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Author: Atsushi Ikeda
Publisher: Boydell & Brewer
ISBN: 1837652384
Category : Art
Languages : en
Pages : 280
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Book Description
Brings to light the evolution of Sikh art from the eighteenth to the twentieth century. Breaking fresh ground in the study of Sikh art, after the pioneering contributions of W.H. McLeod and B.N. Goswamy, this book on Sikh art evolution is centred on portraits of Sikh Gurus from the eighteenth to the twentieth century. It examines around two hundred and fifty texts of art, of various mediums, scattered across museums and private collections the world over. Ikeda artfully proves how Guru Nanak's portraiture catered to the spiritual and cultural needs not only of ordinary Sikhs, but also satisfied the expectations of the newly formed urban middle class. Including critical review of Harjot Oberoi's study and emphasizing the significant role of Sikh art in the formation of a distinct Sikh community's identity, the author takes note of how the Singh Sabha Movement (1873-1909) and the Akali Movement of 1920 onwards popularized devotional portraits of Guru Nanak even though idolatry is forbidden in the sacred text Guru Granth Sahib. It underlines how there was a paradigm shift in the mentality of Sikh society under the colonial impact of the British Raj. This highly illustrated volume will not only be appreciated by students of visual arts, researchers and academics, but also by the universities across the world in which Sikh Studies are taught. Atsushi Ikeda, a historian of South Asian art, specialising in Sikh art and visual culture, holds an MFA from Kyoto City University of Arts, an M.Res. from Kyoto University and a doctorate from SOAS University of London. Having worked as an art director in a Japanese company, he currently serves as the Chief Director of the Japanese Organisation for the Promotion of Indian Art and Culture (JOPIAC).
Author: Atsushi Ikeda
Publisher: Boydell & Brewer
ISBN: 1837652384
Category : Art
Languages : en
Pages : 280
Get Book Here
Book Description
Brings to light the evolution of Sikh art from the eighteenth to the twentieth century. Breaking fresh ground in the study of Sikh art, after the pioneering contributions of W.H. McLeod and B.N. Goswamy, this book on Sikh art evolution is centred on portraits of Sikh Gurus from the eighteenth to the twentieth century. It examines around two hundred and fifty texts of art, of various mediums, scattered across museums and private collections the world over. Ikeda artfully proves how Guru Nanak's portraiture catered to the spiritual and cultural needs not only of ordinary Sikhs, but also satisfied the expectations of the newly formed urban middle class. Including critical review of Harjot Oberoi's study and emphasizing the significant role of Sikh art in the formation of a distinct Sikh community's identity, the author takes note of how the Singh Sabha Movement (1873-1909) and the Akali Movement of 1920 onwards popularized devotional portraits of Guru Nanak even though idolatry is forbidden in the sacred text Guru Granth Sahib. It underlines how there was a paradigm shift in the mentality of Sikh society under the colonial impact of the British Raj. This highly illustrated volume will not only be appreciated by students of visual arts, researchers and academics, but also by the universities across the world in which Sikh Studies are taught. Atsushi Ikeda, a historian of South Asian art, specialising in Sikh art and visual culture, holds an MFA from Kyoto City University of Arts, an M.Res. from Kyoto University and a doctorate from SOAS University of London. Having worked as an art director in a Japanese company, he currently serves as the Chief Director of the Japanese Organisation for the Promotion of Indian Art and Culture (JOPIAC).
Author: Yasser Usman
Publisher: Simon and Schuster
ISBN: 9386797895
Category : Biography & Autobiography
Languages : en
Pages : 336
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Book Description
Guru Dutt’s filmography has some names which have long been considered as some of the best films to have ever been made in India. His masterpiece Pyaasa (1957) was featured in TIME magazine's All-Time 100 Movies list in 2005. His films are still celebrated and revered by viewers, critics and students of cinema the world over, not only for their technical brilliance but also for the eternal romanticism and their profound take on the emptiness of life and the shallowness of material success. He was Indian cinema’s Don Juan and Nietzsche rolled into one. But while much has been said and written on the film-maker and his art, little is known about his life behind the screens. This richly layered account takes a deep dive into the journey of a lonesome, troubled genius who was endlessly being pulled in contrary directions throughout his life. A child prodigy, who actually began as a dancer learning from the great Uday Shankar, an unconventional film-maker who desired commercial success without ever compromising on artistic satisfaction, a self-made entrepreneur who hated numbers yet single-handedly ran a film studio juggling the roles of a producer, director, actor, financier — all this while struggling silently with a deeply troubled personal life, at the centre of which was his tumultuous marriage with Geeta Dutt. Guru had it all — love, family, money, fame and validation from his audience. His untimely death by suicide, that too after multiple failed attempts, had shocked the entire film industry. But what led to that fateful night when he tipped his hat and said his final goodbye? Best-selling Bollywood biographer Yasser Usman explores the man and the myth Guru Dutt in this definitive biography of a nonconformist star, uncovering the extraordinary lives of the rich and the famous as well the incredible toll it takes on the emotional and mental health of a human being. With cameos from close friends and colleagues Dev Anand, Waheeda Rehman, Johnny Walker, S.D. Burman and most significantly Dutt’s sister, noted painter Lalitha Lajmi, a short but compassionate, ambitious and ultimately tragic life reveals itself in the pages of this book. This is a gripping, meticulously researched and moving portrait of an unfinished life — a tale of unrequited love, unresolved relationships and unmatched cinematic talent.
