Author: Rowland Elzea
Publisher:
ISBN:
Category :
Languages : en
Pages : 233
Book Description
PRE-RAPHAELITE ERA 1848-1914
Author: Rowland Elzea
Publisher:
ISBN:
Category :
Languages : en
Pages : 233
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 233
Book Description
The Pre-Raphaelite Era, 1848-1914
Author: Rowland Elzea
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 240
Book Description
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 240
Book Description
The Pre-Raphaelite Era 1848-1914
Author: Rowland Elzea
Publisher:
ISBN:
Category :
Languages : en
Pages : 233
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 233
Book Description
The Pre-Raphaelite Era
Author: Rowland Elzea
Publisher:
ISBN:
Category : Pre-Raphaelitism
Languages : en
Pages : 233
Book Description
Publisher:
ISBN:
Category : Pre-Raphaelitism
Languages : en
Pages : 233
Book Description
The Brotherhood of Seven
Author: Rachael Green
Publisher:
ISBN:
Category : Pre-Raphaelites
Languages : en
Pages : 160
Book Description
Publisher:
ISBN:
Category : Pre-Raphaelites
Languages : en
Pages : 160
Book Description
The Pre-Raphaelite Imagination, 1848-1900
Author: John Dixon Hunt
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 304
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 304
Book Description
The Argument of the Eye
Author: Rachael Green
Publisher:
ISBN: 9780893417611
Category :
Languages : en
Pages : 132
Book Description
Publisher:
ISBN: 9780893417611
Category :
Languages : en
Pages : 132
Book Description
Collecting the Pre-Raphaelites
Author: Margaretta Frederick Watson
Publisher: Routledge
ISBN: 0429855974
Category : Social Science
Languages : en
Pages : 217
Book Description
First published in 1997, and written by leading scholars of the day , these fifteen essays examine aspects of the reception and collecting of Pre-Raphaelite Art, the social and cultural context in which the work was favoured and acquired. Two major collections provide the focus for the investigation: that of the Birmingham city Museums and Art Gallery in the United Kingdom, and that of the American Samuel Bancroft Jr, now part of the Delaware Art Museum. The study of these two collections both formed in the late 1890’, places Pre-Raphaelite Art at nexus of contemporary cultural issues that touched the lives of both the city council, intent on establishing a public gallery of national importance, and a wealthy American businessman, indulging a private passion for the work of these artists. The contributors approach the issue in a variety of ways, These include the study of the ambitions and self-perception of collectors of the period, an analysis of the impact of John Ruskin’s campaign to establish Pre-Raphaelite painting as the ‘Art of England’ , and its impact on notions of civic and national identity ; the examination of individual painting in relation to such issues as the portrayal of women, the nude and of religious subjects ; and the study of the Victorian preoccupation with Renaissance Italy and the attempt by Ruskin, Charles Fairfax Murray , advisor to the two collections, and the Grosvenor Gallery, to proclaim the Pre-Raphaelite artists as the true inheritors of the ‘genius’ of Renaissance Italian artists.These essays were first presented at a symposium held at the Delaware Art Museum during the exhibition there of the paintings of Birmingham City Museums and Art Gallery.
Publisher: Routledge
ISBN: 0429855974
Category : Social Science
Languages : en
Pages : 217
Book Description
First published in 1997, and written by leading scholars of the day , these fifteen essays examine aspects of the reception and collecting of Pre-Raphaelite Art, the social and cultural context in which the work was favoured and acquired. Two major collections provide the focus for the investigation: that of the Birmingham city Museums and Art Gallery in the United Kingdom, and that of the American Samuel Bancroft Jr, now part of the Delaware Art Museum. The study of these two collections both formed in the late 1890’, places Pre-Raphaelite Art at nexus of contemporary cultural issues that touched the lives of both the city council, intent on establishing a public gallery of national importance, and a wealthy American businessman, indulging a private passion for the work of these artists. The contributors approach the issue in a variety of ways, These include the study of the ambitions and self-perception of collectors of the period, an analysis of the impact of John Ruskin’s campaign to establish Pre-Raphaelite painting as the ‘Art of England’ , and its impact on notions of civic and national identity ; the examination of individual painting in relation to such issues as the portrayal of women, the nude and of religious subjects ; and the study of the Victorian preoccupation with Renaissance Italy and the attempt by Ruskin, Charles Fairfax Murray , advisor to the two collections, and the Grosvenor Gallery, to proclaim the Pre-Raphaelite artists as the true inheritors of the ‘genius’ of Renaissance Italian artists.These essays were first presented at a symposium held at the Delaware Art Museum during the exhibition there of the paintings of Birmingham City Museums and Art Gallery.
Reading the Pre-Raphaelites
Author: Tim Barringer
Publisher: Yale University Press
ISBN: 9780300077872
Category : Art
Languages : en
Pages : 182
Book Description
This illustrated book focuses on the Pre-Raphaelite artists and their radical departure from artistic conventions. Barringer explores the meanings encoded in Pre-Raphaelite paintings and analyses key pictures and their significance within the complex social and cultural matrix of 19th century Britain.
Publisher: Yale University Press
ISBN: 9780300077872
Category : Art
Languages : en
Pages : 182
Book Description
This illustrated book focuses on the Pre-Raphaelite artists and their radical departure from artistic conventions. Barringer explores the meanings encoded in Pre-Raphaelite paintings and analyses key pictures and their significance within the complex social and cultural matrix of 19th century Britain.
Edward Burne-Jones, Victorian Artist-dreamer
Author: Stephen Wildman
Publisher: Metropolitan Museum of Art
ISBN: 0870998587
Category : Arts and crafts movement
Languages : en
Pages : 375
Book Description
This publication is issued in conjunction with the 1998 exhibition of the same name held at The Metropolitan Museum of Art in New York and scheduled for venues in England and France. Burnes-Jones (1833-1898) created a style that had widespread influence on both British and European art--a narrative style derived from medieval legend and fused with the influence of Italian Renaissance masters, a style that ceded popularity to a growing taste for abstraction at the end of the 19th century. Now Burne-Jones's star has risen again, and this catalogue contains full discussion of his life and work and representation of his prodigious output of drawings and paintings. 9.5x12.5"Annotation copyrighted by Book News, Inc., Portland, OR
Publisher: Metropolitan Museum of Art
ISBN: 0870998587
Category : Arts and crafts movement
Languages : en
Pages : 375
Book Description
This publication is issued in conjunction with the 1998 exhibition of the same name held at The Metropolitan Museum of Art in New York and scheduled for venues in England and France. Burnes-Jones (1833-1898) created a style that had widespread influence on both British and European art--a narrative style derived from medieval legend and fused with the influence of Italian Renaissance masters, a style that ceded popularity to a growing taste for abstraction at the end of the 19th century. Now Burne-Jones's star has risen again, and this catalogue contains full discussion of his life and work and representation of his prodigious output of drawings and paintings. 9.5x12.5"Annotation copyrighted by Book News, Inc., Portland, OR