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Author: Pavle Levi
Publisher: Stanford University Press
ISBN: 9780804753685
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
Disintegration in Frames explores the relationship between aesthetics and ideology in the Yugoslav and post-Yugoslav cinema, with emphasis on issues of nationalism, internationalism, and interethnic relations.
Author: Pavle Levi
Publisher: Stanford University Press
ISBN: 9780804753685
Category : Literary Criticism
Languages : en
Pages : 228
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Book Description
Disintegration in Frames explores the relationship between aesthetics and ideology in the Yugoslav and post-Yugoslav cinema, with emphasis on issues of nationalism, internationalism, and interethnic relations.
Author: Gordana P. Crnkovic
Publisher: A&C Black
ISBN: 1441171770
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
Reveals select post-Yugoslav literary and cinema works as groundbreaking exploratory achievements of global relevance.
Author: Daniel J. Goulding
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 344
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Book Description
Author: Radmila Gorup
Publisher: Stanford University Press
ISBN: 0804787344
Category : History
Languages : en
Pages : 368
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Book Description
The book brings together many of the best known commentators and scholars who write about former Yugoslavia. The essays focus on the post-Yugoslav cultural transition and try to answer questions about what has been gained and what has been lost since the dissolution of the common country. Most of the contributions can be seen as current attempts to make sense of the past and help cultures in transition, as well as to report on them. The volume is a mixture of personal essays and scholarly articles and that combination of genres makes the book both moving and informative. Its importance is unique. While many studies dwell on the causes of the demise of Yugoslavia, this collection touches upon these causes but goes beyond them to identify Yugoslavia's legacy in a comprehensive way. It brings topics and writers, usually treated separately, into fruitful dialog with one another.
Author: Daniel J. Goulding
Publisher: Indiana University Press
ISBN: 9780253342102
Category : History
Languages : en
Pages : 310
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Book Description
Originally published in 1985, Liberated Cinema: The Yugoslav Experience received the first annual "Close-up" award from the Yugoslav Film Institute in 1986 for "outstanding scholarship and for promoting the values of Yugoslav film art internationally." This new edition has been revised and updated throughout. It has been expanded to complete the story of the new Yugoslav cinema of the 1980s and to address major film developments that have taken place in the former Yugoslavia's five successor states. As in his analysis of past periods of Yugoslav cinema, Goulding situates the most recent developments within the context of film economics, state subsidies, and changing patterns of political control. Most significantly, however, he provides an insightful discussion of the ways in which critically important domestic feature films produced or co-produced from 1991 to 2001 reflect on recent brutal internecine warfare and other contemporary social, cultural, and political realities after the breakup of Yugoslavia.
Author: Daniel Šuber
Publisher: BRILL
ISBN: 900421030X
Category : History
Languages : en
Pages : 367
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Book Description
Drawing on visual materials (film, art, graffiti, street-art, public advertisement, memorials), the essays of this collection offer detailed views on the cultural and political dynamics that preceded and emerged in the wake of the Yugoslav conflicts of the 1990s.
Author: Dino Murtic
Publisher: Springer
ISBN: 1137520353
Category : Performing Arts
Languages : en
Pages : 217
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Book Description
Drawing primarily on selected filmic texts from former-Yugoslavia, the book examines key social and political events that triggered the Yugoslav wars in the 1990s. Yugoslav politics and society are set within the broader artistic and cinematic strategies that helped stabilise post-Yugoslav territories strategies that were part of the national desire of looking forward to a time of 'perpetual peace' and its subsequent cosmopolitan norms. It argues that filmic texts demonstrate the degree to which nationalism was at the heart of the violent disintegration of Yugoslavia. Yet, the concern of the argument is not simply to offer a filmic critique but to develop an alternative to nationalism; namely, a theoretical framework through which cosmopolitan humanism is at the forefront of addressing former Yugoslavia's political wounds.
Author: Oksana Sarkisova
Publisher: Central European University Press
ISBN: 6155211434
Category : History
Languages : en
Pages : 437
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Book Description
How do museums and cinema shape the image of the Communist past in today’s Central and Eastern Europe? This volume is the first systematic analysis of how visual techniques are used to understand and put into context the former regimes. After history “ended” in the Eastern Bloc in 1989, museums and other memorials mushroomed all over the region. These efforts tried both to explain the meaning of this lost history, as well as to shape public opinion on their society’s shared post-war heritage. Museums and films made political use of recollections of the recent past, and employed selected museum, memorial, and media tools and tactics to make its political intent historically credible. Thirteen essays from scholars around the region take a fresh look at the subject as they address the strategies of fashioning popular perceptions of the recent past.
Author: Milja Radovic
Publisher: Routledge
ISBN: 1135013209
Category : Religion
Languages : en
Pages : 179
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Book Description
Increasingly, as the production, distribution and audience of films cross national boundaries, film scholars have begun to think in terms of ‘transnational’ rather than national cinema. This book is positioned within the emerging field of transnational cinema, and offers a groundbreaking study of the relationship between transnational cinema and ideology. The book focuses in particular on the complex ways in which religion, identity and cultural myths interact in specific cinematic representations of ideology. Author Milja Radovic approaches the selected films as national, regional products, and then moves on to comparative analysis and discussion of their transnational aspects. This book also addresses the question of whether transnationalism reinforces the nation or not; one of the possible answers to this question may be given through the exploration of the cinema of national states and its transnational aspects. Radovic illustrates the ways in which these issues, represented and framed by films, are transmitted beyond their nation-state borders and local ideologies in which they originated – and questions whether therefore one can have an understanding of transnational cinema as a platform for political dialogue.
Author: Pavle Levi
Publisher: OUP USA
ISBN: 019984142X
Category : Performing Arts
Languages : en
Pages : 237
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Book Description
This title recounts the history of para-cinema - the long tradition within the avant garde of adapting the tools, technologies, and techniques of conventionalfilm-making. Levi's study considers works by filmmakers, artists, and theorists from France, Italy, the Soviet Union, Germany, Hungary, and Yugoslavia.
