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Author: Elizabeth Williamson
Publisher: Routledge
ISBN: 1317068114
Category : Performing Arts
Languages : en
Pages : 296
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Book Description
Offering fuller understandings of both dramatic representations and the complexities of religious culture, this collection reveals the ways in which religion and performance were inextricably linked in early modern England. Its readings extend beyond the interpretation of straightforward religious allusions and suggest new avenues for theorizing the dynamic relationship between religious representations and dramatic ones. By addressing the particular ways in which commercial drama adapted the sensory aspects of religious experience to its own symbolic systems, the volume enacts a methodological shift towards a more nuanced semiotics of theatrical performance. Covering plays by a wide range of dramatists, including Shakespeare, individual essays explore the material conditions of performance, the intricate resonances between dramatic performance and religious ceremonies, and the multiple valences of religious references in early modern plays. Additionally, Religion and Drama in Early Modern England reveals the theater's broad interpretation of post-Reformation Christian practice, as well as its engagement with the religions of Islam, Judaism and paganism.
Author: Elizabeth Williamson
Publisher: Routledge
ISBN: 1317068114
Category : Performing Arts
Languages : en
Pages : 296
Get Book Here
Book Description
Offering fuller understandings of both dramatic representations and the complexities of religious culture, this collection reveals the ways in which religion and performance were inextricably linked in early modern England. Its readings extend beyond the interpretation of straightforward religious allusions and suggest new avenues for theorizing the dynamic relationship between religious representations and dramatic ones. By addressing the particular ways in which commercial drama adapted the sensory aspects of religious experience to its own symbolic systems, the volume enacts a methodological shift towards a more nuanced semiotics of theatrical performance. Covering plays by a wide range of dramatists, including Shakespeare, individual essays explore the material conditions of performance, the intricate resonances between dramatic performance and religious ceremonies, and the multiple valences of religious references in early modern plays. Additionally, Religion and Drama in Early Modern England reveals the theater's broad interpretation of post-Reformation Christian practice, as well as its engagement with the religions of Islam, Judaism and paganism.
Author: D. Coleman
Publisher: Springer
ISBN: 0230589642
Category : Literary Criticism
Languages : en
Pages : 189
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Book Description
This is the first book-length study of the relationship between early modern drama and sacramental ritual and theology. It examines dramatic forms, such as morality plays. Offering new insights into the religious practices on which early modern subjectivity is founded. Coleman offers radical new ways of reading canonical Renaissance plays.
Author: Timothy Scott McGinnis
Publisher: Penn State Press
ISBN: 1935503413
Category : Religion
Languages : en
Pages : 208
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Book Description
This careful study explores puritan attitudes through the life and works of Elizabethan minister George Gifford. He was on the front lines of religious controversies in a time when the English church was being shaped by Protestant evangelicals who felt compelled to carry their understanding of “true religion” to all corners of England. Known among themselves as “the godly” or “gospellers” and to their enemies as “puritans” or “precisionists,” these ministers believed the Church of England was only partially reformed. Gifford tried to convert the many parishioners whom he believed to be Protestant in name only, or “men indifferent” due to their acceptance of whatever religion was thrust upon them. Using archival records and Gifford's large corpus of published treatises, dialogues, and sermons, McGinnis looks at Gifford’s support and opposition in his ministry at Maldon, and his recurring conflicts with ecclesiastical authorities. He explores Gifford's writings on Catholicism, separatism, and witchcraft, and considers how Gifford’s attention to practical ministry interacted with national debates. McGinnis also analyzes Gifford's attempt to translate Protestant doctrines into a language accessible to the average layperson in his sermons and catechism. Those interested in popular religion and culture, pastoral ministry, and puritanism on both sides of the Atlantic will benefit from this study of one on the front lines of religious controversies during the turbulent years of Elizabeth's reign.
Author: Joseph Sterrett
Publisher: Cambridge University Press
ISBN: 1108429726
Category : Drama
Languages : en
Pages : 289
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Book Description
Examines the performative aspects of prayer and how they were represented in literature in early modern England.
Author: Kenneth L. Parker
Publisher: Routledge
ISBN: 1351963198
Category : History
Languages : en
Pages : 384
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Book Description
Richard Greenham was one of the most important and respected figures among the Elizabethan clergy. His contemporaries described him as the founder of a previously unknown pastoral art: the cure of cases of conscience. Despite his fame in the Elizabethan period as a model pastor, pioneer in reformed casuistry, and founder of one of the first rectory seminaries, scholars have made little use of his life and works in their study of Elizabethan religious life. This study restores Richard Greenham to the central place he held in the development of Elizabethan Reformed parochial ministry. The monograph-length introduction includes a biography, an analysis of his pastoral style, and a study of his approach to curing cases of conscience. The transcription of Rylands English Manuscript 524, cross-referenced with the published editions of the sayings, offers a useful source to scholars who wish to study the collecting and ’framing’ process of the humanist pedagogical tradition. The selection of early published works includes Greenham’s (unfinished) catechism, treatises on the Sabbath and marriage, and advice on reading scripture and educating children.
