in the West? How did the material culture of the Greeks and Romans come to be seen as "classical" and as "art"? What does "classical art" mean across time and place? In this ambitious, richly illustrated book, art historian and classicist Caroline Vout provides an original history of how classical art has been continuously redefined over the millennia as it has found itself in new contexts and cultures. All of this raises the question of classical art's future. What we call classical art did not simply appear in ancient Rome, or in the Renaissance, or in the eighteenth-century Academy. Endlessly repackaged and revered or rebuked, Greek and Roman artifacts have gathered an amazing array of values, both positive and negative, in each new historical period, even as these objects themselves have reshaped their surroundings. Vout shows how this process began in antiquity, as Greeks of the Hellenistic period transformed the art of fifth-century Greece, and continued through the Roman empire, Constantinople, European court societies, the neoclassical English country house, and the nineteenth century, up to the modern museum. A unique exploration of how each period of Western culture has transformed Greek and Roman antiquities and in turn been transformed by them, this book revolutionizes our understanding of what classical art has meant and continues to mean.
Publisher: Princeton University Press
ISBN: 1400890276
Category : Art
Languages : en
Pages : 375
Book Description
How did the statues of ancient Greece wind up dictating art history in the West? How did the material culture of the Greeks and Romans come to be seen as "classical" and as "art"? What does "classical art" mean across time and place? In this ambitious, richly illustrated book, art historian and classicist Caroline Vout provides an original history of how classical art has been continuously redefined over the millennia as it has found itself in new contexts and cultures. All of this raises the question of classical art's future. What we call classical art did not simply appear in ancient Rome, or in the Renaissance, or in the eighteenth-century Academy. Endlessly repackaged and revered or rebuked, Greek and Roman artifacts have gathered an amazing array of values, both positive and negative, in each new historical period, even as these objects themselves have reshaped their surroundings. Vout shows how this process began in antiquity, as Greeks of the Hellenistic period transformed the art of fifth-century Greece, and continued through the Roman empire, Constantinople, European court societies, the neoclassical English country house, and the nineteenth century, up to the modern museum. A unique exploration of how each period of Western culture has transformed Greek and Roman antiquities and in turn been transformed by them, this book revolutionizes our understanding of what classical art has meant and continues to mean.
Greek Art
Author: Michael Byron Norris
Publisher: Metropolitan Museum of Art
ISBN: 0870999729
Category : Art, Classical
Languages : en
Pages : 257
Book Description
Designed as a tool for educators who wish to teach students about the art of Ancient Greece. The text contains readings on Greek culture, history and art and is looseleaf bound for easy photocopying. Accompanying material includes 20 slides showing various works of Greek art and a card game designed to teach students about some of the myths commonly depicted in Greek art. The accompanying CD-ROM contains the full text of the book in printable Adobe Acrobat format as well as JPEG files of the images depicted on the slides.
Publisher: Metropolitan Museum of Art
ISBN: 0870999729
Category : Art, Classical
Languages : en
Pages : 257
Book Description
Designed as a tool for educators who wish to teach students about the art of Ancient Greece. The text contains readings on Greek culture, history and art and is looseleaf bound for easy photocopying. Accompanying material includes 20 slides showing various works of Greek art and a card game designed to teach students about some of the myths commonly depicted in Greek art. The accompanying CD-ROM contains the full text of the book in printable Adobe Acrobat format as well as JPEG files of the images depicted on the slides.
The Ancient Art of Emulation
Author: Elaine K. Gazda
Publisher: University of Michigan Press
ISBN: 9780472111893
Category : Art
Languages : en
Pages : 342
Book Description
Are copies of Greek and Roman masterpieces as important as the originals they imitate?
Publisher: University of Michigan Press
ISBN: 9780472111893
Category : Art
Languages : en
Pages : 342
Book Description
Are copies of Greek and Roman masterpieces as important as the originals they imitate?
