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Author: Allyson Booth
Publisher: Oxford University Press
ISBN: 019535625X
Category : Literary Criticism
Languages : en
Pages : 199
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Book Description
The unprecedented magnitude of death during World War I forever altered how people perceived their world and how they represented those perceptions. In Postcards from the Trenches, Allyson Booth traces the complex relationship between British Great War culture and modernist writings. She shows that, through the experience of the Great War, both civilian and combatant modernist writers found that language could no longer represent experience. She goes on to identify and contextualize several of the resulting modernist tropes: she links the dissolving modernist self to soldiers' familiarity with corpses, the modernist mistrust of factuality to the apparent inaccessibility of facts regarding the "rape of Belgium," and the modernist interest in multiple viewpoints to the singularity of perspective with which generals studied battlefield maps. Though her emphasis is on literary works by Robert Graves, E.M. Forster, and Vera Brittain, among others, Booth's analysis extends to memorials, posters, and architecture of the Great War. This interdisciplinary quality of Booth's study results in a much deeper understanding of how the Great War affected cultural representations and how that culture represented the War.
Author: Allyson Booth
Publisher: Oxford University Press
ISBN: 019535625X
Category : Literary Criticism
Languages : en
Pages : 199
Get Book Here
Book Description
The unprecedented magnitude of death during World War I forever altered how people perceived their world and how they represented those perceptions. In Postcards from the Trenches, Allyson Booth traces the complex relationship between British Great War culture and modernist writings. She shows that, through the experience of the Great War, both civilian and combatant modernist writers found that language could no longer represent experience. She goes on to identify and contextualize several of the resulting modernist tropes: she links the dissolving modernist self to soldiers' familiarity with corpses, the modernist mistrust of factuality to the apparent inaccessibility of facts regarding the "rape of Belgium," and the modernist interest in multiple viewpoints to the singularity of perspective with which generals studied battlefield maps. Though her emphasis is on literary works by Robert Graves, E.M. Forster, and Vera Brittain, among others, Booth's analysis extends to memorials, posters, and architecture of the Great War. This interdisciplinary quality of Booth's study results in a much deeper understanding of how the Great War affected cultural representations and how that culture represented the War.
Author: Irene Guenther
Publisher: Bloomsbury Publishing
ISBN: 1350015776
Category : Art
Languages : en
Pages : 248
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Book Description
German art student Otto Schubert was 22 years old when he was drafted into the Great War. As the conflict unfolded, he painted a series of postcards that he sent to his sweetheart, Irma. During the battles of Ypres and Verdun, Schubert filled dozens of military-issued 4” x 6” cards with vivid images depicting the daily realities and tragedies of war. Beautifully illustrated with full-color reproductions of his exquisite postcards, as well as his wartime sketches, woodcuts, and two lithograph portfolios, Postcards from the Trenches is Schubert's war diary, love journal, and life story. His powerful artworks illuminate and document in a visual language the truths of war. Postcards from the Trenches offers the first full account of Otto Schubert, soldier-artist of the Great War, rising art star in the 1920s, prolific graphic artist and book illustrator, one of the “degenerate” artists defamed by the Nazis, and a man shattered by the Second World War and the Cold War. Created in the midst of enormous devastation, Schubert's haunting visual missives are as powerful and relevant today as they were a century ago. His postcards are both a young man's token of love and longing and a soldier's testimony of the Great War.
Author: Bodleian Library
Publisher: Postcards from
ISBN:
Category : Postcards
Languages : en
Pages : 120
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Book Description
The First World War was unique in being fought largely in trenches. Men ate, slept, fought, played, sang, prayed, and died in the trenches. This book brings together a collection of postcards which portray this strange subterranean world in its various manifestations.The cards have been selected to show how life progressed from day to day in and out of the trenches. We see wounded men smiling obligingly for the camera; others appear to be suffering from the onslaught of boredom. Some take part in a mock party with very meagre provisions. One image shows a group of men kneeling to receive communion before going into battle.The tone of postcards encompasses the range of human experience, from sombre realism to light-hearted humour. There is also the soldier's good-natured lightly smutty card.This is a fascinating insight into the everyday lives and behaviour of the men who fought one of the most gruesome wars in history.