Author: Ceri Sullivan
Publisher:
ISBN: 0198857314
Category : Drama
Languages : en
Pages : 264
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Book Description
Explores drama and private prayer from 1580 to 1640, when prayer was considered a dynamic, creative practice. It analyses moments in which private prayer was staged in Shakespeare's history plays to argue that private prayers are play scripts and to recognise how this understanding affects how prayers in the plays were played and received.
Author: Lori Branch
Publisher: Baylor University Press
ISBN: 1932792112
Category : Literary Criticism
Languages : en
Pages : 364
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Book Description
Winner of the Book of the Year Award for the Conference on Christianity and Literature.--Thomas H. Luxon, Dartmouth College "CHOICE"
Author: John E. Curran
Publisher: Rutgers University Press
ISBN: 1644530538
Category : Literary Criticism
Languages : en
Pages : 323
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Book Description
Character and the Individual Personality in English Renaissance Drama: Tragedy, History, Tragicomedy studies instantiations of the individualistic character in drama, Shakespearean and non-Shakespearean, and some of the Renaissance ideas allowing for and informing them. Setting aside such fraught questions as the history of Renaissance subjectivity and individualism on the one hand and Shakespearean exceptionalism on the other, we can find that in some plays, by a range of different authors and collaborators, a conception has been evidenced of who a particular person is, and has been used to drive the action. This evidence can take into account a number of internal and external factors that might differentiate a person, and can do so drawing on the intellectual context in a number of ways. Ideas with potential to emphasize the special over the general in envisioning the person might come from training in dialectic (thesis vs hypothesis) or in rhetoric (ethopoeia), from psychological frameworks (casuistry, humor theory, and their interpenetration), or from historiography (exemplarity). But though they depicted what we would call personality only intermittently, and with assumptions different from our own about personhood, dramatists sometimes made a priority of representing the workings of a specific mind: the patterns of thought and feeling that set a person off as that person and define that person singularly rather than categorically. Some individualistic characters can be shown to emerge where we do not expect, such as with Fletcherian personae like Amintor, Arbaces, and Montaigne of The Honest Man’s Fortune; some are drawn by playwrights often uninterested in character, such as Chapman’s Bussy D’Ambois, Jonson’s Cicero, and Ford’s Perkin Warbeck; and some appear in being constructed differently from others by the same author, as when Webster’s Bosola is set in contrast to Flamineo, and Marlowe’s Faustus is set against Barabas. But Shakespearean characters are also examined for the particular manner in which each troubles the categorical and exhibits a personality: Othello, Good Duke Humphrey, and Marc Antony. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Author: Katharine Jackson Lualdi
Publisher: Routledge
ISBN: 1351912348
Category : History
Languages : en
Pages : 256
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Book Description
This volume is comprised of thirteen essays that explore penitential teachings and practices from the late fifteenth to the early seventeenth centuries in Western Europe and its colonies. Together the essays reveal that in this period, penitence was an increasingly important force shaping the individual and society. Consequently, the authors argue, penitence is central to our understanding of early modern Christianity as it was taught and experienced in everyday life. From Germany to France and to the Americas, Catholics turned to traditional forms of penitence not only to save individual souls, but also to assert their confessional identity. For their part, Protestants established distinctive penitential approaches and institutions in accordance with their own understandings of sin and salvation. In thus examining the treatment of post-baptismal sin across chronological and confessional boundaries, the volume breaks new ground in the history of penance. The volume concludes with a postscript assessing the ways in which the essays enrich the current state of scholarship on penitence and encourage further research. Katharine Jackson Lualdi is an independent scholar. Anne T. Thayer is Assistant Professor of Church History at Lancaster Theological Seminary, Lancaster, Pennsylvania.
Author: Claire McEachern
Publisher: Cambridge University Press
ISBN: 1107470137
Category : Literary Criticism
Languages : en
Pages : 325
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Book Description
This revised and updated Companion acquaints the student reader with the forms, contexts, critical and theatrical lives of the ten plays considered to be Shakespeare's tragedies. Thirteen essays, written by leading scholars in Britain and North America, address the ways in which Shakespearean tragedy originated, developed and diversified, as well as how it has fared on stage, as text and in criticism. Topics covered include the literary precursors of Shakespeare's tragedies, cultural backgrounds, sub-genres and receptions of the plays. The book examines the four major tragedies and, in addition, Titus Andronicus, Romeo and Juliet, Julius Caesar, Antony and Cleopatra, Coriolanus and Timon of Athens. Essays from the first edition have been fully revised to reflect the most up-to-date scholarship; the bibliography has been extensively updated; and four new chapters have been added, discussing Shakespearean form, Shakespeare and philosophy, Shakespeare's tragedies in performance, and Shakespeare and religion.
