Portuguese 20th Century Artists PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Portuguese 20th Century Artists PDF full book. Access full book title Portuguese 20th Century Artists by Michael Tannock. Download full books in PDF and EPUB format.
Author: Michael Tannock
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 498
Get Book
Book Description
Biographical dictionary of 2,200 artists with 400 plates, 100 in full color.
Author: Michael Tannock
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 498
Get Book
Book Description
Biographical dictionary of 2,200 artists with 400 plates, 100 in full color.
Author: Michael Tannock
Publisher:
ISBN: 9780847623075
Category :
Languages : en
Pages : 460
Get Book
Book Description
Author: Leonor de Oliveira
Publisher: Routledge
ISBN: 1000764095
Category : Art
Languages : en
Pages : 291
Get Book
Book Description
This book centres on four Portuguese artists’ journeys between Portugal and Britain and aims at rethinking the cultural and artistic interactions in the post-war Europe, the shaping of new identities within a context of creative experimentalism and transnational dynamics and the artistic responses to political troubles. Leonor de Oliveira examines the contributions of the work of Paula Rego, Barto dos Santos, João Cutileiro and Jorge Vieira, among other artists, to shape referential images of Portuguese identity that not only responded to the purpose of breaking with dominant iconographic and aesthetic representations but also incorporated a critical perspective on contemporaneity. This title will appeal to scholars interested in art history, Portuguese and European art, and the mid-twentieth-century art scene.
Author: Pedro Moura Carvalho
Publisher: Arnoldsche Verlagsanstalt GmbH
ISBN: 9783897906365
Category :
Languages : en
Pages : 312
Get Book
Book Description
* Deep insights the development of studio ceramics in Portugal* Comprehensive overview with a focus on the 1950s and 1960sIn a country known for its lively azulejos (tiles) and clay crafts, local studio pottery in Portugal has remained practically unknown, yet throughout the last century, a considerable number of potters and visual artists -- from Portugal as well as Germany, Hungary, and Mozambique, among other countries -- have created an original corpus of work. Based on what is probably the most comprehensive collection of local ceramic art, this publication discusses with greater detail 30 potters' work and is illustrated with over 200 ceramics. It covers the entire 20th century, but gives particular emphasis to the 1950s and 1960s, when there was a boom in interest for the discipline, and when both state and private patrons commissioned significant artworks. This is the first seminal study of such an eclectic production, aiming to become a standard reference for the general public, collectors, and museum curators.
Author: Jack D. Flam
Publisher: Univ of California Press
ISBN: 9780520212787
Category : Art
Languages : en
Pages : 514
Get Book
Book Description
"This is a much needed, important collection-a goldmine of sources for scholars and students. The texts articulate the key Primitivist aesthetic discourses of the period, offering crucial insight into the complex and always changing nexus between culture, politics, and representation. Because of the breadth of the materials covered and the controversies they raise, this anthology is one of the all too rare volumes that not only will provide reference materials for years to come but also will feature centrally in classroom discussions."--Suzanne Preston Blier, author of African Vodun: Art, Psychology, and Power "For almost a century art historians have fretted about the notion of primitivism in the arts. This comprehensive-in both senses of the word-anthology is a peerless source of the history of responses to works categorized as 'primitive.' In its range, the book touches upon all the troubling questions-formal, anthropological, political, historical-that have bedeviled the study of the arts of Oceania, Africa, and North and South America, and provides the grounds, at last, for intelligent pursuit of keener distinctions. I regard this book as a superb contribution to the study of Modern art; in fact, indispensable."--Dore Ashton, author of Noguchi East and West "An extraordinarily useful and complete collection of primary documents, many translated for the first time into English, and almost all unlikely to be encountered elsewhere without serious effort. Its five sections, each with a lively and scholarly introduction, reveal the diverse views of artists and writers on primitive art from Matisse, Picasso, and Fry to many far less known and sometimes surprising figures. The book also uncovers the politics and aesthetics of the major museum exhibitions that gained acceptance for art that had been both reviled and mythologized. Recent texts included are all germane. This book will be invaluable for any college course on the topic."--Shelly Errington, author of The Death of Authentic Primitive Art and Other Tales of Progress "An exceptionally valuable anthology of seventy documents--most heretofore unavailable in English--on the ongoing controversies surrounding Primitivism and Modern art. Insightfully chosen and annotated, the collection is brilliantly introduced by Jack Flam's essay on the historical progression, contexts, and cultural complexities of more than one hundred years' ideas about Primitivism. Rich, timely, illuminating."--Herbert M. Cole, author of Icons: Ideals and Power in the Art of Africa
Author: Ana Gabriela Macedo
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110783428
Category : Literary Criticism
Languages : en
Pages : 228
Get Book
Book Description
This book deals with the work of twentieth-century women artists and literary authors from Portugal, Brazil and Portuguese-speaking African countries against the backdrop of political dictatorships. The essays in this volume reflect upon and challenge canonical perspectives on the arts and literature, bringing to light some of the hidden and silenced faces of Lusophone culture. By doing so, they highlight how dominant ideologies marked the artistic and literary practices of Portuguese-speaking women, and how these women in turn developed strategies of resistance through their creative work. The volume brings together contributors working in a range of disciplines, including literary criticism, the visual arts, and film studies, all of whom reflect on themes such as the reactions of women artists to authoritarianism, the representations of political repression in their work, the colonial war, and the critical revision of this historical moment by a younger generation of artists. It addresses scholars, critics, students and cultural workers with an interest in post-colonial and feminist studies in the Portuguese-speaking context.
Author: Witt Library of the Courtauld Institute
Publisher: Routledge
ISBN: 1134264135
Category : History
Languages : en
Pages : 558
Get Book
Book Description
First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Royal Academy of Arts (Great Britain)
Publisher:
ISBN:
Category : Art, Portuguese
Languages : en
Pages : 210
Get Book
Book Description
Author: José Augusto França
Publisher:
ISBN: 9789729127113
Category : Painting, Portuguese
Languages : en
Pages : 91
Get Book
Book Description
Author: Ana Gabriela Macedo
Publisher:
ISBN: 9783110783377
Category : Art
Languages : en
Pages : 0
Get Book
Book Description
This book deals with the work of twentieth-century women artists and literary authors from Portugal, Brazil and Portuguese-speaking African countries against the backdrop of political dictatorships. The essays in this volume reflect upon and challenge canonical perspectives on the arts and literature, bringing to light some of the hidden and silenced faces of Lusophone culture. By doing so, they highlight how dominant ideologies marked the artistic and literary practices of Portuguese-speaking women, and how these women in turn developed strategies of resistance through their creative work. The volume brings together contributors working in a range of disciplines, including literary criticism, the visual arts, and film studies, all of whom reflect on themes such as the reactions of women artists to authoritarianism, the representations of political repression in their work, the colonial war, and the critical revision of this historical moment by a younger generation of artists. It addresses scholars, critics, students and cultural workers with an interest in post-colonial and feminist studies in the Portuguese-speaking context.
