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Author: Anita Savo
Publisher: University of Toronto Press
ISBN: 1487553250
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
Portraying Authorship argues that the medieval Castilian writer Juan Manuel fashioned a seemingly modern authorial persona from the accumulation and synthesis of medieval authorial roles. In the manuscript culture of medieval Castile and across Latin Europe, writers typically referred to their work in ways that corresponded to their role in the bookmaking process: scribes took credit for preserving the works of others, compilers for combining disparate texts in productive ways, commentators for explaining obscure works, and authors for writing their own words. Combining literary analysis with book history, Anita Savo reveals how Juan Manuel forged his authorial persona, “Don Juan,” by adopting all four medieval writerly roles, thereby reaping the ethical benefits of each one. Each chapter in Portraying Authorship highlights a different authorial role to show how Don Juan – and others who wrote in his name – assumed responsibility for that role and adapted its rhetoric to his vernacular literary project. The book concludes that Don Juan’s authorial self-portrait not only gave the humanist writers of the fifteenth century a model to imitate, but also persuaded subsequent scribes, editors, and translators to portray him as an individual author. In doing so, Portraying Authorship illuminates how Juan Manuel’s concept of authorship helped to secure him a privileged position in narratives of Spanish literary history.
Author: Anita Savo
Publisher: University of Toronto Press
ISBN: 1487553250
Category : Literary Criticism
Languages : en
Pages : 234
Get Book Here
Book Description
Portraying Authorship argues that the medieval Castilian writer Juan Manuel fashioned a seemingly modern authorial persona from the accumulation and synthesis of medieval authorial roles. In the manuscript culture of medieval Castile and across Latin Europe, writers typically referred to their work in ways that corresponded to their role in the bookmaking process: scribes took credit for preserving the works of others, compilers for combining disparate texts in productive ways, commentators for explaining obscure works, and authors for writing their own words. Combining literary analysis with book history, Anita Savo reveals how Juan Manuel forged his authorial persona, “Don Juan,” by adopting all four medieval writerly roles, thereby reaping the ethical benefits of each one. Each chapter in Portraying Authorship highlights a different authorial role to show how Don Juan – and others who wrote in his name – assumed responsibility for that role and adapted its rhetoric to his vernacular literary project. The book concludes that Don Juan’s authorial self-portrait not only gave the humanist writers of the fifteenth century a model to imitate, but also persuaded subsequent scribes, editors, and translators to portray him as an individual author. In doing so, Portraying Authorship illuminates how Juan Manuel’s concept of authorship helped to secure him a privileged position in narratives of Spanish literary history.
Author: Karen Fang
Publisher: University of Virginia Press
ISBN: 0813928826
Category : Literary Criticism
Languages : en
Pages : 249
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Book Description
Nineteenth-century periodicals frequently compared themselves to the imperial powers then dissecting the globe, and this interest in imperialism can be seen in the exotic motifs that surfaced in works by such late Romantic authors as John Keats, Charles Lamb, James Hogg, Letitia Landon, and Lord Byron. Karen Fang explores the collaboration of these authors with periodical magazines to show how an interdependent relationship between these visual themes and rhetorical style enabled these authors to model their writing on the imperial project. Fang argues that in the decades after Waterloo late Romantic authors used imperial culture to capitalize on the contemporary explosion of periodical magazines. This proliferation of "post-Napoleonic" writing—often referencing exotic locales—both revises longstanding notions about literary orientalism and reveals a remarkable synthesis of Romantic idealism with contemporary cultural materialism that heretofore has not been explored. Indeed, in interlocking case studies that span the reach of British conquest, ranging from Greece, China, and Egypt to Italy and Tahiti, Fang challenges a major convention of periodical publication. While periodicals are usually thought to be defined by time, this account of the geographic attention exerted by late Romantic authors shows them to be equally concerned with space. With its exploration of magazines and imperialism as a context for Romantic writing, culture, and aesthetics, this book will appeal not only to scholars of book history and reading cultures but also to those of nineteenth-century British writing and history.
Author: Zoe Adams
Publisher: Oxford University Press
ISBN: 0192672339
Category : Law
Languages : en
Pages : 417
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Book Description
"Why do we think about some practices as work, and not others? Why do we classify certain capacities as economically valuable skills, and others as innate characteristics? What, moreover, is the role of law in shaping our answers to these questions?" These are just some of the queries explored by Zoe Adams's analysis of the legal construction, and regulation, of work. Spanning from the 14th century to the present day, The Legal Concept of Work explores how the role of law and legal concepts comes to consider some forms of human labour as work, and some forms of human labour as non-work. It examines why perceptions of these activities can change over time, and how legal constitution impacts the way in which work comes to be regulated, organised, and valued. As part of the analysis, the book presents a series of case studies, ranging from the publishing industry, academia, medicine, and retail, with a view of illustrating some of the regulatory challenges different types of work face, in the context of capitalism.
Author: Cecilia Sayad
Publisher: Bloomsbury Publishing
ISBN: 0857722875
Category : Art
Languages : en
Pages : 208
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Book Description
The figure of the auteur continues to haunt the study of film, resisting both the poststructuralist charges that pointed to its absence and the histories of production that have described its pitfalls. In an era defined by the instability of identities and the recycling of works, Performing Authorship offers a refreshingly new take on the cinematic auteur, proposing that the challenges that once accelerated this figure's critical demise should instead pump new life into it. This book is about the drama of creative processes in essay, documentary and fiction films, with particular emphasis on the effects that the filmmaker's body exerts on our sense of an authorial presence. It is an illuminating analysis of films by Jean-Luc Godard, Woody Allen, Agnes Varda, Orson Welles, Jean Rouch, Eduardo Coutinho and Sarah Turner that shows directors shifting between opposite movements towards exposure and masking, oscillating between the assertion and divestiture of their authorial control. In the process, Cecilia Sayad argues, the film author is not necessarily at the work's origin, nor does it constitute the end product. What this new concept of performing authorship describes is the making and unmaking of a subject.
