Author: Nicolas de Largillière
Publisher:
ISBN:
Category :
Languages : it
Pages : 0

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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1040

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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 370

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Author: Hollis Clayson
Publisher: Getty Publications
ISBN: 0892367296
Category : Art
Languages : en
Pages : 224

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In this engrossing book, Hollis Clayson provides the first description and analysis of French artistic interest in women prostitutes, examining how the subject was treated in the art of the 1870s and 1880s by such avant-garde painters as Cézanne, Degas, Manet, and Renoir, as well as by the academic and low-brow painters who were their contemporaries. Clayson not only illuminates the imagery of prostitution-with its contradictory connotations of disgust and fascination-but also tackles the issues and problems relevant to women and men in a patriarchal society. She discusses the conspicuous sexual commerce during this era and the resulting public panic about the deterioration of social life and civilized mores. She describes the system that evolved out of regulating prostitutes and the subsequent rise of clandestine prostitutes who escaped police regulation and who were condemned both for blurring social boundaries and for spreading sexual licentiousness among their moral and social superiors. Clayson argues that the subject of covert prostitution was especially attractive to vanguard painters because it exemplified the commercialization and the ambiguity of modern life.

Author: Kathleen Dardes
Publisher: Getty Publications
ISBN: 0892363843
Category : Art
Languages : en
Pages : 582

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This volume presents the proceedings of an international symposium organized by the Getty Conservation Institute and the J. Paul Getty Museum. The first conference of its kind in twenty years, the symposium assembled an international group of conservators of painted panels, and gave them the opportunity to discuss their philosophies and share their work methods. Illustrated in color throughout, this volume presents thirty-one papers grouped into four topic areas: Wood Science and Technology, History of Panel-Manufacturing Techniques, History of the Structural Conservation of Panel Paintings, and Current Approaches to the Structural Conservation of Panel Paintings.

Author: Simone de Beauvoir
Publisher: Vintage
ISBN: 0679724516
Category : Social Science
Languages : en
Pages : 791

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The classic manifesto of the liberated woman, this book explores every facet of a woman's life.

Author: Jean-Auguste-Dominique Ingres
Publisher: Metropolitan Museum of Art
ISBN: 0870998919
Category : Drawing, French
Languages : en
Pages : 610

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Om portrætter af den franske maler Jean Auguste Dominique Ingres (1780-1867)

Author: Brett Littman
Publisher:
ISBN: 9780942324907
Category : Drawing
Languages : en
Pages : 0

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This publication explores 400 years of portrait drawings from live models. Forty-four portraits have been chosen from the collection of Paris' École des Beaux-Arts based on criteria such as the social class and profession of the model, male and female gestures, caricature and frontal gaze. The goal of this project is to explore the notion of drawn portraiture and to provide alternative readings of this genre of art-making within a contemporary context. The selection of works is extensive, ranging from never-before-exhibited drawings by Jean-Auguste-Dominique Ingres, Jacques-Louis David and Charles Garnier, to the work of modern and contemporary masters Henri Matisse and Georg Baselitz, to portraits by recent graduates of the École des Beaux-Arts.

Author: Paul John Eakin
Publisher: Princeton University Press
ISBN: 1400820642
Category : Literary Criticism
Languages : en
Pages : 259

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Paul John Eakin's earlier work Fictions in Autobiography is a key text in autobiography studies. In it he proposed that the self that finds expression in autobiography is in fundamental ways a kind of fictive construct, a fiction articulated in a fiction. In this new book Eakin turns his attention to what he sees as the defining assumption of autobiography: that the story of the self does refer to a world of biographical and historical fact. Here he shows that people write autobiography not in some private realm of the autonomous self but rather in strenuous engagement with the pressures that life in culture entails. In so demonstrating, he offers fresh readings of autobiographies by Roland Barthes, Nathalie Sarraute, William Maxwell, Henry James, Ronald Fraser, Richard Rodriguez, Henry Adams, Patricia Hampl, John Updike, James McConkey, and Lillian Hellman. In the introduction Eakin makes a case for reopening the file on reference in autobiography, and in the first chapter he establishes the complexity of the referential aesthetic of the genre, the intricate interplay of fact and fiction in such texts. In subsequent chapters he explores some of the major contexts of reference in autobiography: the biographical, the social and cultural, the historical, and finally, underlying all the rest, the somatic and temporal dimensions of the lived experience of identity. In his discussion of contemporary theories of the self, Eakin draws especially on cultural anthropology and developmental psychology.

Author: Mary Tavener Holmes
Publisher: ABRAMS
ISBN:
Category : Art
Languages : en
Pages : 176

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"During his lifetime (1690-1743), and throughout the greater part of the eighteenth century, Nicolas Lancret was one of the most celebrated artists in France. After nearly two centuries of having been overshadowed by the work of certain contemporaries (notably Watteau), the singular appeal and sophisticated charm of Lancret's genre paintings are once more widely recognized and appreciated." "This is the first book in English about Lancret, a key force in the development of the visual arts in eighteenth-century France. As one of the leading artists of his time, Lancret counted among his patrons the crowned heads of Europe, along with major connoisseurs among the aristocracy and in the financial community. He was also the favorite genre artist of Louis XV, who commissioned paintings from him for various royal residences--especially Versailles and Fontainebleau." "The reasons for Lancret's popularity and success are apparent in the paintings and drawings splendidly reproduced in this book. His pictures tell lively and intelligible stories, his themes are inventive and entertaining, and his color combinations are bright and striking. His images made the transition from decorative painting to engraving with ease, and then proceeded to capture the popular imagination in much the same way as amusing gossip." "As he matured, Lancret developed his talent for narrative--for a visual form of storytelling that is subtle and sophisticated, yet also ingenuous and folkloric. This tradition in European art was strong and continuous, as reflected in the work of its most famous adherents, Hogarth and Greuze. No eighteenth-century painter was more firmly centered and active in that tradition than Nicolas Lancret."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved