Author: Duncan Tonatiuh
Publisher: Abrams
ISBN: 1613128479
Category : Juvenile Nonfiction
Languages : en
Pages : 47
Book Description
Funny Bones tells the story of how the amusing calaveras—skeletons performing various everyday or festive activities—came to be. They are the creation of Mexican artist José Guadalupe (Lupe) Posada (1852–1913). In a country that was not known for freedom of speech, he first drew political cartoons, much to the amusement of the local population but not the politicians. He continued to draw cartoons throughout much of his life, but he is best known today for his calavera drawings. They have become synonymous with Mexico’s Día de los Muertos (Day of the Dead) festival. Juxtaposing his own art with that of Lupe’s, author Duncan Tonatiuh brings to light the remarkable life and work of a man whose art is beloved by many but whose name has remained in obscurity. The book includes an author’s note, bibliography, glossary, and index.
Funny Bones
Author: Duncan Tonatiuh
Publisher: Abrams
ISBN: 1613128479
Category : Juvenile Nonfiction
Languages : en
Pages : 47
Book Description
Funny Bones tells the story of how the amusing calaveras—skeletons performing various everyday or festive activities—came to be. They are the creation of Mexican artist José Guadalupe (Lupe) Posada (1852–1913). In a country that was not known for freedom of speech, he first drew political cartoons, much to the amusement of the local population but not the politicians. He continued to draw cartoons throughout much of his life, but he is best known today for his calavera drawings. They have become synonymous with Mexico’s Día de los Muertos (Day of the Dead) festival. Juxtaposing his own art with that of Lupe’s, author Duncan Tonatiuh brings to light the remarkable life and work of a man whose art is beloved by many but whose name has remained in obscurity. The book includes an author’s note, bibliography, glossary, and index.
Publisher: Abrams
ISBN: 1613128479
Category : Juvenile Nonfiction
Languages : en
Pages : 47
Book Description
Funny Bones tells the story of how the amusing calaveras—skeletons performing various everyday or festive activities—came to be. They are the creation of Mexican artist José Guadalupe (Lupe) Posada (1852–1913). In a country that was not known for freedom of speech, he first drew political cartoons, much to the amusement of the local population but not the politicians. He continued to draw cartoons throughout much of his life, but he is best known today for his calavera drawings. They have become synonymous with Mexico’s Día de los Muertos (Day of the Dead) festival. Juxtaposing his own art with that of Lupe’s, author Duncan Tonatiuh brings to light the remarkable life and work of a man whose art is beloved by many but whose name has remained in obscurity. The book includes an author’s note, bibliography, glossary, and index.
Posada
Author: José Guadalupe Posada
Publisher: Editorial Rm
ISBN:
Category : Art
Languages : en
Pages : 148
Book Description
Now available for the first time in English, this volume brings the distinctly Mexican flavor of José Guadalupe Posada's work home to the reader with the striking design of its uncoated pages in the three different colors of the Mexican flag: green, white and red. Interspersed with a varied selection of the artist's engravings--broadsheets, corridos, chapbooks, vignettes, calaveras, games and a long etcetera of miscellaneous material featuring subjects like bullfights, Day of the Dead and crimes of passion--are two long texts by recognized authorities on the work of Posada. One essay deals with Posada's place in the wider tradition of graphic art and engraving, even as it follows his remarkable career from lithographer in the Mexican provinces to "popular" artist representing the quintessential expression of the Mexican Revolution at the beginning of the twentieth century. The other looks at Posada's role as a "professional of the image" in the changing world of publishing for a nascent but fast-growing reading public in late-nineteenth-century Mexico. Finally, the volume contains a biographical chronology of Posada's life and work, a bibliography and more than 600 fascinating reproductions.
Publisher: Editorial Rm
ISBN:
Category : Art
Languages : en
Pages : 148
Book Description
Now available for the first time in English, this volume brings the distinctly Mexican flavor of José Guadalupe Posada's work home to the reader with the striking design of its uncoated pages in the three different colors of the Mexican flag: green, white and red. Interspersed with a varied selection of the artist's engravings--broadsheets, corridos, chapbooks, vignettes, calaveras, games and a long etcetera of miscellaneous material featuring subjects like bullfights, Day of the Dead and crimes of passion--are two long texts by recognized authorities on the work of Posada. One essay deals with Posada's place in the wider tradition of graphic art and engraving, even as it follows his remarkable career from lithographer in the Mexican provinces to "popular" artist representing the quintessential expression of the Mexican Revolution at the beginning of the twentieth century. The other looks at Posada's role as a "professional of the image" in the changing world of publishing for a nascent but fast-growing reading public in late-nineteenth-century Mexico. Finally, the volume contains a biographical chronology of Posada's life and work, a bibliography and more than 600 fascinating reproductions.
