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Author: Jelena Novak
Publisher: Routledge
ISBN: 1317077199
Category : Music
Languages : en
Pages : 206
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Book Description
Both in opera studies and in most operatic works, the singing body is often taken for granted. In Postopera: Reinventing the Voice-Body, Jelena Novak reintroduces an awareness of the physicality of the singing body to opera studies. Arguing that the voice-body relationship itself is a producer of meaning, she furthermore posits this relationship as one of the major driving forces in recent opera. She takes as her focus six contemporary operas - La Belle et la Bête (Philip Glass), Writing to Vermeer (Louis Andriessen, Peter Greenaway), Three Tales (Steve Reich, Beryl Korot), One (Michel van der Aa), Homeland (Laurie Anderson), and La Commedia (Louis Andriessen, Hal Hartley) - which she terms 'postoperas'. These pieces are sites for creative exploration, where the boundaries of the opera world are stretched. Central to this is the impact of new media, a de-synchronization between image and sound, or a redefinition of body-voice-gender relationships. Novak dissects the singing body as a set of rules, protocols, effects, and strategies. That dissection shows how the singing body acts within the world of opera, what interventions it makes, and how it constitutes opera’s meanings.
Author: Jelena Novak
Publisher: Routledge
ISBN: 1317077199
Category : Music
Languages : en
Pages : 206
Get Book Here
Book Description
Both in opera studies and in most operatic works, the singing body is often taken for granted. In Postopera: Reinventing the Voice-Body, Jelena Novak reintroduces an awareness of the physicality of the singing body to opera studies. Arguing that the voice-body relationship itself is a producer of meaning, she furthermore posits this relationship as one of the major driving forces in recent opera. She takes as her focus six contemporary operas - La Belle et la Bête (Philip Glass), Writing to Vermeer (Louis Andriessen, Peter Greenaway), Three Tales (Steve Reich, Beryl Korot), One (Michel van der Aa), Homeland (Laurie Anderson), and La Commedia (Louis Andriessen, Hal Hartley) - which she terms 'postoperas'. These pieces are sites for creative exploration, where the boundaries of the opera world are stretched. Central to this is the impact of new media, a de-synchronization between image and sound, or a redefinition of body-voice-gender relationships. Novak dissects the singing body as a set of rules, protocols, effects, and strategies. That dissection shows how the singing body acts within the world of opera, what interventions it makes, and how it constitutes opera’s meanings.
Author: Jelena Novak
Publisher: Routledge
ISBN: 1317077202
Category : Music
Languages : en
Pages : 192
Get Book Here
Book Description
Both in opera studies and in most operatic works, the singing body is often taken for granted. In Postopera: Reinventing the Voice-Body, Jelena Novak reintroduces an awareness of the physicality of the singing body to opera studies. Arguing that the voice-body relationship itself is a producer of meaning, she furthermore posits this relationship as one of the major driving forces in recent opera. She takes as her focus six contemporary operas - La Belle et la Bête (Philip Glass), Writing to Vermeer (Louis Andriessen, Peter Greenaway), Three Tales (Steve Reich, Beryl Korot), One (Michel van der Aa), Homeland (Laurie Anderson), and La Commedia (Louis Andriessen, Hal Hartley) - which she terms 'postoperas'. These pieces are sites for creative exploration, where the boundaries of the opera world are stretched. Central to this is the impact of new media, a de-synchronization between image and sound, or a redefinition of body-voice-gender relationships. Novak dissects the singing body as a set of rules, protocols, effects, and strategies. That dissection shows how the singing body acts within the world of opera, what interventions it makes, and how it constitutes opera’s meanings.
Author: Yayoi U Everett
Publisher: University of Michigan Press
ISBN: 0472903586
Category : Music
Languages : en
Pages : 348
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Book Description
In twelve essays, Contemporary Opera in Flux discusses a series of shifts that, taken together, have radically redefined the production and reception of opera. Focusing on productions involving late twentieth- and twenty-first century scores and libretti, the contributors draw on conversations with members of creative teams and studies of archival material, dipping into a historical record that remains in flux as composers, librettists, directors, and designers revisit existing work and create anew. The contributors to this volume push the boundaries of contemporary opera scholarship by examining works that disrupt operatic conventions; tackle sociopolitical issues such as drug trafficking, racial injustice, and cultural trauma; and advance underrepresented works by female, African-American, Asian, and avant-garde composers around the globe. Contemporary Opera in Flux bridges the gaps between expanding literature on opera, theater, new music, postmodern dramaturgy, and posthuman aesthetics, while also confronting larger questions of identity, representation, and narrative agency that are at the forefront of contemporary music scholarship. This collection of essays engages critically with the past out of a conviction that, amid general public perceptions of opera as anachronistic or elitist, contemporary opera has emerged as an artistic incubator for experimentation.
Author: Michal Grover-Friedlander
Publisher: Routledge
ISBN: 100052907X
Category : Performing Arts
Languages : en
Pages : 129
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Book Description
Staging Voice is a unique approach to the aesthetics of voice and its staging in performance. This study reflects on what it would mean to take opera’s decisive attribute—voice—as the foundation of its staged performance. The book thinks of staging through the medium of voice. It is a nuances exploration, which brings together scholarly and directorial interpretations, and engages in detail with less frequently performed works of major and influential 20th-century artists—Erik Satie, Bertolt Brecht and Kurt Weill—as well as exposes readers to an innovative experimental work of Evelyn Ficarra and Valerie Whittington. The study is intertwined throughout with the author’s staging of the works accessible online. This book will be of great interest to students and scholars in voice studies, opera, music theatre, musicology, directing, performance studies, practice-based research, theatre, visual art, stage design, and cultural studies.
