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Author: Christine Ricci
Publisher: Simon and Schuster
ISBN: 1416948732
Category : Juvenile Fiction
Languages : en
Pages : 12
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Book Description
As Dora and Boots travel the world in a hot-air balloon, they send postcards back home to their friends to describe the sights they see.
Author: Christine Ricci
Publisher: Simon and Schuster
ISBN: 1416948732
Category : Juvenile Fiction
Languages : en
Pages : 12
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Book Description
As Dora and Boots travel the world in a hot-air balloon, they send postcards back home to their friends to describe the sights they see.
Author: PostCardArt
Publisher:
ISBN: 9781304676429
Category : History
Languages : en
Pages : 40
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Book Description
Author: Dora Oswald
Publisher:
ISBN:
Category : Arkansas
Languages : en
Pages :
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Book Description
Contains postcards, envelopes, and greeting cards sent to her from family and friends. The postcards are from all over the United States, including Chicago, St. Louis, Memphis, Atlanta, New York, Houston, Colorado Springs, Detroit, etc.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Brigitte Benkemoun
Publisher: Getty Publications
ISBN: 1606066595
Category : Biography & Autobiography
Languages : en
Pages : 220
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Book Description
Merging biography, memoir, and cultural history, this compelling book, a bestseller in France, traces the life of Dora Maar (1907–1997) through a serendipitous encounter with the artist’s address book. In search of a replacement for his lost Hermès agenda, Brigitte Benkemoun’s husband buys a vintage diary on eBay. When it arrives, she opens it and finds inside private notes dating back to 1951—twenty pages of phone numbers and addresses for Balthus, Brassaï, André Breton, Jean Cocteau, Paul Éluard, Leonor Fini, Jacqueline Lamba, and other artistic luminaries of the European avant-garde. After realizing that the address book belonged to Dora Maar—Picasso’s famous “Weeping Woman” and a brilliant artist in her own right—Benkemoun embarks on a two-year voyage of discovery to learn more about this provocative, passionate, and enigmatic woman, and the role that each of these figures played in her life. Longlisted for the prestigious literary award Prix Renaudot, Finding Dora Maar is a fascinating and breathtaking portrait of the artist. “Beautifully written and fascinating.”—Paris Match “One of the happy surprises of the end of the literary season.”—Livres Hebdo “A highly moving portrait of the artist.”—Elle (France) This book received support from the French Ministry of Foreign Affairs and the Cultural Services of the French Embassy in the United States through their publishing assistance program.
Author: Damarice Amao
Publisher: Getty Publications
ISBN: 1606066293
Category : Photography
Languages : en
Pages : 210
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Book Description
For the first time, a comprehensive exploration of Dora Maar’s enigmatic photography reveals her as an extraordinary and influential artist in her own right. Dora Maar (born Henriette Théodora Markovitch, 1907–1997) was active at the height of Surrealism in France. She was recognized as a key member of the movement and maintained professional relationships with many of its prominent figures, such as André Breton, Brassaï, Henri Cartier-Bresson, and Man Ray. However, her standing as the one-time muse and mistress of Pablo Picasso—his famous “Weeping Woman”—has long eclipsed her creative output and minimized her influence. Richly illustrated with 240 key works showcasing Maar’s inimitable acumen as a photographer, this book examines the full arc of her career for the very first time. Subjects include her innovative commercial and fashion photography, her approach to the nude and eroticism, engagement with political groups, interest in socially concerned photography, affiliation with the Surrealist movement, and hitherto unknown work from her reclusive late career, providing a dynamic and multifaceted examination of an important artist.
Author: Kenneth Wilson
Publisher: University of North Texas Press
ISBN: 1574418068
Category : Photography
Languages : en
Pages : 305
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Book Description
Snapshots and Short Notes examines the photographic postcards exchanged during the first half of the twentieth century as illustrated, first-hand accounts of American life. Almost immediately after the introduction of the generic postcard at the turn of the century, innovations in small, accessible cameras added black and white photographs to the cards. The resulting combination of image and text emerged as a communication device tantamount to social media today. Postcard messages and photographs tell the stories of ordinary lives during a time of far-reaching technological, demographic, and social changes: a family’s new combine harvester that could cut 40 acres a day; a young woman trying to find work in a man’s world; the sight of an airplane in flight. However, postcards also chronicled and shared hardship and tragedy––the glaring reality of homesteading on the High Plains, natural disasters, preparations for war, and the struggles for racial and gender equality. With a meticulous eye for detail, painstaking research, and astute commentary, Wilson surveys more than 160 photographic postcards, reproduced in full color, that provide insights into every aspect of life in a time not far removed from our own.
