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Author:
Publisher:
ISBN: 9788878161719
Category : Art, Modern
Languages : en
Pages : 205
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Book Description
Author:
Publisher:
ISBN: 9788878161719
Category : Art, Modern
Languages : en
Pages : 205
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Book Description
Author: Gabriele Guzzo
Publisher:
ISBN: 9788878161429
Category : Art, Central European
Languages : cs
Pages : 425
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Book Description
Author:
Publisher:
ISBN: 9788878161610
Category : Art, Modern
Languages : en
Pages : 232
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Book Description
Author: Helena Kontova
Publisher: Giancarlo Politi Editore
ISBN:
Category : Art
Languages : en
Pages : 366
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Book Description
Now in its fourth edition, Prague Biennale relaunches itself to include the first edition of Prague Biennale Photo. From painting and photography to performance and installation art, this year's large-format edition tracks the most significant aspects of Central European art and beyond. It includes a foreword by the biennial directors, essays by curators and information about the artists included in each section.
Author: Giancarlo Politi
Publisher: Giancarlo Politi Editore
ISBN: 9788878161306
Category : Art and globalization
Languages : en
Pages : 0
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Book Description
Published on the occasion of the very first Prague Biennale, this chunky volume acts as a virtual dictionary of contemporary art. Listed are the works and biographies of 230 established and emerging artists from all over the world, including the more unfamiliar territories of Venezuela, the Basque Countries, China, and Poland, as selected by 20 international curators, including Lauri Firstenberg, Sofia Hernandez, and Jens Hoffmann.
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 530
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Book Description
Author: Haresh Lalvani
Publisher: Taylor & Francis
ISBN: 1000822648
Category : Architecture
Languages : en
Pages : 421
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Book Description
Coding, Shaping, Making combines inspiration from architecture, mathematics, biology, chemistry, physics and computation to look towards the future of architecture, design and art. It presents ongoing experiments in the search for fundamental principles of form and form-making in nature so that we can better inform our own built environment. In the coming decades, matter will become encoded with shape information so that it shapes itself, as happens in biology. Physical objects, shaped by forces as well, will begin to design themselves based on information encoded in matter they are made of. This knowledge will be scaled and trickled up to architecture. Consequently, architecture will begin to design itself and the role of the architect will need redefining. This heavily illustrated book highlights Haresh Lalvani’s efforts towards this speculative future through experiments in form and form-making, including his work in developing a new approach to shape‐coding, exploring higher‐dimensional geometry for designing physical structures and organizing form in higher-dimensional diagrams. Taking an in-depth look at Lalvani’s pioneering experiments of mass customization in industrial products in architecture, combined with his idea of a form continuum, this book argues for the need for integration of coding, shaping and making in future technologies into one seamless process. Drawing together decades of research, this book will be a thought-provoking read for architecture professionals and students, especially those interested in the future of the discipline as it relates to mathematics, science, technology and art. It will also interest those in the latter fields for its broader implications.
Author: Entang Wiharso
Publisher:
ISBN:
Category : Art, Indonesian
Languages : en
Pages : 260
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Book Description
Author: Library of Congress
Publisher:
ISBN:
Category :
Languages : en
Pages : 1016
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Book Description
Author: Anthony Gardner
Publisher: John Wiley & Sons
ISBN: 1444336657
Category : Business & Economics
Languages : en
Pages : 306
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Book Description
This innovative new history examines in-depth how the growing popularity of large-scale international survey exhibitions, or 'biennials', has influenced global contemporary art since the 1950s. Provides a comprehensive global history of biennialization from the rise of the European star-curator in the 1970s to the emergence of mega-exhibitions in Asia in the 1990s Introduces a global array of case studies to illustrate the trajectory of biennials and their growing influence on artistic expression, from the Biennale de la Méditerranée in Alexandria, Egypt in 1955, the second Havana Biennial of 1986, New York’s Whitney Biennial in 1993, and the 2002 Documenta11 in Kassel, to the Gwangju Biennale of 2014 Explores the evolving curatorial approaches to biennials, including analysis of the roles of sponsors, philanthropists and biennial directors and their re-shaping of the contemporary art scene Uses the history of biennials as a means of illustrating and inciting further discussions of globalization in contemporary art