Author: Maria Pramaggiore
Publisher: Bloomsbury Publishing USA
ISBN: 1501331272
Category : Performing Arts
Languages : en
Pages : 321
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Book Description
Vocal Projections: Voices in Documentary examines a previously neglected topic in the field of documentary studies: the political, aesthetic, and affective functions that voices assume. On topics ranging from the celebrity voice over to ventriloquism, from rockumentary screams to feminist vocal politics, these essays demonstrate myriad ways in which voices make documentary meaning beyond their expository, evidentiary and authenticating functions. The international range of contributors offers an innovative approach to the issues relating to voices in documentary. While taking account of the existing paradigm in documentary studies pioneered by Bill Nichols, in which voice is equated with political rhetoric and subjective representation, the contributors move into new territory, addressing current and emerging research in voice, sound, music and posthumanist studies.
Author: Sanne Krogh Groth
Publisher: Bloomsbury Publishing USA
ISBN: 1501338811
Category : Music
Languages : en
Pages : 584
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Book Description
The Bloomsbury Handbook of Sound Art explores and delineates what Sound Art is in the 21st century. Sound artworks today embody the contemporary and transcultural trends towards the post-apocalyptic, a wide sensorial spectrum of sonic imaginaries as well as the decolonization and deinstitutionalization around the making of sound. Within the areas of musicology, art history, and, later, sound studies, Sound Art has evolved at least since the 1980s into a turbulant field of academic critique and aesthetic analysis. Summoning artists, researchers, curators, and critics, this volume takes note of and reflects the most recent shifts and drifts in Sound Art--rooted in sonic histories and implying future trajectories.
Author: Toby Young
Publisher: Cambridge University Press
ISBN: 1108923739
Category : Music
Languages : en
Pages : 359
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Book Description
There are as many ways of creating music as there are composers in the world, with a vast array of possible methods and practices. This book provides essential critical and practical tools for composers as they try to navigate this complex landscape, whilst also offering provocations for practitioners discovering their own voices and solidifying their place in their musical communities. Designed to be a companion in the truest sense, the book offers practical support throughout the creative process and thought-provoking insights on technical questions for a range of compositional approaches.
Author: Heidi Hart
Publisher: Springer
ISBN: 3030018156
Category : Literary Criticism
Languages : en
Pages : 110
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Book Description
Music and the Environment in Dystopian Narrative: Sounding the Disaster investigates the active role of music in film and fiction portraying climate crisis. From contemporary science fiction and environmental film to “Anthropocene opera,” the most arresting eco-narratives draw less on background music than on the power of sound to move fictional action and those who receive it. Beginning with a reflection on a Mozart recording on the 1970s’ Voyager Golden Record, this book explores links between music and violence in Lidia Yuknavitch’s 2017 novel The Book of Joan, songless speech in the opera Persephone in the Late Anthropocene, interrupted lyricism in the eco-documentary Expedition to the End of the World, and dread-inducing hurricane music in the Brecht-Weill opera Rise and Fall of the City of Mahagonny. In all of these works, music allows for a state of critical vulnerability in its hearers, communicating planetary crisis in an embodied way.
Author: Emilio Sala
Publisher: Bloomsbury Publishing USA
ISBN: 1501391216
Category : Music
Languages : en
Pages : 249
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Book Description
Vincenzo Bellini on Stage and Screen, 1935–2020 offers nine case studies of the history of Vincenzo Bellini's operas on stage, on screen, and in sound, video and performance art. This investigation begins in 1935, the hundredth anniversary of the composer's death and the year when his first biopic was released, and ends in 2020, when performance artist Marina Abramovic's 'opera project' 7 Deaths of Maria Callas, whose final scene is accompanied by Bellini's famous aria 'Casta Diva,' was premiered. In Part One, several recent productions of La sonnambula, Norma and I Puritani are discussed from different perspectives, but the common focus is on the possible meanings of these works for contemporary spectators. Part Two, centered on cinema, includes chapters on biopics of Bellini that make extensive use of his music, as well as on the presence of this music in soundtracks of films from the last half century. Part Three turns to other media or mixtures of stage and screen, and focuses on Bellini in sound and video art of the last few decades, on YouTube and its fandom, and on 7 Deaths of Maria Callas. The volume offers an expansive view of the many ways in which Bellini's operas have been visualized and conceptualized over the past century, and of what they may have meant, and may still mean, for twentieth- and twenty-first-century culture.
Author: Robert Adlington
Publisher: Routledge
ISBN: 0429837372
Category : Music
Languages : en
Pages : 555
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Book Description
Between 1955 and 1975 music theatre became a central preoccupation for European composers digesting the consequences of the revolutionary experiments in musical language that followed the end of the Second World War. The ‘new music theatre’ wrought multiple, significant transformations, serving as a crucible for the experimental rethinking of theatrical traditions, artistic genres, the conventions of performance, and the composer’s relation to society. This volume brings together leading specialists from across Europe to offer a new appraisal of the genre. It is structured according to six themes that investigate: the relation of new music theatre to earlier and contemporaneous theories of drama; the use of new technologies; the relation of new music theatre to progressive politics; the role of new venues and environments; the advancement of new conceptions of the performer; and the challenges that new music theatre lays down for music analysis. Contributing authors address canonical works by composers such as Berio, Birtwistle, Henze, Kagel, Ligeti, Nono, and Zimmermann, but also expand the field to figures and artistic developments not regularly represented in existing music histories. Particular attention is given to new music theatre as a site of intense exchange – between practitioners of different art forms, across national borders, and with diverse mediating institutions.