Protest!
Author: Liz McQuiston
Publisher: Princeton University Press
ISBN: 0691197318
Category : Art
Languages : en
Pages : 289
Book Description
An authoritative, richly illustrated history of six centuries of global protest art Throughout history, artists and citizens have turned to protest art as a means of demonstrating social and political discontent. From the earliest broadsheets in the 1500s to engravings, photolithographs, prints, posters, murals, graffiti, and political cartoons, these endlessly inventive graphic forms have symbolized and spurred on power struggles, rebellions, spirited causes, and calls to arms. Spanning continents and centuries, Protest! presents a major new chronological look at protest graphics. Beginning in the Reformation, when printed visual matter was first produced in multiples, Liz McQuiston follows the iconic images that have accompanied movements and events around the world. She examines fine art and propaganda, including William Hogarth’s Gin Lane, Thomas Nast’s political caricatures, French and British comics, postcards from the women’s suffrage movement, clothing of the 1960s counterculture, the anti-apartheid illustrated book How to Commit Suicide in South Africa, the “Silence=Death” emblem from the AIDS crisis, murals created during the Arab Spring, electronic graphics from Hong Kong’s Umbrella Revolution, and the front cover of the magazine Charlie Hebdo. Providing a visual exploration both joyful and brutal, McQuiston discusses how graphics have been used to protest wars, call for the end to racial discrimination, demand freedom from tyranny, and satirize authority figures and regimes. From the French, Mexican, and Sandinista revolutions to the American civil rights movement, nuclear disarmament, and the Women’s March of 2017, Protest! documents the integral role of the visual arts in passionate efforts for change.
Publisher: Princeton University Press
ISBN: 0691197318
Category : Art
Languages : en
Pages : 289
Book Description
An authoritative, richly illustrated history of six centuries of global protest art Throughout history, artists and citizens have turned to protest art as a means of demonstrating social and political discontent. From the earliest broadsheets in the 1500s to engravings, photolithographs, prints, posters, murals, graffiti, and political cartoons, these endlessly inventive graphic forms have symbolized and spurred on power struggles, rebellions, spirited causes, and calls to arms. Spanning continents and centuries, Protest! presents a major new chronological look at protest graphics. Beginning in the Reformation, when printed visual matter was first produced in multiples, Liz McQuiston follows the iconic images that have accompanied movements and events around the world. She examines fine art and propaganda, including William Hogarth’s Gin Lane, Thomas Nast’s political caricatures, French and British comics, postcards from the women’s suffrage movement, clothing of the 1960s counterculture, the anti-apartheid illustrated book How to Commit Suicide in South Africa, the “Silence=Death” emblem from the AIDS crisis, murals created during the Arab Spring, electronic graphics from Hong Kong’s Umbrella Revolution, and the front cover of the magazine Charlie Hebdo. Providing a visual exploration both joyful and brutal, McQuiston discusses how graphics have been used to protest wars, call for the end to racial discrimination, demand freedom from tyranny, and satirize authority figures and regimes. From the French, Mexican, and Sandinista revolutions to the American civil rights movement, nuclear disarmament, and the Women’s March of 2017, Protest! documents the integral role of the visual arts in passionate efforts for change.