Author: Angela Vietto
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754653387
Category : Literary Criticism
Languages : en
Pages : 172
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Book Description
In distinct contrast to earlier studies on early US women's authorship, this book argues that women writers in Revolutionary America viewed civic participation as a key component of the social role of authorship, and that they used authorship as a means to contribute publicly to the evolving creation of the new nation's political and social identities.Angela Vietto here analyzes poetry, letters, religious texts, essays and plays by early American writers Mercy Otis Warren, Sarah Osborn and Susanna Anthony, Hannah Adams, Eunice Smith, Jenny Fenno, Sarah Pogson Smith, Judith Sargent Murray and Hannah Griffitts, among others.
Author: Jane Poyner
Publisher: Routledge
ISBN: 1317111648
Category : Literary Criticism
Languages : en
Pages : 215
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Book Description
In her analysis of the South African novelist J. M. Coetzee's literary and intellectual career, Jane Poyner illuminates the author's abiding preoccupation with what Poyner calls the "paradox of postcolonial authorship". Writers of conscience or conscience-stricken writers of the kind Coetzee portrays, whilst striving symbolically to bring the stories of the marginal and the oppressed to light, always risk reimposing the very authority they seek to challenge. From Dusklands to Diary of a Bad Year, Poyner traces how Coetzee rehearses and revises his understanding of the ethics of intellectualism in parallel with the emergence of the "new South Africa". She contends that Coetzee's modernist aesthetics facilitate a more exacting critique of the problems that encumber postcolonial authorship, including the authority it necessarily engenders. Poyner is attentive to the ways Coetzee's writing addresses the writer's proper role with respect to the changing ethical demands of contemporary political life. Theoretically sophisticated and accessible, her book is a major contribution to our understanding of the Nobel Laureate and to postcolonial studies.
Author: Enric Bou
Publisher: University of Toronto Press
ISBN: 1487554699
Category :
Languages : en
Pages : 290
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Book Description
Author: Professor Susan Larson
Publisher: University of Toronto Press
ISBN: 1487529120
Category : Literary Criticism
Languages : en
Pages : 328
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Book Description
Comfort and domestic space are complex narratives that can help draw our attention to everything from urban planning, everyday objects, and new technologies to class conflict, racial and ethnic segregation, and the gendering of domestic labour. Comfort and Domestic Space in Modern Spain delves into the history of ideas surrounding the modern home. It explores how the collective experience of domestic space has been shaped by government ideologues, technocrats, and artists as well as working- and middle-class Spaniards since the late nineteenth century. The book focuses on the social and cultural meanings of domestic space in ways that invite us to cross boundaries between private and public, the particular and the general, the local and the global, and to pay attention to the role of the cultural imagination in making a house into a home. Considering a wide variety of voices and perspectives that have resulted in new ideas about how to inhabit domestic space, Comfort and Domestic Space in Modern Spain brings together an international, interdisciplinary group of scholars to illuminate the cultural history of everyday life.
Author: Heather Jerónimo
Publisher: University of Toronto Press
ISBN: 1487554230
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
Performing Parenthood reveals different enactments of motherhood and fatherhood in twentieth- and twenty-first-century Spain, showing how the family has adapted, or at times failed to do so, within the context of Spain’s changing socioeconomic reality. Through an examination of examples of non-normative parenthood in contemporary Spanish literature and film – including gay literary father figures, subversive physical touch between mother and child, fathers who cross-dress, lesbian maternal community building, non-biological parenting, and disabled bodies – the book argues that current conceptualizations of parenthood should be amplified to reflect the various existing identities and performances of motherhoods and fatherhoods. Connecting canonical works to recent works, the book establishes a unique dialogue that will expand the conversation about the Spanish family beyond the traditional view, bringing visibility to alternative family models. It argues that parental identities exist on a spectrum, enabling many parental figures to disregard heteronormative standards imposed upon the role and allowing them to experience parenthood in meaningful ways. Bringing visibility to literary and cinematic examples of alternative Spanish families, Performing Parenthood provides a glimpse into an evolving society influenced by national and global changes.
Author: Daniel Holcombe
Publisher: University of Toronto Press
ISBN: 1487556918
Category : Literary Criticism
Languages : en
Pages : 266
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Book Description
Bodies beyond Labels explores moments of joy and joyful expressions of self-identity, intimacy, sexuality, affect, friendship, social relationships, and religiosity in imperial Spanish cultures, a period when embodiments of such joy were shadowed by comparatively more constrictive social conventions. Viewed in this manner, joy frames historic references to gender, sexuality, and present-day concepts of queerness through homoeroticism, non-labelled bodies, gender fluidity, and performativity. This collection reveals diverse glimmers of joy through a variety of genres, including plays, poems, novels, autobiographies, biblical narratives, and civil law texts, among others. The book is divided into five categories: theatrical works that use mythology to enjoy themes of homoeroticism; narrative prose and visual arts that reveal public and private homoerotic expressions; scopophilia within garden and museum spaces that make possible joyous observations of non-labelled and non-corporeal bodies; biblical narratives and epistolary works that signal religious transgressions of gender and friendship; and sexual geographies explored in historic and legal documents. As new generations develop more nuanced senses of gender and sexual identities, Bodies beyond Labels strives to provide new academic optics, as framed by non-labelled bodies, queer theorizations, joy in unexpected places, and the light that has historically (re)emerged from the shadows.
