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Author: Steve Kaplan
Publisher:
ISBN: 9781615931408
Category : Comedy
Languages : en
Pages : 0
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Book Description
A paradigm shift in understanding the mechanics and art of comedy, providing practical tools that help writers translate that understanding into successful, commercial scripts. Kaplan deconstructs secrets and techniques in popular films and TV that work and don't work, and explains what tools were used (or should have been used ).
Author: Steve Kaplan
Publisher:
ISBN: 9781615931408
Category : Comedy
Languages : en
Pages : 0
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Book Description
A paradigm shift in understanding the mechanics and art of comedy, providing practical tools that help writers translate that understanding into successful, commercial scripts. Kaplan deconstructs secrets and techniques in popular films and TV that work and don't work, and explains what tools were used (or should have been used ).
Author: Jason Pizzarello
Publisher:
ISBN: 9780981909974
Category : Drama
Languages : en
Pages : 0
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Book Description
Home of the most popular one-act plays for student actors, Playscripts, Inc. presents 15 of their very best short comedies. From a blind dating debacle to a silly Shakespeare spoof, from a fairy tale farce to a self-hating satire, this anthology contains hilarious large-cast plays that have delighted thousands of audiences around the world. Includes the plays The Audition by Don Zolidis, Law & Order: Fairy Tale Unit by Jonathan Rand, 13 Ways to Screw Up Your College Interview by Ian McWethy, Darcy's Cinematic Life by Christa Crewdson, The Whole Shebang by Rich Orloff, A Funny Thing Happened on the Way to Fifth Period by Jason Pizzarello, Small World by Tracey Scott Wilson, The Absolute Most Cliched Elevator Play in the History of the Entire Universe by Werner Trieschmann, The Seussification of Romeo and Juliet by Peter Bloedel, Show and Spell by Julia Brownell, Cut by Ed Monk, Check Please by Jonathan Rand, Aliens vs. Cheerleaders by Qui Nguyen, The Brothers Grimm Spectaculathon by Don Zolidis, 15 Reasons Not To Be in a Play by Alan Haehnel
Author: O. Henry
Publisher:
ISBN:
Category :
Languages : en
Pages : 232
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Book Description
Author: John Kachuba
Publisher: Writer's Digest Books
ISBN:
Category : Reference
Languages : en
Pages : 248
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Book Description
A discussion of the basics and genres of the comic point of view includes essays and interviews with such authors as Dave Barry, Sherman Alexie, and Melissa Bank.
Author: O. Henry
Publisher: BoD – Books on Demand
ISBN: 3387080158
Category : Fiction
Languages : en
Pages : 242
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Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Author: Evan S. Smith
Publisher: Penguin
ISBN: 9780399525339
Category : Performing Arts
Languages : en
Pages : 310
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Book Description
Describes the writing method called premise-driven comedy, examines how comedy affects character development and story structure, discusses guidelines on script layouts, and offers advice on establishing a career
Author: Ellen Sandler
Publisher: Delta
ISBN: 0307492214
Category : Performing Arts
Languages : en
Pages : 306
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Book Description
Why is TV writing different from any other kind of writing? How will writing a spec script open doors? What do I have to do to get a job writing for TV? Writing for television is a business. And, like any business, there are proven strategies for success. In this unique hands-on guide, television writer and producer Ellen Sandler shares the trade secrets she learned while writing for hit shows like Everybody Loves Raymond and Coach. She offers concrete advice on everything from finding a story to getting hired on a current series. Filled with easy-to-implement exercises and practical wisdom, this ingenious how-to handbook outlines the steps for becoming a professional TV writer, starting with a winning script. Sandler explains the difference between “selling” and “telling,” form and formula, theme and plot. Discover: • A technique for breaking down a show style so you’re as close to being in the writing room as you can get without actually having a job there • The 3 elements for that essential Concept Line that you must have in order to create a story with passion and consequence • Mining the 7 Deadly Sins for fresh and original story lines • Sample scripts from hit shows • In-depth graphs, script breakdown charts, vital checkpoints along the way, and much, much more!
Author: Peter Desberg
Publisher: Square One Publishers, Inc.
ISBN: 0757054455
Category : Performing Arts
Languages : en
Pages : 311
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Book Description
There is a feeling of pure delight that comes from laughing out loud while watching a hilarious movie or a TV show. Yet as funny as these lines may be, they are the work of people you will never see. The magic behind any comedy hit begins when an idea is hatched in the mind of a comedy writer and is then put down on paper. And while few of us are privy to this fascinating process, for writers Peter Desberg and Jeffrey Davis, the challenge of observing and understanding how comedy is born has culminated in a unique new book, Now That’s Funny! Desberg and Davis provide an intimate look into the minds of twenty-four of Hollywood’s funniest comedy writers, who have given us such shows as: Saturday Night Live Monk Everybody Loves Raymond The Simpsons Frasier Maude Home Improvement Valerie Modern Family Cheers There’s Something about Mary The Honeymooners Suddenly Susan Newhart Sabrina the Teenage Witch Archie Bunker’s Place The Tracey Ullman Show Wings Who’s The Boss? and more How do you get to see the creative wheels turn? The authors’ premise was simple: Using a Q and A format, they provided each writer with a story idea and let them run with it. Each of the writers was told there were no rules, no boundaries, and no limits! Because everyone started with the same concept, the authors could see how some writers jumped in and began creating, while others asked lots of questions; how some writers stuck closely to the premise, while others turned it on its head. What emerges is an entertaining look—illuminating and hilarious in turn—at the creative process behind hit TV shows and movies. If you’re one of the millions who have enjoyed watching the work of comedy writers, here is an opportunity to go behind the scenes and see the madness unfold. Now that’s funny!
Author: Keaton Patti
Publisher: Andrews McMeel Publishing
ISBN: 1524868396
Category : Humor
Languages : en
Pages : 187
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Book Description
Humorist Keaton Patti "forced a bot" to digest massive amounts of human media to produce these absurdly funny, “totally real,” “bot-generated” scripts, essays, advertisements, and more. Ever wonder what an AI bot might come up with if tasked with creative writing? From Olive Garden commercials to White House press briefings to Game of Thrones scripts, writer and comedian Keaton Patti’s “bot” recognizes and heightens the tropes of whatever it’s reproducing to hilarious effect. Each “bot-generated” piece can be enjoyed as surrealist commentary on the media we consume every day or simply as silly robot jokes—either way, you’ll probably end up laughing.
Author: Robert Root
Publisher: U of Nebraska Press
ISBN: 0803243456
Category : Literary Collections
Languages : en
Pages : 210
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Book Description
Walt Whitman’s meditation on time is the undercurrent running through Postscripts, a series of reflections on finding one’s place in the endless chain of time. In linked essays, Robert Root ranges across American terrains and landscapes including locales as varied as Walden Pond and Mesa Verde, the mountains of Montana and the coastline of Maine, Great Lakes shorelines and Manhattan on the first day of the war with Iraq. Rich in “all that retrospection,” Postscripts chronicles moments of intimacy and arrival in the natural world while also charting intersections of natural, cultural, and personal history. Whether revisiting the first European settlement in Nova Scotia or seeking out the sites of E. B. White’s life and literature, exploring the only old-growth forest in lower Michigan or shifting perceptions at the birth of a granddaughter, Root offers readers a new perspective on the relationship between time and place, time and timelessness, history and personal history. If the past is prologue, his book suggests, the present is postscript.
