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Author: Amanda Lagji
Publisher:
ISBN: 9781474490214
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
Postcolonial Fiction and Colonial Time reveals the fundamental, constitutive role of the temporal dimensions of waiting in colonial regimes of time, as well as in postcolonial framings of time, history and agency.
Author: Amanda Lagji
Publisher:
ISBN: 9781474490214
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
Postcolonial Fiction and Colonial Time reveals the fundamental, constitutive role of the temporal dimensions of waiting in colonial regimes of time, as well as in postcolonial framings of time, history and agency.
Author: Neil Lazarus
Publisher: Cambridge University Press
ISBN: 9780521534185
Category : Literary Criticism
Languages : en
Pages : 358
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Book Description
Offers a lucid introduction to postcolonial studies, one of the most important strands in recent literary theory and cultural studies.
Author: Ato Quayson
Publisher: Cambridge University Press
ISBN: 1107132819
Category : Literary Criticism
Languages : en
Pages : 335
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Book Description
This Companion provides an engaging account of the postcolonial novel, from Joseph Conrad to Jean Rhys. Covering subjects from disability and diaspora to the sublime and the city, this Companion reveals the myriad traditions that have shaped the postcolonial literary landscape.
Author: Ato Quayson
Publisher: Cambridge University Press
ISBN: 1108924956
Category : Literary Criticism
Languages : en
Pages : 347
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Book Description
This book examines tragedy and tragic philosophy from the Greeks through Shakespeare to the present day. It explores key themes in the links between suffering and ethics through postcolonial literature. Ato Quayson reconceives how we think of World literature under the singular and fertile rubric of tragedy. He draws from many key works – Oedipus Rex, Philoctetes, Medea, Hamlet, Macbeth, and King Lear – to establish the main contours of tragedy. Quayson uses Shakespeare's Othello, Chinua Achebe, Wole Soyinka, Tayeb Salih, Arundhati Roy, Toni Morrison, Samuel Beckett and J.M. Coetzee to qualify and expand the purview and terms by which Western tragedy has long been understood. Drawing on key texts such as The Poetics and The Nicomachean Ethics, and augmenting them with Frantz Fanon and the Akan concept of musuo (taboo), Quayson formulates a supple, insightful new theory of ethical choice and the impediments against it. This is a major book from a leading critic in literary studies.
Author: Pallavi Rastogi
Publisher: Northwestern University Press
ISBN: 9780810141728
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
Postcolonial Disaster studies literary fiction about crises of epic proportions in contemporary South Asia and Southern Africa: the oceanic disaster in Sri Lanka, the economic disaster in Zimbabwe, the medical disaster in South Africa and Botswana, and the geopolitical disaster in India and Pakistan. Pallavi Rastogi argues that postcolonial fiction about catastrophe is underpinned by a Disaster Unconscious, a buried but mobile agenda that forces disastrous events to narrate themselves. She writes that in disaster fiction, a literary Story and its real-life Event are in constant dialectic tension. In recent disasters, Story and Event are tied together as the urgency to circulate information and rebuild in the aftermath of the disaster dictates the flow of the narrative. As the Story acquires temporal distance from the Event, such as the seventy-three years since the partition of India in 1947, it plays more with form and theme, to expand beyond a tale about an all-consuming tragedy. Story and Event are in a constant dance with each other, and the Disaster Unconscious plays the tune to which they move. Rastogi creates a narratology for postcolonial disaster fiction and brings concepts from Disaster Studies into the realm of literary analysis.
Author: Deborah L. Madsen
Publisher: London : Pluto Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
This book challenges the boundaries of postcolonial theory. Focusing on American literature, it examines how America's own imperial history has shaped the literature that has emerged from America, from Native American, Latino, Black and Asian-American writers. They contrast this with postcolonial literature from countries whose history has been shaped by American colonialism, from Canada, Central America and the Caribbean to Hawaii, Indonesia and Vietnam.It explores questions about national identity and multiculturalism: why, for instance, is a Native writer categorised within 'American literature' if writing on one side of the border, but as 'Canadian' and 'postcolonial' if writing on the other?This is a challenging collection that raises questions not only about the boundaries of postcolonial theory, but also about ethnicity and multiculturalism, and the impact of immigration and assimilation.
