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Author: Xiaoping Wang
Publisher: BRILL
ISBN: 9004385584
Category : Social Science
Languages : en
Pages : 483
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Book Description
In Postsocialist Conditions: Idea and History in China’s “Independent Cinema,” 1988-2008, WANG Xiaoping offers a comprehensive survey and trenchant critique of China’s “Independent Cinema” by the sixth-generation auteurs. By showing the multi-valence of the postsocialist conditions in contemporary Chinese society, their films articulate a new cultural-political logic in postsocialist China, which is also the logic of the market in this era of neoliberal transformation, brought about by the forces of marketization since the late 1980s. The directors laudably show the spirits of humanism and the humanitarian concerns of the underclass, yet the shortage and repudiation of class analysis prohibits the artists from exploring the social contradictions and the cause of class restructuration.
Author: Xiaoping Wang
Publisher: BRILL
ISBN: 9004385584
Category : Social Science
Languages : en
Pages : 483
Get Book Here
Book Description
In Postsocialist Conditions: Idea and History in China’s “Independent Cinema,” 1988-2008, WANG Xiaoping offers a comprehensive survey and trenchant critique of China’s “Independent Cinema” by the sixth-generation auteurs. By showing the multi-valence of the postsocialist conditions in contemporary Chinese society, their films articulate a new cultural-political logic in postsocialist China, which is also the logic of the market in this era of neoliberal transformation, brought about by the forces of marketization since the late 1980s. The directors laudably show the spirits of humanism and the humanitarian concerns of the underclass, yet the shortage and repudiation of class analysis prohibits the artists from exploring the social contradictions and the cause of class restructuration.
Author: Boris Groys
Publisher: Univ of California Press
ISBN: 0520233344
Category : Art
Languages : en
Pages : 336
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Book Description
The Berlin Wall was coming down, the Soviet Union was dissolving, Communist China was well on its way down the capitalist path. Artists, seeing it all first-hand, responded with a revolution of their own. What form this revolution took emerges in this volume.
Author: Nancy Fraser
Publisher: Routledge
ISBN: 1317828070
Category : Philosophy
Languages : en
Pages : 262
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Book Description
Refuting the argument to choose between "the politics of recognition" and the "politics of redistribution," Justice Interruptus integrates the best aspects of both. ********************************************************* ** What does it mean to think critically about politics at a time when inequality is increasing worldwide, when struggles for the recognition of difference are eclipsing struggles for social equality, and when we lack any credible vision of an alternative to the present order? Philosopher Nancy Fraser claims that the key is to overcome the false oppositions of "postsocialist" commonsense. Refuting the view that we must choose between "the politics of recognition" and the "politics of redistribution," Fraser argues for an integrative approach that encompasses the best aspects of both.
Author: Olga Shevchenko
Publisher: Indiana University Press
ISBN: 0253002575
Category : History
Languages : en
Pages : 258
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Book Description
In this ethnography of postsocialist Moscow in the late 1990s, Olga Shevchenko draws on interviews with a cross-section of Muscovites to describe how people made sense of the acute uncertainties of everyday life, and the new identities and competencies that emerged in response to these challenges. Ranging from consumption to daily rhetoric, and from urban geography to health care, this study illuminates the relationship between crisis and normality and adds a new dimension to the debates about postsocialist culture and politics.
Author: Ales Erjavec
Publisher: Univ of California Press
ISBN: 0520928555
Category : Art
Languages : en
Pages : 320
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Book Description
The Berlin Wall was coming down, the Soviet Union was dissolving, Communist China was well on its way down the capitalist path; the world was witnessing political and social transformations without precedent. Artists, seeing it all firsthand, responded with a revolution of their own. What form this revolution took—how artists in the 1980s marked their societies' traumatic transition from decaying socialism to an insecure future—emerges in this remarkable volume. With in-depth perspectives on art and artists in the former Soviet Union, the Balkans and Mitteleuropa, China, and Cuba—all from scholars and art critics who were players in the tumultuous cultural landscapes they describe—this stunningly illustrated collection captures a singular period in the history of world art, and a critical moment in the cultural and political transition from the last century to our own. Authors Ales Erjavec, Gao Minglu, Boris Groys, Péter György, Gerardo Mosquera, and Misko Suvakovic observe distinct national differences in artistic responses to the social and political challenges of the time. But their essays also reveal a clear pattern in the ways in which artists registered the exhaustion of the socialist vision and absorbed the influence of art movements such as constructivism, pop art, and conceptual art, as well as the provocations of western pop culture. Indebted to but not derived from capitalist postmodernism, the result was a unique version of postsocialist postmodernism, an artistic/political innovation clearly identified and illustrated for the first time in these pages.
Author: David Stark
Publisher: Cambridge University Press
ISBN: 9780521589741
Category : Business & Economics
Languages : en
Pages : 304
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Book Description
This book, first published in 1998, analyzes democratization and economic change in the postsocialist societies of East Central Europe.
