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Author: Kim Sexton
Publisher: Routledge
ISBN: 1317281853
Category : Architecture
Languages : en
Pages : 446
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Book Description
The relationship of architecture to the human body is a centuries-long and complex one, but not always symmetrical. This book opens a space for historians of the visual arts, archaeologists, architects, and digital humanities professionals to reflect upon embodiment, spatiality, science, and architecture in premodern and modern cultural contexts. Architecture and the Body, Science and Culture poses one overarching question: How does a period’s understanding of bodies as objects of science impinge upon architectural thought and design? The answers are sophisticated, interdisciplinary explorations of theory, technology, symbolism, medicine, violence, psychology, deformity, and salvation, and they have unexpected and fascinating implications for architectural design and history. The new research published in this volume reinvigorates the Western survey-style trajectory from Archaic Greece to post‐war Europe with scientifically‐framed, body‐centred provocations. By adding the third factor—science—to the architecture and body equation, this book presents a nuanced appreciation for architectural creativity and its embeddedness in other sets of social, institutional and political relationships. In so doing, it spatializes body theory and ties it to the experience of the built environment in ways that disturb traditional boundaries between the architectural container and the corporeally contained.
Author: Kim Sexton
Publisher: Routledge
ISBN: 1317281853
Category : Architecture
Languages : en
Pages : 446
Get Book Here
Book Description
The relationship of architecture to the human body is a centuries-long and complex one, but not always symmetrical. This book opens a space for historians of the visual arts, archaeologists, architects, and digital humanities professionals to reflect upon embodiment, spatiality, science, and architecture in premodern and modern cultural contexts. Architecture and the Body, Science and Culture poses one overarching question: How does a period’s understanding of bodies as objects of science impinge upon architectural thought and design? The answers are sophisticated, interdisciplinary explorations of theory, technology, symbolism, medicine, violence, psychology, deformity, and salvation, and they have unexpected and fascinating implications for architectural design and history. The new research published in this volume reinvigorates the Western survey-style trajectory from Archaic Greece to post‐war Europe with scientifically‐framed, body‐centred provocations. By adding the third factor—science—to the architecture and body equation, this book presents a nuanced appreciation for architectural creativity and its embeddedness in other sets of social, institutional and political relationships. In so doing, it spatializes body theory and ties it to the experience of the built environment in ways that disturb traditional boundaries between the architectural container and the corporeally contained.
Author: Michael Siebenbrodt
Publisher: Parkstone International
ISBN: 1780429304
Category : Art
Languages : en
Pages : 256
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Book Description
The Bauhaus movement (meaning the “house of building”) developed in three German cities - it began in Weimar between 1919 and 1925, then continued in Dessau, from 1925 to 1932, and finally ended in 1932-1933 in Berlin. Three leaders presided over the growth of the movement: Walter Gropius, from 1919 to 1928, Hannes Meyer, from 1928 to 1930, and Ludwig Mies van der Rohe, from 1930 to 1933. Founded by Gropius in the rather conservative city of Weimar, the new capital of Germany, which had just been defeated by the other European nations in the First World War, the movement became a flamboyant response to this humiliation. Combining new styles in architecture, design, and painting, the Bauhaus aspired to be an expression of a generational utopia, striving to free artists facing a society that remained conservative in spite of the revolutionary efforts of the post-war period. Using the most modern materials, the Bauhaus was born out of the precepts of William Morris and the Arts and Crafts movement, introducing new forms, inspired by the most ordinary of objects, into everyday life. The shuttering of the center in Berlin by the Nazis in 1933 did not put an end to the movement, since many of its members chose the path of exile and established themselves in the United States. Although they all went in different directions artistically, their work shared the same origin. The most influential among the Bauhaus artists were Anni Albers, Josef Albers, Marianne Brandt, Marcel Breuer, Lyonel Feininger, Ludwig Hilberseimer, Paul Klee, Wassily Kandisky, and Lothar Schreyer. Through a series of beautiful reproductions, this work provides an overview of the Bauhaus era, including the history, influence, and major figures of this revolutionary movement, which turned everyday life into art.