Posada
Author:
Publisher: Rm/Museo De Arte Moderno De Mexico
ISBN: 9788415118664
Category : Art
Languages : en
Pages : 375
Book Description
n the occasion of Jose Guadalupe Posada's (1852-1913) lucentous centenary, a group of historians and writers reflect on different aspects of his life and work. The book contains essays written by Juan Villoro, Helia Bonilla, Montserrat Gali and Rafael Barajas. Added to this is the study by Mercurio Lopez Casillas, which compiles a significant part of Posada's work, organizing it in chronological order and by stamping techniques. It also contains two sections dealing with the technical transition from lead to zinc and examples of the iconographic sources that served as models for the engraver. It also collects about a thousand reproductions of original periodic prints and dozens of unpublished prints. For the quality of the studies, the design, the selection of work and the editorial care Posada: 100 years of skulls is outlined as the indispensable work of the centenary. 868 illustrations
Publisher: Rm/Museo De Arte Moderno De Mexico
ISBN: 9788415118664
Category : Art
Languages : en
Pages : 375
Book Description
n the occasion of Jose Guadalupe Posada's (1852-1913) lucentous centenary, a group of historians and writers reflect on different aspects of his life and work. The book contains essays written by Juan Villoro, Helia Bonilla, Montserrat Gali and Rafael Barajas. Added to this is the study by Mercurio Lopez Casillas, which compiles a significant part of Posada's work, organizing it in chronological order and by stamping techniques. It also contains two sections dealing with the technical transition from lead to zinc and examples of the iconographic sources that served as models for the engraver. It also collects about a thousand reproductions of original periodic prints and dozens of unpublished prints. For the quality of the studies, the design, the selection of work and the editorial care Posada: 100 years of skulls is outlined as the indispensable work of the centenary. 868 illustrations
Posada's Mexico
Author: Library of Congress
Publisher: Washington : Library of Congress
ISBN:
Category : Art
Languages : en
Pages : 330
Book Description
Publisher: Washington : Library of Congress
ISBN:
Category : Art
Languages : en
Pages : 330
Book Description
Day of the Dead in the USA, Second Edition
Author: Regina M Marchi
Publisher: Rutgers University Press
ISBN: 1978821638
Category : Art
Languages : en
Pages : 239
Book Description
Examines how Day of the Dead celebrations among America's Latino communities have changed throughout history, discussing how the traditional celebration has been influenced by mass media, consumer culture, and globalization.
Publisher: Rutgers University Press
ISBN: 1978821638
Category : Art
Languages : en
Pages : 239
Book Description
Examines how Day of the Dead celebrations among America's Latino communities have changed throughout history, discussing how the traditional celebration has been influenced by mass media, consumer culture, and globalization.
Queering Drag
Author: Meredith Heller
Publisher: Indiana University Press
ISBN: 0253045673
Category : Social Science
Languages : en
Pages : 222
Book Description
Theatrical gender-bending, also called drag, is a popular form of entertainment and a subject of scholarly study. However, most drag studies do not question the standard words and ideas used to convey this performance genre. Drawing on a rich body of archival and ethnographic research, Meredith Heller illuminates diverse examples of theatrical gender-bending: male impersonation in variety and vaudeville (1860–1920); the "sexless" gender-bending of El Teatro Campesino (1960–1980); queer butch acts performed by black nightclub singers, such as Stormé DeLarverie, instigator of the Stonewall riots (1910–1970); and the range of acts that compose contemporary drag king shows. Heller highlights how, in each case, standard drag discourses do not sufficiently capture the complexity of performers' intents and methods, nor do they provide a strong enough foundation for holistically evaluating the impact of this work. Queering Drag offers redefinition of the genre centralized in the performer's construction and presentation of a "queer" version of hegemonic identity, and it models a new set of tools for analyzing drag as a process of intents and methods enacted to effect specific goals. This new drag discourse not only allows for more complete and accurate descriptions of drag acts, but it also facilitates more ethical discussions about the bodies, identities, and products of drag performers.
Publisher: Indiana University Press
ISBN: 0253045673
Category : Social Science
Languages : en
Pages : 222
Book Description
Theatrical gender-bending, also called drag, is a popular form of entertainment and a subject of scholarly study. However, most drag studies do not question the standard words and ideas used to convey this performance genre. Drawing on a rich body of archival and ethnographic research, Meredith Heller illuminates diverse examples of theatrical gender-bending: male impersonation in variety and vaudeville (1860–1920); the "sexless" gender-bending of El Teatro Campesino (1960–1980); queer butch acts performed by black nightclub singers, such as Stormé DeLarverie, instigator of the Stonewall riots (1910–1970); and the range of acts that compose contemporary drag king shows. Heller highlights how, in each case, standard drag discourses do not sufficiently capture the complexity of performers' intents and methods, nor do they provide a strong enough foundation for holistically evaluating the impact of this work. Queering Drag offers redefinition of the genre centralized in the performer's construction and presentation of a "queer" version of hegemonic identity, and it models a new set of tools for analyzing drag as a process of intents and methods enacted to effect specific goals. This new drag discourse not only allows for more complete and accurate descriptions of drag acts, but it also facilitates more ethical discussions about the bodies, identities, and products of drag performers.
Posada's Popular Mexican Prints
Author: José Posada
Publisher: Courier Corporation
ISBN: 0486133877
Category : Art
Languages : en
Pages : 181
Book Description
273 great 19th-century woodcuts: crimes, miracles, skeletons, ads, portraits, news cuts. Table of contents includes Calaveras; Disasters; National Events; Religion and Miracles; Don Chepito Marihuano; Chapbook Covers; Chapbook Illustrations; and Everyday Life.
