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Author: Marco Livingstone
Publisher:
ISBN: 9780993095405
Category : Art, Modern
Languages : en
Pages : 431
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Book Description
"The exhibition brings together 250 works by 110 artists from China, the Former Soviet Union, Taiwan, the UK and the USA in a comprehensive survey celebrating Pop Art's legacy. Post Pop: East Meets West examines why of all the twentieth century's art movements, Pop Art has had such a powerful influence over artists from world regions that have had very different and sometimes opposing ideologies ... The exhibition features work by: UK: Glenn Brown, Michael Craig-Martin, Tim Head, Gary Hume, Linder, David Mach, Lisa Milroy, Paul Morrison, Julian Opie, Marc Quinn, Michael Sandle, Yinka Shonibare, Gavin Turk, Rachel Whiteread, Bill Woodrow and Richard Woods. US: Daniel Arsham, Jean-Michel Basquiat, Ashley Bickerton, Mike Bidlo, Robert Gober, Peter Halley, Keith Haring, Jenny Holzer, Clay Ketter, Jeff Koons, Sherrie Levine, Paul McCarthy, Richard Prince, Tom Sachs, Andres Serrano, Cindy Sherman, Mickalene Thomas and Jonas Wood. China: Ai Weiwei, Fang Lijun, Feng Mengbo, Gu Wenda, He An, Hung Tung-Lu, Inga Svala Thórsdóttir, Kwan Sheung Chi, Michael Lin, Liu Dahong, Liu Wei, Luis Chan, Made in Company (Xu Zhen), Qiu Anxiong, Qiu Zhijie, Qiu Qijing, Sui Jianguo, Tsang Kin-Wah, Tseng Kwong-Chi, Wang Guangyi, Wang Xingwei, Wang Ziwei, Wu Junyong, Wu Shanzhuan, Yu Youhan, Zeng Fanzhi, Zhang Peili, Zheng Guogu and Zhou Tiehai. Taiwan: Chang Tsung-Hsun, Chen Yi-Chieh (Agi Chen), Hou Chun-Ming, Mei Dean-E, Wu Tien-Chang, Yao Jui Chung and Yeh Wei-Li. Former Soviet Union: AES +F, Blue Noses Group, Grisha Bruskin, Eric Bulatov, Vladimir Dubossarsky, Rimma Gerlovin, Valery Gerlovin, PG Group, Emilia Kabakov, Ilya Kabakov, Zhanna Kadyrova, Alexey Kallima, Vitaly Komar, Irina Korina, Alexander Kosolapov, Vladimir Kozhin, Oleg Kulik, Rotislav Lebedev, Vladislav Mamyshev-Monroe, Inspection Medical Hermeneutics, Alexander Melamid, Irina Nakhova, Anton Olshvang, Anatoly Osmolovsky, Boris Orlov, Pavel Pepperstein, George Pusenkoff, Recycle, Oleg Tselkov, Tsvetkov, Aidan Salakhova, Alexander Shekhovtsev, Sergey Shutov, Leonid Sokov and Alexander Vinogradov." -- http://www.saatchigallery.com.
Author: Marco Livingstone
Publisher:
ISBN: 9780993095405
Category : Art, Modern
Languages : en
Pages : 431
Get Book Here
Book Description
"The exhibition brings together 250 works by 110 artists from China, the Former Soviet Union, Taiwan, the UK and the USA in a comprehensive survey celebrating Pop Art's legacy. Post Pop: East Meets West examines why of all the twentieth century's art movements, Pop Art has had such a powerful influence over artists from world regions that have had very different and sometimes opposing ideologies ... The exhibition features work by: UK: Glenn Brown, Michael Craig-Martin, Tim Head, Gary Hume, Linder, David Mach, Lisa Milroy, Paul Morrison, Julian Opie, Marc Quinn, Michael Sandle, Yinka Shonibare, Gavin Turk, Rachel Whiteread, Bill Woodrow and Richard Woods. US: Daniel Arsham, Jean-Michel Basquiat, Ashley Bickerton, Mike Bidlo, Robert Gober, Peter Halley, Keith Haring, Jenny Holzer, Clay Ketter, Jeff Koons, Sherrie Levine, Paul McCarthy, Richard Prince, Tom Sachs, Andres Serrano, Cindy Sherman, Mickalene Thomas and Jonas Wood. China: Ai Weiwei, Fang Lijun, Feng Mengbo, Gu Wenda, He An, Hung Tung-Lu, Inga Svala Thórsdóttir, Kwan Sheung Chi, Michael Lin, Liu Dahong, Liu Wei, Luis Chan, Made in Company (Xu Zhen), Qiu Anxiong, Qiu Zhijie, Qiu Qijing, Sui Jianguo, Tsang Kin-Wah, Tseng Kwong-Chi, Wang Guangyi, Wang Xingwei, Wang Ziwei, Wu Junyong, Wu Shanzhuan, Yu Youhan, Zeng Fanzhi, Zhang Peili, Zheng Guogu and Zhou Tiehai. Taiwan: Chang Tsung-Hsun, Chen Yi-Chieh (Agi Chen), Hou Chun-Ming, Mei Dean-E, Wu Tien-Chang, Yao Jui Chung and Yeh Wei-Li. Former Soviet Union: AES +F, Blue Noses Group, Grisha Bruskin, Eric Bulatov, Vladimir Dubossarsky, Rimma Gerlovin, Valery Gerlovin, PG Group, Emilia Kabakov, Ilya Kabakov, Zhanna Kadyrova, Alexey Kallima, Vitaly Komar, Irina Korina, Alexander Kosolapov, Vladimir Kozhin, Oleg Kulik, Rotislav Lebedev, Vladislav Mamyshev-Monroe, Inspection Medical Hermeneutics, Alexander Melamid, Irina Nakhova, Anton Olshvang, Anatoly Osmolovsky, Boris Orlov, Pavel Pepperstein, George Pusenkoff, Recycle, Oleg Tselkov, Tsvetkov, Aidan Salakhova, Alexander Shekhovtsev, Sergey Shutov, Leonid Sokov and Alexander Vinogradov." -- http://www.saatchigallery.com.