Author: Jan Peter Schouten
Publisher: Rodopi
ISBN: 9042024437
Category : Religion
Languages : en
Pages : 314
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Book Description
People in India form images of Jesus Christ that link up with their own culture. Hindus have given Jesus a place among the teachers and gods of their own religion, seeing in his life something of the wisdom and mysticism that is so central to Hinduism. Christians in India also make use of the concepts provided by Hinduism when they wish to express the meaning of Christ. Thus, in any case, Jesus is--for Hindus and Christians--a guru, a teacher of wisdom who speaks with divine authority. But for many Hindu philosophers and Christian theologians there is much more that can be said about him within the Indian framework. He can be described as an avatara, a divine descent, or linked to the Brahman, the all-encompassing Reality. This study looks at both Hindu and Christian views of Christ, starting with that of the Hindu reformer Rammohan Roy at the beginning of the nineteenth century, as well as those of the first Christian theologians of India. The views of Mahatma Gandhi and the monks of the Ramakrishna Mission are discussed, and those of influential Christian schools such as the Ashram movement and dalit theology. Five intermezzos indicate how artists in India portray Jesus Christ.
Author: Marta Szabo
Publisher:
ISBN: 9780578006260
Category : Biography & Autobiography
Languages : en
Pages : 408
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Book Description
This is the story of a spiritual quest that begins in fervent trust and hope and ultimately leads to heard-earned, clear-eyed wisdom. -- from back cover.
Author: Sarah Morelli
Publisher: University of Illinois Press
ISBN: 0252051726
Category : Performing Arts
Languages : en
Pages : 259
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Book Description
An important modern exponent of Asian dance, Pandit Chitresh Das brought kathak to the United States in 1970. The North Indian classical dance has since become an important art form within the greater Indian diaspora. Yet its adoption outside of India raises questions about what happens to artistic practices when we separate them from their broader cultural contexts. A Guru's Journey provides an ethnographic study of the dance form in the San Francisco Bay Area community formed by Das. Sarah Morelli, a kathak dancer and one of Das's former students, investigates issues in teaching, learning, and performance that developed around Das during his time in the United States. In modifying kathak's form and teaching for Western students, Das negotiates questions of Indianness and non-Indianness, gender, identity, and race. Morelli lays out these issues for readers with the goal of deepening their knowledge of kathak aesthetics, technique, and theory. She also shares the intricacies of footwork, facial expression in storytelling, and other aspects of kathak while tying them to the cultural issues that inform the dance.
Author: Dr. Ashish Kumar Gupta and Dr. Sarita Jain
Publisher: Booksclinic Publishing
ISBN: 8194322472
Category : Education
Languages : en
Pages : 275
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Book Description
The book emphasises on the oppression, marginalization, exploitation, segregation, and discrimination which women are subjected to from time immemorial. Gender is a social construct. The abuse of women is not only material reality, originating in economic conditions but also a psychological phenomenon—how men and women perceive one another. This anthology contains 24 scholarly papers that concern with theoretical issues and historical perspectives, with spatial metaphors, discourse analysis, challenges of women in the professional and domestic sphere, and various arenas. Compromise, rebellion, madness are some of the strategies contrived by women to defend and express themselves. The present book explores multifarious facets as Women Empowerment, Transculturation, Me Too, Women for Women, Women Education, Women and Cinema, Marginalised Women, Working Women, Gender Discrimination, Feminism, Women's Emancipation and Post Modernism. The papers included in this volume will provide in-depth insight into the subject and prove valuable to research scholars, teachers, academicians, and those interested in Gender Studies.