Author: Redi Koobak
Publisher: Routledge
ISBN: 1000361527
Category : Fiction
Languages : en
Pages : 280
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Book Description
Through staging dialogues between scholars, activists, and artists from a variety of disciplinary, geographical, and historical specializations, Postcolonial and Postsocialist Dialogues explores the possible resonances and dissonances between the postcolonial and the postsocialist in feminist theorizing and practice. While postcolonial and postsocialist perspectives have been explored in feminist studies, the two analytics tend to be viewed separately. This volume brings together attempts to understand if and how postcolonial and postsocialist dimensions of the human condition - historical, existential, political, and ideological - intersect and correlate in feminist experiences, identities, and struggles. In the three sections that probe the intersections, opacities, and challenges between the two discourses, the authors put under pressure what postcolonialism and postsocialism mean for feminist scholarship and activism. The contributions address the emergence of new political and cultural formations as well as circuits of bodies and capital in a post-Cold War and postcolonial era in currently re-emerging neo-colonial and imperial conflicts. They engage with issues of gender, sexuality, race, migration, diasporas, indigeneity, and disability, while also developing new analytical tools such as postsocialist precarity, queer postsocialist coloniality, uneventful feminism, feminist opacity, feminist queer crip epistemologies. The collection will be of interest for postcolonial and postsocialist researchers, students of gender studies, feminist activists and scholars.
Author: C. M. Hann
Publisher: LIT Verlag Münster
ISBN: 9783825899042
Category : Political Science
Languages : en
Pages : 364
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Book Description
Assumptions of increasing secularization have been called into question across the globe but under the socialist variants of modernity traditional forms of religious belief and practice were subject to quite specific forms of repression in favour of 'scientific atheism'. What is the legacy of this socialist experience for the postsocialist era? How is religion mobilized in the public sphere to support assertions of ethnic identity and the building of nations and states? In the private sphere, how does religion help persons to cope with uncertainty and dislocation? What has been the impact of external influences, including pressures to implement religious human rights as well as the missionising efforts of modernist, 'universalizing' faiths, both Christian and Muslim? This book explores new configurations of local, national and global religious communities through ethnographic studies from two regions, Central Asia and East-Central Europe. The main focus is on the consequences of changes in the sphere of religion for generalized civility, which is understood minimally as the acceptance of diverse beliefs and practices in everyday social life.
Author: Yuson Jung
Publisher: Univ of California Press
ISBN: 0520277406
Category : Cooking
Languages : en
Pages : 232
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Book Description
Current discussions of the ethics around alternative food movements--concepts such as "local," "organic," and "fair trade"--tend to focus on their growth and significance in advanced capitalist societies. In this groundbreaking contribution to critical food studies, editors Yuson Jung, Jakob A. Klein, and Melissa L. Caldwell explore what constitutes "ethical food" and "ethical eating" in socialist and formerly socialist societies. With essays by anthropologists, sociologists, and geographers, this politically nuanced volume offers insight into the origins of alternative food movements and their place in today's global economy. Collectively, the essays cover discourses on food and morality; the material and social practices surrounding production, trade, and consumption; and the political and economic power of social movements in Bulgaria, China, Cuba, Lithuania, Russia, and Vietnam. Scholars and students will gain important historical and anthropological perspective on how the dynamics of state-market-citizen relations continue to shape the ethical and moral frameworks guiding food practices around the world.
Author: Kirk A. Denton
Publisher: University of Hawaii Press
ISBN: 0824840062
Category : History
Languages : en
Pages : 362
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Book Description
During the Mao era, China’s museums served an explicit and uniform propaganda function, underlining official Party history, eulogizing revolutionary heroes, and contributing to nation building and socialist construction. With the implementation of the post-Mao modernization program in the late 1970s and 1980s and the advent of globalization and market reforms in the 1990s, China underwent a radical social and economic transformation that has led to a vastly more heterogeneous culture and polity. Yet China is dominated by a single Leninist party that continues to rely heavily on its revolutionary heritage to generate political legitimacy. With its messages of collectivism, self-sacrifice, and class struggle, that heritage is increasingly at odds with Chinese society and with the state’s own neoliberal ideology of rapid-paced development, glorification of the market, and entrepreneurship. In this ambiguous political environment, museums and their curators must negotiate between revolutionary ideology and new kinds of historical narratives that reflect and highlight a neoliberal present. In Exhibiting the Past, Kirk Denton analyzes types of museums and exhibitionary spaces, from revolutionary history museums, military museums, and memorials to martyrs to museums dedicated to literature, ethnic minorities, and local history. He discusses red tourism—a state sponsored program developed in 2003 as a new form of patriotic education designed to make revolutionary history come alive—and urban planning exhibition halls, which project utopian visions of China’s future that are rooted in new conceptions of the past. Denton’s method is narratological in the sense that he analyzes the stories museums tell about the past and the political and ideological implications of those stories. Focusing on “official” exhibitionary culture rather than alternative or counter memory, Denton reinserts the state back into the discussion of postsocialist culture because of its centrality to that culture and to show that state discourse in China is neither monolithic nor unchanging. The book considers the variety of ways state museums are responding to the dramatic social, technological, and cultural changes China has experienced over the past three decades.
