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Author: Andre Maurois
Publisher: Cambridge University Press
ISBN: 1107486785
Category : Literary Criticism
Languages : en
Pages : 95
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Book Description
First published in 1927, this book presents an extract from Mape, a work by André Maurois (1885-1967). The text is presented in the original French with a special preface written by the author and detailed notes. This book will be of value to anyone with an interest in French literature and the works of Maurois.
Author: Andre Maurois
Publisher: Cambridge University Press
ISBN: 1107486785
Category : Literary Criticism
Languages : en
Pages : 95
Get Book Here
Book Description
First published in 1927, this book presents an extract from Mape, a work by André Maurois (1885-1967). The text is presented in the original French with a special preface written by the author and detailed notes. This book will be of value to anyone with an interest in French literature and the works of Maurois.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 134
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Book Description
Author: Emmanuel Bénézit
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 1238
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Book Description
Author: Emmanuel Bénézit
Publisher:
ISBN:
Category : Artists
Languages : en
Pages : 948
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Book Description
Author: Charles S. Ricketts
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 288
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Book Description
Author: Pierre Rosenberg
Publisher: Metropolitan Museum of Art
ISBN: 0870995162
Category : Art
Languages : en
Pages : 637
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Book Description
Author: Loren R. Lerner
Publisher: University of Toronto Press
ISBN: 0802029884
Category : Reference
Languages : en
Pages : 1862
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Book Description
This extensive bibliography and reference guide is an invaluable resource for researchers, practitioners, students, and anyone with an interest in Canadian film and video. With over 24,500 entries, of which 10,500 are annotated, it opens up the literature devoted to Canadian film and video, at last making it readily accessible to scholars and researchers. Drawing on both English and French sources, it identifies books, catalogues, government reports, theses, and periodical and newspaper articles from Canadian and non-Canadian publications from the first decade of the twentieth century to 1989. The work is bilingual; descriptive annotations are presented in the language(s) of the original publication. Canadian Film and Video / Film et vidéo canadiens provides an in-depth guide to the work of over 4000 individuals working in film and video and 5000 films and videos. The entries in Volume I cover topics such as film types, the role of government, laws and legislation, censorship, festivals and awards, production and distribution companies, education, cinema buildings, women and film, and video art. A major section covers filmmakers, video artists, cinematographers, actors, producers, and various other film people. Volume II presents an author index, a film and video title index, and a name and subject index. In the tradition of the highly acclaimed publication Art and Architecture in Canada these volumes fill a long-standing need for a comprehensive reference tool for Canadian film and video. This bibliography guides and supports the work of film historians and practitioners, media librarians and visual curators, students and researchers, and members of the general public with an interest in film and video.
Author: Kathryn Brown
Publisher: Bloomsbury Publishing USA
ISBN: 150132683X
Category : Art
Languages : en
Pages : 401
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Book Description
Throughout his career, Henri Matisse used imagery as a means of engaging critically with poetry and prose by a diverse range of authors. Kathryn Brown offers a groundbreaking account of Matisse's position in the literary cross-currents of 20th-century France and explores ways in which reading influenced the artist's work in a range of media. This study argues that the livre d'artiste became the privileged means by which Matisse enfolded literature into his own idiom and demonstrated the centrality of his aesthetic to modernist debates about authorship and creativity. By tracing the compositional and interpretive choices that Matisse made as a painter, print maker, and reader in the field of book production, this study offers a new theoretical account of visual art's capacity to function as a form of literary criticism and extends debates about the gendering of 20th-century bibliophilia. Brown also demonstrates the importance of Matisse's self-placement in relation to the French literary canon in the charged political climate of the Second World War and its aftermath. Through a combination of archival resources, art history, and literary criticism, this study offers a new interpretation of Matisse's artist's books and will be of interest to art historians, literary scholars, and researchers in book history and modernism.
Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 3385420776
Category :
Languages : en
Pages : 958
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Book Description
Author: Camilla Murgia
Publisher: Cambridge Scholars Publishing
ISBN: 1527518574
Category : Art
Languages : en
Pages : 221
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Book Description
This book discusses the mechanisms and patterns of staging in nineteenth-century France. Often associated with theatre and performance, staging also applies to visual arts. It is thoroughly embedded in a more general cultural development comprising the dissemination of knowledge, political awareness and consumerism. The notion of staging applies to a process of appearing, revealing and disappearing that puts forward new ways for the individual to be seen and to make the self (and the other) visible. Staging determines and questions the process of appearing and disappearing by generating connections and interactions between multiple layers of reality (i.e., artistic, theatrical, literary, and visual) – but according to what criteria, through what mechanisms and with what materials? What are the repercussions of staging, and, even more important, what does staging not show? This book argues that the notion of staging goes beyond interdisciplinarity. Looking at the different ways staging was used and conceived introduces new approaches to understanding visual culture in nineteenth-century France.