Author: Sukh Dev Singh Charak
Publisher: Abhinav Publications
ISBN: 9788170173564
Category : Art
Languages : en
Pages : 310
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Book Description
The Present Monograph Seeks To Record The Place And Development Of Elephant Symbol In The Mythology And The Art Of India Over A Period Of 5000 Years. It Is Amazing As To How Strikingly A Unity In Diversity In Most Indian Religions Is Displayed Through This Symbol. Elephant Form Has Been Used As A Common Denominator In The Folk As Well As The Religious Cults But Having Different Impacts. The Wide Spectrum Of Indian Culture Contains Various Colours Of Different Intensity. Different Kinds Of People, Races, Languages, Religions And Traditions Made Indian Culture Vital And Colourful. The Elephant Rotates With Every Colour Of The Spectrum. How The Animal Impressed The People Through The Ages Is Sought To Be Explained By The Author Along With All The Myths And Stories Associated With It. As A Divine Member Elephant Was Supposed To Have Come Into Existence Out Of The Sea On The Occasion Of Churning Of The Ocean (Samudramanthana) As Airavata The Milk White Elephant. On The Folk Level A Cult Developed Around It. Jataka Stories Refer To Elephant Pillars And Statues And Tradition Of Performing Hastisutra And Hastimangala-Elephant 1Estival. Besides As A Folk Divinity It Also Penetrated In Buddhist And Jain Mythologies. It Is The Inner Vitality Of Indian Culture Which Has Been The Result Of Intimate Connection Between Nature And Human Inspiration. That Is Why, Indian Religion, Art And Literature Are Rooted In The Natural Environment. Ganesa The Elephant God Is The Best Example Of The Oneness Of Nature And Human Factor As Reflected In The Realm Of Art And Literature. Ganesa Is Only One Of The Aspects Of The Multidimensional Personality Of The Elephant Which Embodies The Various Hues And Colours Of The Indian Cultural Tradition. Thus, Dr. Gupta Herein Offers A Detailed Statement Regarding The Historical Development Of Elephant Symbol In Indian Myths And Art. This Must Be Counted As A Unique Effort In Understanding The Symbolism Of Indian Culture Through Elephant Symbol.
Author: Kerry Brown
Publisher: Routledge
ISBN: 1134631367
Category : Religion
Languages : en
Pages : 270
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Book Description
Sikh Art and Literature traverses the 500-year history of a religion that dawned with the modern age in a land that was a thoroughfare of invading armies, ideas and religions and arts of the East and West. Essays by art curators, historians and collectors and religion and literary scholars are illustrated with some of the earliest and finest Sikh paintings. Sikh modernism and mysticism is explored in essays on the holy Guru Granth Sahib; the translations and writings of the British Raj convert, M.A. Macauliffe; the fathers of modern Punjabi literature, Bhai Vir Singh and Puran Singh; and the 20th century fiction writers Bhai Mohan Vaid Singh and Khushwant Singh. Excerpts from journals of visitors to the court of the diminutive and new translations of early twentieth century poetry add depth and originality to this beautiful and accessible introduction to the art, literature, beliefs and history of the Sikhs. Illustrated throughout with 42 colour and 92 black and white images, Sikh Art and Literature is a colourful, heartfelt, and informative introduction to the Sikh culture.
Author: Bruce M. Sullivan
Publisher: Bloomsbury Publishing
ISBN: 147259083X
Category : Religion
Languages : en
Pages : 217
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Book Description
We have long recognized that many objects in museums were originally on display in temples, shrines, or monasteries, and were religiously significant to the communities that created and used them. How, though, are such objects to be understood, described, exhibited, and handled now that they are in museums? Are they still sacred objects, or formerly sacred objects that are now art objects, or are they simultaneously objects of religious and artistic significance, depending on who is viewing the object? These objects not only raise questions about their own identities, but also about the ways we understand the religious traditions in which these objects were created and which they represent in museums today. Bringing together religious studies scholars and museum curators, Sacred Objects in Secular Spaces is the first volume to focus on Asian religions in relation to these questions. The contributors analyze an array of issues related to the exhibition in museums of objects of religious significance from Hindu, Buddhist, and Sikh traditions. The “lives” of objects are considered, along with the categories of “sacred” and “profane”, “religious” and “secular”. As interest in material manifestations of religious ideas and practices continues to grow, Sacred Objects in Secular Spaces is a much-needed contribution to religious and Asian studies, anthropology of religion and museums studies.
Author:
Publisher: Oxford University Press
ISBN: 0190624094
Category : Religion
Languages : en
Pages : 297
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Book Description
Bhai Gurdas Bhalla (d. 1636 CE) is widely considered the most important non-canonical poet in Sikh history, having shaped the theology and ethics of the tradition for centuries. His poems, which offer an authoritative illustration of Sikh life in the early seventeenth century, defined Sikh identity during a tumultuous period of upheaval. In Drinking from Love's Cup, Rahuldeep Gill brings together for the first time a collection of the revered poet's early work, masterfully translated into English, alongside the original Punjabi text. The magic of Gurdas's poetry, says Gill, is the fusion of Islamicate narrative with Indian heroic literature to speak about death, martyrdom, and the spirit's absolution in love. Gill challenges the traditional scholarship surrounding the dates of Gurdas's writing, suggesting that Gurdas wrote his poetry to console the Sikh community when it was in mourning over the execution of the fifth of the Sikh founders, Guru Arjan (d.1606), by agents of the Mughal Empire. Gurdas in his verses immortalized the fifth Guru's role as a martyr and encouraged the faithful to stay involved in the community, resist hegemony, and reinforce Sikh beliefs during the sectarian upheaval. Rhythmic, elegant, and lucid, the poems weave Sikh scripture into the lyrical fabric of Sikh spirituality. Gill brings a contemporary flair to Gurdas's moving stanzas and in his commentary unearths fresh insights about his life and context.