Prehistoric Art in Europe
Author: Nancy K. Sandars
Publisher: Puffin Books
ISBN:
Category : Art
Languages : en
Pages : 524
Book Description
"Until around 10,000 B.C. art in Europe appears to have been in advance of the rest of the world, and throws a valuable if intermittent, light on the total history of early man. The great masterpieces of cave-painting at Lascaux are well known, and one tradition of early sculpture is from the first surprisingly classical. With the shelter paintings of the Spanish Levant and the clay modelling and painted pottery of eastern Europe in the fourth and third millennia B.C. fresh artistic problems were tackled. Later still evolved the high technical accomplishment of the metal-workers, and this masterly study concludes with an account of the original and exciting new departures of Celtic La Tene art of the last four centuries B.C."--BOOK COVER.
Publisher: Puffin Books
ISBN:
Category : Art
Languages : en
Pages : 524
Book Description
"Until around 10,000 B.C. art in Europe appears to have been in advance of the rest of the world, and throws a valuable if intermittent, light on the total history of early man. The great masterpieces of cave-painting at Lascaux are well known, and one tradition of early sculpture is from the first surprisingly classical. With the shelter paintings of the Spanish Levant and the clay modelling and painted pottery of eastern Europe in the fourth and third millennia B.C. fresh artistic problems were tackled. Later still evolved the high technical accomplishment of the metal-workers, and this masterly study concludes with an account of the original and exciting new departures of Celtic La Tene art of the last four centuries B.C."--BOOK COVER.
The Art of Painting in Ancient Greece
Author: Dimitris Plantzos
Publisher: University of Exeter Press
ISBN: 9786185209209
Category : Art
Languages : en
Pages : 0
Book Description
Covers painting in Bronze-Age Greece; painting of the Archaic, the Classical, and the Hellenistic periods, and ends with a study of Graeco-Roman painting in the 2nd-3rd c. AD. Looks at techniques, style and themes in multidisciplinary approach to the material record. Extensive bibliography. English language text. 334 col. illus.
Publisher: University of Exeter Press
ISBN: 9786185209209
Category : Art
Languages : en
Pages : 0
Book Description
Covers painting in Bronze-Age Greece; painting of the Archaic, the Classical, and the Hellenistic periods, and ends with a study of Graeco-Roman painting in the 2nd-3rd c. AD. Looks at techniques, style and themes in multidisciplinary approach to the material record. Extensive bibliography. English language text. 334 col. illus.
Classical Art and the Cultures of Greece and Rome
Author: John Onians
Publisher: Yale University Press
ISBN: 9780300075335
Category : Art
Languages : en
Pages : 328
Book Description
An inquiry into the foundations of European culture. The account ranges from the Greek Dark Ages to the Christianisation of Rome, revealing how the experience of a constantly changing physical environment influenced the inhabitants of Ancient Greece and Rome.
Publisher: Yale University Press
ISBN: 9780300075335
Category : Art
Languages : en
Pages : 328
Book Description
An inquiry into the foundations of European culture. The account ranges from the Greek Dark Ages to the Christianisation of Rome, revealing how the experience of a constantly changing physical environment influenced the inhabitants of Ancient Greece and Rome.
Art and Experience in Classical Greece
Author: Jerome Jordan Pollitt
Publisher: Cambridge University Press
ISBN: 9780521096621
Category : Art
Languages : en
Pages : 228
Book Description
"delightful, readable, and scholarly. The volume is profusely and well illustrated, each art example is clearly labelled and dated, and superb supplementary references for illustrations and supplementary suggestions for further reading are added to complete the study." Choice
Publisher: Cambridge University Press
ISBN: 9780521096621
Category : Art
Languages : en
Pages : 228
Book Description
"delightful, readable, and scholarly. The volume is profusely and well illustrated, each art example is clearly labelled and dated, and superb supplementary references for illustrations and supplementary suggestions for further reading are added to complete the study." Choice
Art of the Classical World in the Metropolitan Museum of Art
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 1588392171
Category : Art
Languages : en
Pages : 522
Book Description