Author: Amanda Ruth Waugh Lagji
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
This dissertation examines the temporalities of waiting in global Anglophone fiction, reinvigorating waiting as a modality that can be at turns debilitating, strategic, calculating, and meditative. By arguing for the centrality of waiting to the experience of postcoloniality, my dissertation challenges the dominant narrative of the twentieth century as a time only of acceleration and movement. In the introduction, I draw from social scientific studies of waiting, as well as philosophies of time, mobility studies, and history, to create a robust framework of waiting as a cultural practice and privileged analytical concept for scrutinizing colonial and postcolonial regimes of time. In chapter 1, I argue that V.S. Naipaul's A Bend in the River and Nadine Gordimer's July's People literalize the spatiotemporal metaphor "waiting room of history" to achieve very different ends. Maureen's refusal to wait any longer in July's People rejects the apartheid temporalities that condition that "waiting room," whereas Salim's refusal to wait in A Bend in the River ultimately reproduces the waiting room model of history - to which, in Naipaul's view, certain occupants of the globalized, postcolonial world will always be relegated. In chapter 2 I read Alejo Carpentier's Kingdom of This World and J.M. Coetzee's Life and Times of Michael K through the lens of marronage; the protagonists' labor and their "idleness" become newly legible as resistive waiting. I explore the temporal dimensions of waiting and disillusionment following political independence in Anita Desai's Cry the Peacock and Ayi Kwei Armah's Fragments in chapter 3. In chapter 4, I link waiting with healing and reconciliation after apartheid and civil war using Ndebele's Cry of Winnie Mandela and Ishmael Beah's Radiance of Tomorrow. I conclude my dissertation with a reflection on the significance of waiting in the post-9/11 world, such as in the rhetoric of preemptive military strikes that frame national security in terms of refusing to wait. As my dissertation argues, the temporal dimensions of waiting are not only implied in the discourses of colonial administration and anticolonial nationalisms, but are also deployed in strategic and political expressions of resistance, and remain central to the formation of geopolitical realities.
Author: Graham Huggan
Publisher: OUP Oxford
ISBN: 0191662410
Category : Literary Collections
Languages : en
Pages : 751
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Book Description
The Oxford Handbook of Postcolonial Studies provides a comprehensive overview of the latest scholarship in postcolonial studies, while also considering possible future developments in the field. Original chapters written by a worldwide team of contritbuors are organised into five cross-referenced sections, 'The Imperial Past', 'The Colonial Present', 'Theory and Practice', 'Across the Disciplines', and 'Across the World'. The chapters offer both country-specific and comparative approaches to current issues, offering a wide range of new and interesting perspectives. The Handbook reflects the increasingly multidisciplinary nature of postcolonial studies and reiterates its continuing relevance to the study of both the colonial past—in its multiple manifestations— and the contemporary globalized world. Taken together, these essays, the dialogues they pursue, and the editorial comments that surround them constitute nothing less than a blueprint for the future of a much-contested but intellectually vibrant and politically engaged field.
Author: Timothy Bewes
Publisher: Princeton University Press
ISBN: 1400836492
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
In a postcolonial world, where structures of power, hierarchy, and domination operate on a global scale, writers face an ethical and aesthetic dilemma: How to write without contributing to the inscription of inequality? How to process the colonial past without reverting to a pathology of self-disgust? Can literature ever be free of the shame of the postcolonial epoch--ever be truly postcolonial? As disparities of power seem only to be increasing, such questions are more urgent than ever. In this book, Timothy Bewes argues that shame is a dominant temperament in twentieth-century literature, and the key to understanding the ethics and aesthetics of the contemporary world. Drawing on thinkers such as Jean-Paul Sartre, Frantz Fanon, Theodor Adorno, and Gilles Deleuze, Bewes argues that in literature there is an "event" of shame that brings together these ethical and aesthetic tensions. Reading works by J. M. Coetzee, Joseph Conrad, Nadine Gordimer, V. S. Naipaul, Caryl Phillips, Ngugi wa Thiong'o, and Zoë Wicomb, Bewes presents a startling theory: the practices of postcolonial literature depend upon and repeat the same structures of thought and perception that made colonialism possible in the first place. As long as those structures remain in place, literature and critical thinking will remain steeped in shame. Offering a new mode of postcolonial reading, The Event of Postcolonial Shame demands a literature and a criticism that acknowledge their own ethical deficiency without seeking absolution from it.
Author: David Punter
Publisher: Rowman & Littlefield
ISBN: 9780742510869
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
This deeply engaging, historically, and culturally informed book provides new perspectives on a wide range of writers, and at the same time provides a radically new development of many of the most pertinent issues in the field of postcolonial writing and theory. It constitutes a major new engagement between the "postcolonial" and a conception of the literary that is richly innovative in its deployment of psychoanalytic, deconstructive, and other approaches to the text. The book begins with some brief background to the issue of decolonization and its contemporary effects. It is informed throughout by a clear sense of literary and political context, within which chosen texts--by well-known writers (Derek Walcott, Chinua Achebe, Edward Kamau Brathwaite) as well as less well-known ones (Joan Riley, Susan Power, Abdulrazak Gurnah) and writers not often seen in a postcolonial context (James Kelman, Seamus Deane, Hanif Kureishi)--can be situated. The chapters that follow are based around themes such as violent geographics; hallucination, dream and the exotic; mourning and melancholy; diaspora and exile; delocalization and the alibi. This profoundly new approach to the complexities of the postcolonial allows the reader to appreciate some of the richness, but at the same time the political and cultural ambivalence, which underlies postcolonial writing. Throughout the book David Punter continually questions, as one would expect from his many previous books, the definition and scope of the "postcolonial." It is seen throughout as a phenomenon not restricted to the ex- or neo-colonies but as a key characterisation of all our lives at the beginning of the twenty-first century. It is an indissoluble part of the development of national imaginings and, at the same time, an alibi for the emergence of a violently assertive "new world order" committed to the management and obliteration of difference. By juxtaposing texts from different cultural traditions and topographies, from Things Fall Apart to The Bone People, from Anot