Author: Matthias Krüger
Publisher: Walter de Gruyter
ISBN: 3050049367
Category : Art
Languages : de
Pages : 421
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Book Description
Das Thema "Kunst im Dienst der Nation" wird so lange nicht an Brisanz verlieren, wie der Nationalismus in Politik und Gesellschaft auch die Ausdrucksmittel der Bildenden Kunst zu seinen Zwecken nutzt, beispielsweise um Identitat nationaler Gruppen durch Bilder, Skulpturen und Architekturen zu stiften oder zu bekraftigen, aber auch um diese Konstrukte mit den Mitteln der Kunst zu attackieren. Die in diesem Band versammelten Beitrage zeigen exemplarisch, auf welche Weise die Kunst zur Formung nationaler Identitaten beigetragen hat. Das Thema wird aus zwei verschiedenen Blickwinkeln fokussiert: Einerseits geht es um die kunstlerischen Konstruktionen nationaler Kunst. Analysiert werden sowohl nationale Ikonographien als auch die nationalen Aufladungen bestimmter Materialien, Farben, Techniken oder Ornamente. Andererseits widmet sich der Band jedoch auch der nationalen Vereinnahmung, Instrumentalisierung und Kategorisierung von Kunstwerken, wie sie von der Kunstkritik, der Kunstgeschichte, den Museen oder anderen Institutionen betrieben werden. Da der Nationalismus erst um 1800 zu einem wesentlichen Sinnstiftungs- und Orientierungsmuster wurde, ist der Blick in besonderem Masse auf die Kunst der Moderne gerichtet. Gleichwohl wurden bewusst auch Vor- und Fruhformen einer sich patriotisch gebardenden Kunst ins Blickfeld einbezogen. Die daraus resultierende Bandbreite bietet einen vielschichtigen Querschnitt durch die kunsthistorische Nationalismus-Forschung."
Author: José M. Faraldo
Publisher: Böhlau Verlag Köln Weimar
ISBN: 9783412200299
Category : Europe
Languages : en
Pages : 412
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Book Description
Author: Wolfgang Jean Stock
Publisher: Prestel Publishing
ISBN:
Category : Architecture
Languages : en
Pages : 228
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Book Description
This volume explores in detail 24 churches in ten countries throughout Western Europe, built between 1900 and 1950. Contemporary photographs and floor plans help readers identify the unique characteristics of each building, and are complemented by texts outlining the churches' architectural highlights.
Author: Henry-Russell Hitchcock
Publisher: Yale University Press
ISBN: 9780300053203
Category : Architecture
Languages : en
Pages : 702
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Book Description
This book examines a period which is far more than a prelude to the age of steel and concrete. The first half-century culminated in the bold iron and glass of the Crystal Palace. There follows the creation of the modern styles of the era based on traditions of the past, and finally, in the 20th century, Art Nouveau and the modern architects in their generations - Perret, Wright, Gropius, Corbusier, Mies van der Rohe and others in many parts of the world.
Author: Eve Blau
Publisher: Prestel Publishing
ISBN:
Category : Architecture
Languages : en
Pages : 254
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Book Description
The explosion of architectural ideas during the last decades of the Hapsburg Empire and in the first adventurous years of the new republics of Central Europe that followed it is the subject of this stimulating and wide-ranging study.
Author: Andrew Leach
Publisher: Routledge
ISBN: 1317040600
Category : Architecture
Languages : en
Pages : 292
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Book Description
In his landmark volume Space, Time and Architecture, Sigfried Giedion paired images of two iconic spirals: Tatlin’s Monument to the Third International and Borromini’s dome for Sant’Ivo alla Sapienza. The values shared between the baroque age and the modern were thus encapsulated on a single page spread. As Giedion put it, writing of Sant’Ivo, Borromini accomplished 'the movement of the whole pattern [...] from the ground to the lantern, without entirely ending even there.' And yet he merely 'groped' towards that which could 'be completely effected' in modern architecture-achieving 'the transition between inner and outer space.' The intellectual debt of modern architecture to modernist historians who were ostensibly preoccupied with the art and architecture of earlier epochs is now widely acknowledged. This volume extends this work by contributing to the dual projects of the intellectual history of modern architecture and the history of architectural historiography. It considers the varied ways that historians of art and architecture have historicized modern architecture through its interaction with the baroque: a term of contested historical and conceptual significance that has often seemed to shadow a greater contest over the historicity of modernism. Presenting research by an international community of scholars, this book explores through a series of cross sections the traffic of ideas between practice and history that has shaped modern architecture and the academic discipline of architectural history across the long twentieth century. The editors use the historiography of the baroque as a lens through which to follow the path of modern ideas that draw authority from history. In doing so, the volume defines a role for the baroque in the history of architectural historiography and in the history of modern architectural culture.
Author: Timothy O. Benson
Publisher: Mit Press
ISBN:
Category : Architecture
Languages : en
Pages : 458
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Book Description
This volume presents an interpretive overview of the complex webs of interaction among the artists and intellectuals of early 20th-century Central Europe.
Author: Galina Mardilovich
Publisher: Routledge
ISBN: 0429639783
Category : Art
Languages : en
Pages : 228
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Book Description
This book brings together thirteen scholars to introduce the newest and most cutting-edge research in the field of Russian and East European art history. Reconsidering canonical figures, re-examining prevalent debates, and revisiting aesthetic developments, the book challenges accepted histories and entrenched dichotomies in art and architecture from the nineteenth century to the present. In doing so, it resituates the artistic production of this region within broader socio-cultural currents and analyzes its interconnections with international discourse, competing political and aesthetic ideologies, and continuous discussions over identity.