Author: Paul Taylor
Publisher: MIT Press (MA)
ISBN: 9780262700375
Category : Art
Languages : en
Pages : 189
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Book Description
Post Pop Art brings together critical essays about American British, and Continental Pop Art written by some of the leading theorists of our time. From Guy Debord's proto-Pop Situationist manifesto of 1950 to a late reflection by Roland Barthes, and two arguments about Pop by the influential philosopher Jean Baudrillard, Post Pop Art provides a timely retrospective look at the complex origins and contemporary manifestations of Pop Art.Post Pop Art also looks at the classic period of Pop Art from a 1980s perspective and discusses its relevance to Punk and New Wave music, artistic appropriation, and the post Pop movements of today. "That critics can still find in Pop a model for political debate is only one of the multitude of paradoxes that abound in this seemingly most impassive and celebratory of art movements," writes Paul Taylor.Also included in the book are essays by Dan Graham on Punk, the full text of a famous essay by Dick Hebdige, "In Poor Taste," and two essays by Americans David Dietcher and Mary Anne Staniszewski written after Andy Warhol's death.Paul Taylor, an art critic in New York is the founding editor and publisher of Art & Text magazine. He has curated several exhibitions on Pop Art and is editor of Impresario: Malcolm McLaren and the British New Wave. PostPop Art is a Flash Art Book.
Author: Sylvia Harrison
Publisher:
ISBN: 9780511481031
Category : Pop art
Languages : en
Pages : 280
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Book Description
Author: Andy Stewart MacKay
Publisher: Hachette UK
ISBN: 178157801X
Category : Art
Languages : en
Pages : 224
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Book Description
In this age of insta-stardom and selfies, Pop Art still defines the world we live in. Emerging in the 1950s, Pop Art arrived in an explosion of colour, offering bold representations and plenty of humour. All of the celebrities, events and politics that came to define two turbulent decades are encapsulated in their work. Pop Art challenged the establishment and offered a new modernism, blurring the line between art and mass production. Uncover 100 stories in this essential guide to a groundbreaking movement. Enjoy enlightening critiques of iconic works; meet key figures including Warhol and Hockney; and discover inspirational ideas and novel new methods.
Author: John Wilmerding
Publisher: Rizzoli Publications
ISBN: 0847839672
Category : Art
Languages : en
Pages : 239
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Book Description
A major survey of Pop Art from private collections. Published on the occasion of an exhibition of the same title, The Pop Object is the most comprehensive survey of Pop Art to be organized by theme and historical precedents, with such classic works as Andy Warhol’s Brillo Soap Pads, Robert Arneson’s Oreo Cookie Jar, Claes Oldenburg’s Pie à la Mode, Roy Lichtenstein’s Black Flowers, and Wayne Thiebaud’s Gumball Machine. With more than ninety color illustrations, this large-format book brings together the most important examples of works by artists Jasper Johns, Jim Dine, Marisol, Claes Oldenburg, Robert Rauschenberg, James Rosenquist, Wayne Thiebaud, Andy Warhol, Tom Wesselmann, and many others, from the 1960s to the present. The still life has often been the stepchild to landscape, history, and figurative painting. By examining themes like food and drink, household objects, flowers, and body parts, noted art historian John Wilmerding emphasizes Pop’s playfulness and brings the history of the movement right up to date.