A history of the Department of Greek and Roman art -- Floor plan of the galleries of the Department of Greek and Roman art -- Art of the Neolithic and the Aegean bronze age : ca. 6000- B.C. -- Art of geometric and archaic Greece : ca. 1050-480 B.C. -- Art of classical Greece : ca. 480-323 B.C. -- Art of the Hellenistic Age : ca. 323-31 B.C. -- Art of Cyprus : ca. 3900 B.C.-ca. A.D. 100 -- Art of Etruria : ca. 900-100 B.C. -- Art of the Roman Empire : ca. 31 B.C.-A.D. 330 -- Notes on the works of art : Art of the Neolithic and the Aegean bronze age -- Art of geometric and archaic Greece -- Art of classical Greece -- Art of the Hellenistic age -- Art of Cyprus -- Art of Etruria -- Art of the Roman Empire -- Concordance -- Index of works of art
Publisher: Metropolitan Museum of Art
ISBN: 1588392171
Category : Art
Languages : en
Pages : 522
Book Description
A history of the Department of Greek and Roman art -- Floor plan of the galleries of the Department of Greek and Roman art -- Art of the Neolithic and the Aegean bronze age : ca. 6000- B.C. -- Art of geometric and archaic Greece : ca. 1050-480 B.C. -- Art of classical Greece : ca. 480-323 B.C. -- Art of the Hellenistic Age : ca. 323-31 B.C. -- Art of Cyprus : ca. 3900 B.C.-ca. A.D. 100 -- Art of Etruria : ca. 900-100 B.C. -- Art of the Roman Empire : ca. 31 B.C.-A.D. 330 -- Notes on the works of art : Art of the Neolithic and the Aegean bronze age -- Art of geometric and archaic Greece -- Art of classical Greece -- Art of the Hellenistic age -- Art of Cyprus -- Art of Etruria -- Art of the Roman Empire -- Concordance -- Index of works of art
Ancient Greek Painting and Its Echoes in Later Art
Author: Stelios Lydakēs
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 326
Book Description
In his introduction, Stelios Lydakis notes, "It would be impossible for an art historian to study the works of antiquity without extensive reference to their influence on the art of the centuries that followed." Lydakis provides a complete history of ancient Greek painting from the earliest examples in Crete, Thera, and Mycenae to those of the classical and Roman epochs. Through a multitude of examples, he shows how these ancient works shaped modern ones. The literary references he considers include the works of Lucian, Philostratos, Pausanias, and Pliny the Elder. The works of art reproduced include wall paintings from the Palace of Knossos, Thera, Pompeii, Herculaneum, and Oplontis; vases from the Mycenaean through the Classical periods; reliefs from the Parthenon; and mosaics from Pompeii and Delos. The book also features paintings made in later centuries by such artists as Mantegna, Titian, Dürer, Raphael, Rembrandt, and Rubens that were inspired by antique models.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 326
Book Description
In his introduction, Stelios Lydakis notes, "It would be impossible for an art historian to study the works of antiquity without extensive reference to their influence on the art of the centuries that followed." Lydakis provides a complete history of ancient Greek painting from the earliest examples in Crete, Thera, and Mycenae to those of the classical and Roman epochs. Through a multitude of examples, he shows how these ancient works shaped modern ones. The literary references he considers include the works of Lucian, Philostratos, Pausanias, and Pliny the Elder. The works of art reproduced include wall paintings from the Palace of Knossos, Thera, Pompeii, Herculaneum, and Oplontis; vases from the Mycenaean through the Classical periods; reliefs from the Parthenon; and mosaics from Pompeii and Delos. The book also features paintings made in later centuries by such artists as Mantegna, Titian, Dürer, Raphael, Rembrandt, and Rubens that were inspired by antique models.
Classical Myths in Italian Renaissance Painting
Author: Luba Freedman
Publisher: Cambridge University Press
ISBN: 1107001196
Category : Art
Languages : en
Pages : 321
Book Description
"The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for granted are the way they are, and thre is no competitor in the field. The book sheds light on some of the world's greatest masterpirces of art, including Botticelli's Venus, Leonardo's Leda, Raphael's Galatea, and Titian's Bacchus and Ariadne"--Provided by publisher.
Publisher: Cambridge University Press
ISBN: 1107001196
Category : Art
Languages : en
Pages : 321
Book Description
"The book is about a new development in Italian Renaissance art; its aim is to show how artists and humanists came together to effect this revolution, it is important because this is a long-ignored but crucial aspect of the Italian Renaissance, showing us why the masterpieces we take for granted are the way they are, and thre is no competitor in the field. The book sheds light on some of the world's greatest masterpirces of art, including Botticelli's Venus, Leonardo's Leda, Raphael's Galatea, and Titian's Bacchus and Ariadne"--Provided by publisher.