Author: Volker Ullrich
Publisher: Knopf
ISBN: 038535438X
Category : Biography & Autobiography
Languages : en
Pages : 1034
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Book Description
Originally published: Germany: S. Fischer Verlag.
Author: Judy Raphael Kletter
Publisher: Xlibris Corporation
ISBN: 1462832784
Category : Biography & Autobiography
Languages : en
Pages : 182
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Book Description
Dear Reader; I have spent the past 52 years forgetting and remembering one small part of one day of my life that has affected me for my entire life. Memories are tucked away, asleep in your mind waiting for some outside stimuli to awaken them. But what happens to a memory when you have been told over and over it was just a bad dream, yet you really, really know it was not? What happens to your mind, what happens to your life? What happens when the memory does awake and surfaces for a brief time and then returns to sleep, waiting for the next stimuli? My story, my life, my thoughts, my insights are revealed in my book, my autobiography. The day was January 19, 1948; the time was very early morning. I was four years old. I got out of bed to go to the bathroom and discovered my father’s body hanging from a rope tied to a pipe over the toilet. He had committed suicide. I remember this very vividly, even though my mother tried to convince me for the rest of my life that I never saw what happened. My mother even went so far as to make imaginary visits to the hospital every week for five months, bringing me a present each time and telling me it was from my father. How could this have been, he was dead, I saw him hanging? My mother was protecting me, and protecting herself from a tragedy she only could deal with by denying its very existence. And, by doing so, denying me the opportunity to grieve and put the tragedy behind me. My young mind could not cope with this confusion, so my response was hostility towards my mother, hostility that must have been so intense, my mother’s only recourse was to have me institutionalized. Most of my past tragedy has been asleep, except for brief periods: when my daughters each turned four years old, and when I turned 43, the age my father ended his life. When my mother died, at age 88, the trauma once again awakened within me and this time I had this inner energy to discover all that I had either forgotten, repressed, did not know and/or did not understand. Please join me on my emotional journey to rediscover my past, including the agonizing return to where I was institutionalized, realizing and facing the fact that even after all these years, I am a survivor of suicide, and I have all the scars that go along with it. I have been driven to tell my story, a story I never shared with anybody until now. The telling all began with my daughters Elisa and Jenny, age 26 and 24, they never knew how their grandfather died. I had never told them for fear that they would consider suicide in a moment of despair. The only way I felt comfortable telling my story was through the written word. Well, the words just kept coming and coming and soon I had a book! I still don’t know where the energy came from, but it did (I like to think that my mother was guiding me). Looking for answers about suicide, I became involved with the American Association of Suicidology. They encouraged me to tell my story at their annual conference in Los Angeles. It was a very emotional experience, but I learned and so did the psychologists, psychiatrists and other survivors–it was an eye-opener few days! Most importantly this book is dedicated to my mother, whose love, courage and strength–even with her unnecessary denial and repression–had conquered all. I know my autobiography will be as rewarding a journey for you, as it finally has been for me. The American Association of Suicidology Publications Committee has placed my book on their recommended reading list. Judy Raphael Kletter
Author: Monica Cure
Publisher: U of Minnesota Press
ISBN: 1452957746
Category : Literary Criticism
Languages : en
Pages : 248
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Book Description
The first full-length study of a once revolutionary visual and linguistic medium Literature has “died” many times—this book tells the story of its death by postcard. Picturing the Postcard looks to this unlikely source to shed light on our collective, modern-day obsession with new media. The postcard, almost unimaginably now, produced at the end of the nineteenth century the same anxieties and hopes that many people think are unique to twenty-first-century social media such as Facebook or Twitter. It promised a newly connected social world accessible to all and threatened the breakdown of authentic social relations and even of language. Arguing that “new media” is as much a discursive object as a material one, and that it is always in dialogue with the media that came before it, Monica Cure reconstructs the postcard’s history through journals, legal documents, and sources from popular culture, analyzing the postcard’s representation in fiction by well-known writers such as E. M. Forster and Edith Wharton and by more obscure writers like Anne Sedgwick and Herbert Flowerdew. Writers deployed uproar over the new medium of the postcard by Anglo-American cultural critics to mirror anxieties about the changing nature of the literary marketplace, which included the new role of women in public life, the appeal of celebrity and the loss of privacy, an increasing dependence on new technologies, and the rise of mass media. Literature kept open the postcard’s possibilities and in the process reimagined what literature could be.