Author: Irene Guenther
Publisher: Bloomsbury Publishing
ISBN: 1350015768
Category : Art
Languages : en
Pages : 248
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Book Description
German art student Otto Schubert was 22 years old when he was drafted into the Great War. As the conflict unfolded, he painted a series of postcards that he sent to his sweetheart, Irma. During the battles of Ypres and Verdun, Schubert filled dozens of military-issued 4” x 6” cards with vivid images depicting the daily realities and tragedies of war. Beautifully illustrated with full-color reproductions of his exquisite postcards, as well as his wartime sketches, woodcuts, and two lithograph portfolios, Postcards from the Trenches is Schubert's war diary, love journal, and life story. His powerful artworks illuminate and document in a visual language the truths of war. Postcards from the Trenches offers the first full account of Otto Schubert, soldier-artist of the Great War, rising art star in the 1920s, prolific graphic artist and book illustrator, one of the “degenerate” artists defamed by the Nazis, and a man shattered by the Second World War and the Cold War. Created in the midst of enormous devastation, Schubert's haunting visual missives are as powerful and relevant today as they were a century ago. His postcards are both a young man's token of love and longing and a soldier's testimony of the Great War.
Author: Allyson Booth
Publisher: Oxford University Press, USA
ISBN: 0195102118
Category : English literature
Languages : en
Pages : 199
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Book Description
She links, for example, the modernist representation of an unstable self to soldiers' familiarity with corpses, the modernist mistrust for fact to the competing nationalist discourses of August 1914, and the modernist description of buildings as having shaken off the past to a desire to forget the war. Booth argues that the dislocations of war often figure centrally in modernist forms even when the war itself seems peripheral to modernist content.
Author:
Publisher:
ISBN:
Category : English literature
Languages : en
Pages :
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Book Description
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Publisher:
ISBN:
Category : Vietnam War, 1961-1975
Languages : en
Pages : 494
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Book Description
Author: Jacqueline Wadsworth
Publisher: Pen and Sword
ISBN: 1473845297
Category : History
Languages : en
Pages : 218
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Book Description
A history of World War I—told through the letters exchanged by ordinary soldiers and their families. Letters from the Trenches reveals how people really thought and felt during the Great War, and covers all social classes and groups from officers to conscripts to women at home to conscientious objectors. Voices within the book include Sgt. John Adams, 9th Royal Irish Fusiliers, who wrote in May 1917: “For the day we get our letter from home is a red letter day in the history of the soldier out here. It is the only way we can hear what is going on. The slender thread between us and the homeland.” Pvt. Stanley Goodhead, who served with one of the Manchester Pals battalion, wrote home in 1916: “I came out of the trenches last night after being in four days. You have no idea what four days in the trenches means . . . The whole time I was in I had only about two hours sleep and that was in snatches on the firing step. What dugouts there are, are flooded with mud and water up to the knees and the rats hold swimming galas in them . . . We are literally caked with brown mud and it is in all our food, tea etc.” Jacqueline Wadsworth skillfully uses these letters to tell the human story of the First World War: what mattered to Britain’s servicemen and their feelings about the war; how the conflict changed people; and how life continued on the home front.
Author: William A. Christian Jr.
Publisher: Central European University Press
ISBN: 6155053383
Category : Religion
Languages : en
Pages : 330
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Book Description
This study addresses the relation of people to divine beings in contemporary and historical communities, as exemplified in three strands. One is a long tradition of visions of mysterious wayfarers in rural Spain who bring otherworldly news and help, including recent examples. Another treats the seeming vivification of religious images—statues, paintings, engravings, and photographs apparently exuding blood, sweat and tears in Spanish homes and churches in the early modern period and the revival of the phenomenon throughout Europe in the twentieth century. Of special interest is the third strand of the book: the transposition of medieval and early modern representations of the relations between humans and the divine into the modern art of photography. Christian presents a pictorial examination of the phenomenon with a large number of religious images, commercial postcards and family photographs from the first half of past century Europe.
Author: Sara Haslam
Publisher: Manchester University Press
ISBN: 9780719060557
Category : Literary Criticism & Collections
Languages : en
Pages : 262
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Book Description
As a hero of the modernist literary revolution, Ford Madox Ford is a fascinating figure of the early 20th century. Haslam explores continuity and crisis in artistic life during the early 20th century through a study of Ford's work and life.