Author: Julia Bigham
Publisher: Black Dog Publishing
ISBN: 9781904772699
Category : Art
Languages : en
Pages : 18
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Book Description
Pop Art Book is a vibrant celebration of one of the twentieth century's most important and enduring art movements. Showcasing pieces by major artists including Andy Warhol, Peter Blake, Roy Lichtenstein and Eduardo Paolozzi, as well as previously unheralded works by important figures such as Pauline Boty, one of the few female pop artists, this book is a must-have for anyone interested in modern art. A bold and exciting take on the movement, Pop Art Book explores Pop Art through themes including popular culture, consumerism, literature and politics. It is the first book on Pop Art to take an interactive approach to the subject, including stickers and pop-ups that encourage the reader to take a playful and creative attitude towards the movement. Combining visual excitement with substantial academic reflection, Pop Art Book provides a profound insight into the historical background behind this kaleidoscopic art-form, relating the movement to the major events of the era such as the Cold War, the Civil Rights Movement and the assassination of JFK. Accessibly written and great fun, this book offers an exciting way of learning to the uninitiated, as well as providing connoisseurs with a new take on the movement. Pop Art Book is published in conjunction with major exhibitions supported by the Wolverhampton Art Gallery.
Author: Flavia Frigeri
Publisher: National Geographic Books
ISBN: 0500293589
Category : Art
Languages : en
Pages : 0
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Book Description
This new installment in the Art Essentials series is an indispensable guide for anyone fascinated by the pop art movement. Pop Art refers to a post-war movement connecting art with popular culture. Billboard signs, comic books, and movie stars were just some of the subjects chosen by pop artists, such as Andy Warhol, Roy Lichtenstein, James Rosenquist, and Claes Oldenburg, to name a few, to illustrate the contemporary world in which they lived. Largely characterized by bold and strident colors combined with a cool-eyed appropriation of contemporary imagery, pop art sought to highlight both the negative and positive facets of modern culture. The newest installment in the Art Essentials series explores this phenomenon, which had its roots in post-war British and American consumerism before spreading and capturing the imagination of young artists. After establishing the origins of the form, the book delves into subjects like the role of stardom and glamor in pop art and how pop art vocabulary grew to include political figures and even war imagery. As written by Flavia Frigeri, an authority on the subject, this book is an essential guide for anyone fascinated by the pop art movement.
Author: David E. Brauer
Publisher: Hatje Cantz
ISBN:
Category : Art
Languages : en
Pages : 276
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Book Description
The techniques utilized, however, varied: the Americans generally used a more reductive method, arriving at a centralized iconic image, while the British preferred an episodic approach that generated an implied narrative. As the essays in this book make clear, Pop Art promoted no specific agenda beyond the investigation of the prevailing American environment."--BOOK JACKET.
Author: Arthur C. Danto
Publisher: Princeton University Press
ISBN: 0691209308
Category : Art
Languages : en
Pages : 350
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Book Description
The classic and provocative account of how art changed irrevocably with pop art and why traditional aesthetics can’t make sense of contemporary art A classic of art criticism and philosophy, After the End of Art continues to generate heated debate for its radical and famous assertion that art ended in the 1960s. Arthur Danto, a philosopher who was also one of the leading art critics of his time, argues that traditional notions of aesthetics no longer apply to contemporary art and that we need a philosophy of art criticism that can deal with perhaps the most perplexing feature of current art: that everything is possible. An insightful and entertaining exploration of art’s most important aesthetic and philosophical issues conducted by an acute observer of contemporary art, After the End of Art argues that, with the eclipse of abstract expressionism, art deviated irrevocably from the narrative course that Vasari helped define for it in the Renaissance. Moreover, Danto makes the case for a new type of criticism that can help us understand art in a posthistorical age where, for example, an artist can produce a work in the style of Rembrandt to create a visual pun, and where traditional theories cannot explain the difference between Andy Warhol’s Brillo Box and the product found in the grocery store. After the End of Art addresses art history, pop art, “people’s art,” the future role of museums, and the critical contributions of Clement Greenberg, whose aesthetics-based criticism helped a previous generation make sense of modernism. Tracing art history from a mimetic tradition (the idea that art was a progressively more adequate representation of reality) through the modern era of manifestos (when art was defined by the artist’s philosophy), Danto shows that it wasn’t until the invention of pop art that the historical understanding of the means and ends of art was nullified. Even modernist art, which tried to break with the past by questioning the ways in which art was produced, hinged on a narrative.
Author: Joe Hill
Publisher: Harper Collins
ISBN: 0061845043
Category : Fiction
Languages : en
Pages : 53
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Book Description
From the New York Times bestselling author of NOS4A2 and Horns comes this e-short story—from Joe Hill’s award-winning collection 20th Century Ghosts. Imogene is young and beautiful. She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945. . . . Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town. . . . Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing. . . . John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead. . . .
