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Author: Ferdinand Anton
Publisher: New York : H. N. Abrams
ISBN:
Category : Art
Languages : en
Pages : 536
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Book Description
Author: Ferdinand Anton
Publisher: New York : H. N. Abrams
ISBN:
Category : Art
Languages : en
Pages : 536
Get Book Here
Book Description
Author: Sotheby Parke Bernet & Co
Publisher:
ISBN:
Category : Art, African
Languages : en
Pages : 604
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Book Description
Author: Marie Geissler
Publisher: Cambridge Scholars Publishing
ISBN: 1527564274
Category : Art
Languages : en
Pages : 228
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Book Description
This publication brings together existing research as well as new data to show how Arnhem Land bark painting was critical in the making of Indigenous Australian contemporary art and the self-determination agendas of Indigenous Australians. It identifies how, when and what the shifts in the reception of the art were, especially as they occurred within institutional exhibition displays. Despite key studies already being published on the reception of Aboriginal art in this area, the overall process is not well known or always considered, while the focus has tended to be placed on Western Desert acrylic paintings. This text, however represents a refocus, and addresses this more fully by integrating Arnhem Land bark painting into the contemporary history of Aboriginal art. The trajectory moves from its understanding as a form of ethnographic art, to seeing it as conceptual art and appreciating it for its cultural agency and contemporaneity.
Author: Daniel P. Biebuyck
Publisher: Univ of California Press
ISBN: 9780520020856
Category : Social Science
Languages : en
Pages : 370
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Book Description
A young Highland boy discovers he has the gift of Second Sight.
Author: Kate Ezra
Publisher: Metropolitan Museum of Art
ISBN: 0870996339
Category : Art
Languages : en
Pages : 346
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Book Description
Tantalizing trivia. this Hitler, spoiling everything?"
Author: Ivan Van Sertima
Publisher: Random House Trade Paperbacks
ISBN:
Category : History
Languages : en
Pages : 358
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Book Description
"The African presence in ancient America"--Jacket subtitle.
Author: Howard Morphy
Publisher: John Wiley & Sons
ISBN: 1405155329
Category : Social Science
Languages : en
Pages : 576
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Book Description
This anthology provides a single-volume overview of the essential theoretical debates in the anthropology of art. Drawing together significant work in the field from the second half of the twentieth century, it enables readers to appreciate the art of different cultures at different times. Advances a cross-cultural concept of art that moves beyond traditional distinctions between Western and non-Western art. Provides the basis for the appreciation of art of different cultures and times. Enhances readers’ appreciation of the aesthetics of art and of the important role it plays in human society.
Author: Colin McEwan
Publisher: Dumbarton Oaks Research Library & Collection
ISBN: 9780884024699
Category : Indian art
Languages : en
Pages : 758
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Book Description
The final installment in the series of catalogues of the Robert Woods Bliss Collection, Pre-Columbian Art from Central America and Colombia at Dumbarton Oaks examines a comprehensive collection of jade and gold objects from Costa Rica, Panama, and Colombia. Full color photographs illustrate the breathtaking works of Indigenous artists and artisans.
Author: Anitra Nettleton
Publisher: Wits University Press
ISBN: 1868144585
Category : Art
Languages : en
Pages : 486
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Book Description
African Dream Machines takes African headrests out of the category of functional objects and into the more rarefied category of ‘art’ objects. Styles in African headrests are usually defined in terms of western art and archaeological discourses, but this book interrogates these definitions of style and demonstrates the shortcomings of defining a single formal style model as exclusive to a single ethnic group. Among the artefacts made by southern African peoples, headrests were the best known. Anitra Nettleton’s study of the uses and forms of headrests opened up a number of art-historical methodologies in the attempt to gain an understanding of form, style and content in African art objects. Her drawings of each and every headrest encountered become a major part of the project.
Author: Alisa LaGamma
Publisher: Metropolitan Museum of Art
ISBN:
Category : Art
Languages : en
Pages : 52
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Book Description
This Bulletin and the exhibition it accompanies, "The Nelson A. Rockefeller Vision: In Pursuit of the Best in Arts of Africa, Oceania, and the Americas," reflect on an extraordinary act of philanthropy that was also a catalyst for momentous change in the art world. In establishing the Museum of Primitive Art (MPA) in 1956—the precursor to what is today the Department of the Arts of Africa, Oceania, and the Americas (AAOA) at the Metropolitan Museum—Nelson Rockefeller was a true pioneer, assembling what remains the greatest collection of fine art from these disparate fields. Perhaps even more important than this singular achievement, however, was Rockefeller's long campaign to place his collection at the Metropolitan Museum as a gift to the city and to the world, which he finally achieved in 1969 after nearly forty years of effort. Rockefeller's gift carried the unequivocal message that artists from Africa, Oceania, and the Americas are equal in every respect to those of their peers across the globe and throughout history. Yet until that time there was, famously, skepticism in the Western art world on this point as well as resistance from earlier generations of Metropolitan directors in viewing non-Western art as part of the institution's mission. Relying on his formidable powers of persuasion, Rockefeller eventually brokered an agreement to transfer the collections, staff, and library of the of the MPA to the Metropolitan, an astounding triumph that fundamentally changed the character of the museum, making the collections truly encyclopedic.
