Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 858

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Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category :
Languages : en
Pages : 650

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Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 386

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Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 768

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Author: Benjamin Vaughan Abbott
Publisher:
ISBN:
Category : Law
Languages : en
Pages : 1188

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Author: Moya Luckett
Publisher: Wayne State University Press
ISBN: 0814337260
Category : Performing Arts
Languages : en
Pages : 436

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Investigates how progressivism structured many aspects of understudied era of cinema. Caught between the older model of short film and the emerging classic era, the transitional period of American cinema (1907-1917) has typically posed a problem for studies of early American film. Yet in Cinema and Community: Progressivism, Exhibition, and Film Culture in Chicago, 1907-1917, author Moya Luckett uses the era's dominant political ideology as a lens to better understand its cinematic practice. Luckett argues that movies were a typically Progressive institution, reflecting the period's investment in leisure, its more public lifestyle, and its fascination with celebrity. She uses Chicago, often considered the nation's most Progressive city and home to the nation's largest film audience by 1907, to explore how Progressivism shaped and influenced the address, reception, exhibition, representational strategies, regulation, and cultural status of early cinema. After a survey of Progressivism's general influences on popular culture and the film industry in particular, she examines the era's spectatorship theories in chapter 1 and then the formal characteristics of the early feature film-including the use of prologues, multiple diegesis, and oversight-in chapter 2. In chapter 3, Luckett explores the period's cinema in the light of its celebrity culture, while she examines exhibition in chapter 4. She also looks at the formation of Chicago's censorship board in November 1907 in the context of efforts by city government, social reformers, and the local press to establish community standards for cinema in chapter 5. She completes the volume by exploring race and cinema in chapter 6 and national identity and community, this time in relation to World War I, in chapter 7. As well as offering a history of an underexplored area of film history, Luckett provides a conceptual framework to help navigate some of the period's key issues. Film scholars interested in the early years of American cinema will appreciate this insightful study.

Author: Peter C. Stewart
Publisher: McFarland
ISBN: 1476640440
Category : Sports & Recreation
Languages : en
Pages : 246

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Drawing on newspaper accounts, college yearbooks and the recollections of veterans, this book examines the impact of World War I on sports in the U.S. As young men entered the military in large numbers, many colleges initially considered suspending athletics but soon turned to the idea of using sports to build morale and physical readiness. Recruits, mostly in their twenties, ended up playing more baseball and football than they would have in peacetime. Though most college athletes volunteered for military duty, others replaced them so that the reduction of competition was not severe. Pugilism gained participants as several million men learned how to box.

Author: Rachel Shteir
Publisher: Yale University Press
ISBN: 0300274726
Category : Biography & Autobiography
Languages : en
Pages : 427

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A new portrait of Betty Friedan, the author and activist acclaimed as the mother of second-wave feminism “A lucid portrait of Friedan as a bold yet flawed advocate for women’s equality.”—Publishers Weekly The feminist writer and activist Betty Friedan (1921–2006), pathbreaking author of The Feminine Mystique, was powerful and polarizing. In this biography, the first in more than twenty years, Rachel Shteir draws on Friedan’s papers and on interviews with family, colleagues, and friends to create a nuanced portrait. Friedan, born Bettye Naomi Goldstein, chafed at society’s restrictions from a young age. As a journalist she covered racism, sexism, labor, class inequality, and anti-Semitism. As a wife and mother, she struggled to balance her work and homemaking. Her malaise as a housewife and her research into the feelings of other women resulted in The Feminine Mystique (1963), which made her a celebrity. Using her influence, Friedan cofounded the National Organization for Women, the National Women’s Political Caucus, and the National Association to Repeal Abortion Laws. She fought for the Equal Rights Amendment, universal childcare, and workplace protections for mothers, but she disagreed with the women’s liberation movement over “sexual politics.” Her volatility and public conflicts fractured key relationships. Shteir considers how Friedan’s Judaism was essential to her feminism, presenting a new Friedan for a new era.

Author: Jeff Codori
Publisher: McFarland
ISBN: 0786449691
Category : Performing Arts
Languages : en
Pages : 302

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Colleen Moore (1899-1988) was one of the most popular and beloved stars of the American silent screen. Remembered primarily as a comedienne in such films as Ella Cinders (1926) and Orchids and Ermine (1927), Moore's career was also filled with dramatic roles that often reflected societal trends. A trailblazing performer, her legacy was somewhat overshadowed by the female stars that followed her, notably Louise Brooks and Clara Bow. An in-depth examination of Moore's early life and film career, the book reveals the ways in which her family and the times in which she lived influenced the roles she chose. Included are forewords written by film historian Joseph Yranski, a friend of the actress, and by Moore's stepdaughter, Judith Hargrave Coleman.

Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 1266

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