Polymetis: Or, An Enquiry Concerning the Agreement Between the Works of the Roman Poets, and the Remains of the Antient Artists PDF Download
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Author: Joseph Spence
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 474
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Author: Joseph Spence
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 474
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Book Description
Author: Jenny Strauss Clay
Publisher: Rowman & Littlefield
ISBN: 9780822630692
Category : History
Languages : en
Pages : 290
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Book Description
A complex study that argues that Athena's wrath is essential to both the structure and the theme of the Odyssey shedding light on the central theme of the relations between gods and men and revealing subtleties of narrative and ambiguities of character.
Author: H. B. Nisbet
Publisher: CUP Archive
ISBN: 9780521280099
Category : Art
Languages : en
Pages : 332
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Book Description
Anthology of translated extracts from their works.
Author: David Hill Radcliffe
Publisher: Camden House
ISBN: 9781571130730
Category : Literary Collections
Languages : en
Pages : 262
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Book Description
This book considers four centuries of Spenser criticism, locating critics in ongoing discussions of Spenser's poetry and the cultural contexts of their time.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 616
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Author: Ralph Griffiths
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 588
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Book Description
Author: Ralph Griffiths
Publisher:
ISBN:
Category : Periodicals
Languages : en
Pages : 590
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Book Description
Editors: May 1749-Sept. 1803, Ralph Griffiths; Oct. 1803-Apr. 1825, G. E. Griffiths.
Author: Thomas Carlyle
Publisher:
ISBN:
Category : France
Languages : en
Pages : 440
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Author: Jonah Siegel
Publisher:
ISBN: 0198858000
Category : Art
Languages : en
Pages : 402
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Book Description
This book is a study of the complex relationship between matter and idea that shaped the nineteenth-century culture of art, and that in turn determined the course of still-current accounts of art's nature and value. Fundamental questions about the effects of material conditions on the creation and reception of art arose as early as the nineteenth century, and put important pressures on later eras. The place of class distinctions in the making and reception of art, the relationship between copy and original, the effects of display on art appreciation, even the role of pleasure itself: this book treats these and related issues as productive conceptual challenges with an unresolved relationship to matter at their core. Drawing on recent scholarship on the history of art and its institutions, Material Inspirations places cultural developments such as the emergence of new sites for exhibition and the astonishing proliferation of printed reproductions alongside a wide range of texts including novels, poems, travel guidebooks, compendia of antiquities, and especially the great line of critical writing that emerged in the period. The study vivifies a dynamic era, which is still too often seen as static and unchanging, by emphasizing the transformations taking place throughout the period in precisely those areas that have appeared to promise little more than repetition or continuity: collection, exhibition, and reproduction. The book culminates with the two great critics of the period, John Ruskin and Walter Pater, but it also includes close analysis of other prose writers, as well as poets and novelists ranging from William Blake to Robert Browning, George Eliot to Henry James. Significant developments addressed include the vogue for the representation of Old Masters in the first half of the century, ongoing innovations in the creation and diffusion of reproductions, and the emergence of the field of art history itself. At the heart of each of these the book identifies a material pressure shaping concepts, texts, and works of art.
Author: severak hands
Publisher:
ISBN:
Category :
Languages : en
Pages : 590
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Book Description