Publisher: Courier Corporation
ISBN: 0486133877
Category : Art
Languages : en
Pages : 181
Book Description
273 great 19th-century woodcuts: crimes, miracles, skeletons, ads, portraits, news cuts. Table of contents includes Calaveras; Disasters; National Events; Religion and Miracles; Don Chepito Marihuano; Chapbook Covers; Chapbook Illustrations; and Everyday Life.
A Sentimental Education for the Working Man
Author: Robert M. Buffington
Publisher: Duke University Press
ISBN: 0822375575
Category : History
Languages : en
Pages : 254
Book Description
In A Sentimental Education for the Working Man Robert Buffington reconstructs the complex, shifting, and contradictory ideas about working-class masculinity in early twentieth-century Mexico City. He argues that from 1900 to 1910, the capital’s satirical penny press provided working-class readers with alternative masculine scripts that were more realistic about their lives, more responsive to their concerns, and more representative of their culture than anything proposed by elite social reformers and Porfirian officials. The penny press shared elite concerns about the destructive vices of working-class men, and urged them to be devoted husbands, responsible citizens, and diligent workers; but it also used biting satire to recast negative portrayals of working-class masculinity and to overturn established social hierarchies. In this challenge to the "macho" stereotype of working-class Mexican men, Buffington shows how the penny press contributed to the formation of working-class consciousness, facilitated the imagining of a Mexican national community, and validated working-class men as modern citizens.
Publisher: Duke University Press
ISBN: 0822375575
Category : History
Languages : en
Pages : 254
Book Description
In A Sentimental Education for the Working Man Robert Buffington reconstructs the complex, shifting, and contradictory ideas about working-class masculinity in early twentieth-century Mexico City. He argues that from 1900 to 1910, the capital’s satirical penny press provided working-class readers with alternative masculine scripts that were more realistic about their lives, more responsive to their concerns, and more representative of their culture than anything proposed by elite social reformers and Porfirian officials. The penny press shared elite concerns about the destructive vices of working-class men, and urged them to be devoted husbands, responsible citizens, and diligent workers; but it also used biting satire to recast negative portrayals of working-class masculinity and to overturn established social hierarchies. In this challenge to the "macho" stereotype of working-class Mexican men, Buffington shows how the penny press contributed to the formation of working-class consciousness, facilitated the imagining of a Mexican national community, and validated working-class men as modern citizens.
The Day of the Dead
Author: Déborah Holtz
Publisher: Rizzoli International Publications
ISBN: 084787267X
Category : Art
Languages : en
Pages : 334
Book Description
A tribute to Mexico’s most important holiday, this extraordinary and definitive volume documents the immense creativity displayed by this popular annual celebration. While there have been other books about the Day of the Dead, most are long out of print and aridly academic. This book features both exceptional “traditional” Indigenous material—such as vibrant folk art and crafts, flamboyant costumes and masks, special food and drink—but also a much more funky, modern approach that blends lively music and dance, colorful parades, cutting-edge contemporary street art, and a festive atmosphere that engages all of the senses with handmade altars, flowers, painted skulls, toys, paintings, murals, and other art objects. Featuring hundreds of specially commissioned photographs and voluminous in-depth research, the book is lavishly illustrated and designed with an aesthetic that draws on both traditional material as well as Mexico’s contemporary street art style. Blending visual elements inspired by the country’s pre-Hispanic heritage, European influences, and modern art trends, the book explores the evolution of the Day of the Dead and the special role it plays. This book is the definitive, authentic resource for all things Day of the Dead.
Publisher: Rizzoli International Publications
ISBN: 084787267X
Category : Art
Languages : en
Pages : 334
Book Description
A tribute to Mexico’s most important holiday, this extraordinary and definitive volume documents the immense creativity displayed by this popular annual celebration. While there have been other books about the Day of the Dead, most are long out of print and aridly academic. This book features both exceptional “traditional” Indigenous material—such as vibrant folk art and crafts, flamboyant costumes and masks, special food and drink—but also a much more funky, modern approach that blends lively music and dance, colorful parades, cutting-edge contemporary street art, and a festive atmosphere that engages all of the senses with handmade altars, flowers, painted skulls, toys, paintings, murals, and other art objects. Featuring hundreds of specially commissioned photographs and voluminous in-depth research, the book is lavishly illustrated and designed with an aesthetic that draws on both traditional material as well as Mexico’s contemporary street art style. Blending visual elements inspired by the country’s pre-Hispanic heritage, European influences, and modern art trends, the book explores the evolution of the Day of the Dead and the special role it plays. This book is the definitive, authentic resource for all things Day of the Dead.