Author: J. Zaal
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
Book Description
Polonius' Indirection and the Dramatic Method of 'Hamlet'
Author: J. Zaal
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
Book Description
Shakespeare's Dramatic Structures
Author: Anthony Brennan
Publisher: Routledge
ISBN: 1136558454
Category : Literary Criticism
Languages : en
Pages : 174
Book Description
First published in 1986. The focus of this book is the dramatic strategies of scenic repetition and character separation. The author traces the way in which Shakesperare often presents recurring gestures, dramatic interactions, and complex scenic structures at widely separated intervals in a play - thereby providing an internal system of cross-reference for an audience. He also examines the way in which Shakespeare increases the dramatic voltage in central relationships by limiting the access key characters have to each other on stage. These strategies, it is argued, are indelible marks of Shakespeare's craftsmanship which survive all attempts to obliterate it in many modern productions.
Publisher: Routledge
ISBN: 1136558454
Category : Literary Criticism
Languages : en
Pages : 174
Book Description
First published in 1986. The focus of this book is the dramatic strategies of scenic repetition and character separation. The author traces the way in which Shakesperare often presents recurring gestures, dramatic interactions, and complex scenic structures at widely separated intervals in a play - thereby providing an internal system of cross-reference for an audience. He also examines the way in which Shakespeare increases the dramatic voltage in central relationships by limiting the access key characters have to each other on stage. These strategies, it is argued, are indelible marks of Shakespeare's craftsmanship which survive all attempts to obliterate it in many modern productions.
Theatrical Convention and Audience Response in Early Modern Drama
Author: Jeremy Lopez
Publisher: Cambridge University Press
ISBN: 1139436678
Category : Literary Criticism
Languages : en
Pages : 251
Book Description
This book gives a detailed and comprehensive survey of the diverse, theatrically vital formal conventions of the drama of Shakespeare and his contemporaries. Besides providing readings of plays such as Hamlet, Othello, Merchant of Venice, and Titus Andronicus, it also places Shakespeare emphatically within his own theatrical context, and focuses on the relationship between the demanding repertory system of the time and the conventions and content of the plays. Lopez argues that the limitations of the relatively bare stage and non-naturalistic mode of early modern theatre would have made the potential for failure very great, and he proposes that understanding this potential for failure is crucial for understanding the way in which the drama succeeded on stage. The book offers perspectives on familiar conventions such as the pun, the aside and the expository speech; and it works toward a definition of early modern theatrical genres based on the relationship between these well-known conventions and the incoherent experience of early modern theatrical narratives.
Publisher: Cambridge University Press
ISBN: 1139436678
Category : Literary Criticism
Languages : en
Pages : 251
Book Description
This book gives a detailed and comprehensive survey of the diverse, theatrically vital formal conventions of the drama of Shakespeare and his contemporaries. Besides providing readings of plays such as Hamlet, Othello, Merchant of Venice, and Titus Andronicus, it also places Shakespeare emphatically within his own theatrical context, and focuses on the relationship between the demanding repertory system of the time and the conventions and content of the plays. Lopez argues that the limitations of the relatively bare stage and non-naturalistic mode of early modern theatre would have made the potential for failure very great, and he proposes that understanding this potential for failure is crucial for understanding the way in which the drama succeeded on stage. The book offers perspectives on familiar conventions such as the pun, the aside and the expository speech; and it works toward a definition of early modern theatrical genres based on the relationship between these well-known conventions and the incoherent experience of early modern theatrical narratives.
Concepts of Originality in Imaginative Literature
Author: R. N. Maynard
Publisher:
ISBN:
Category : Creation (Literary, artistic, etc.)
Languages : en
Pages : 36
Book Description
Publisher:
ISBN:
Category : Creation (Literary, artistic, etc.)
Languages : en
Pages : 36
Book Description
Stage Directions in Hamlet
Author: Hardin L. Aasand
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838639467
Category : Drama
Languages : en
Pages : 242
Book Description
The subject of stage directions in 'Hamlet', those brief semiotic codes that are embellished by historical, theatrical, and cultural considerations, produces a rigorous examination in the fifteen essays contained in this collection. This volume encompasses essays that are guardedly inductive in their critical approaches, as well as those that critique modern productions that attempt to achieve Shakespearean effect through a modern aesthetic. The volume also includes essays that enunciate the production of stage business as a cultural interplay between productions and social agencies outside the theater.
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838639467
Category : Drama
Languages : en
Pages : 242
Book Description
The subject of stage directions in 'Hamlet', those brief semiotic codes that are embellished by historical, theatrical, and cultural considerations, produces a rigorous examination in the fifteen essays contained in this collection. This volume encompasses essays that are guardedly inductive in their critical approaches, as well as those that critique modern productions that attempt to achieve Shakespearean effect through a modern aesthetic. The volume also includes essays that enunciate the production of stage business as a cultural interplay between productions and social agencies outside the theater.
Suffering - a Process of Soul-making?
Author: Michiel Casparus Kitshoff
Publisher:
ISBN:
Category : Faith
Languages : en
Pages : 44
Book Description
Publisher:
ISBN:
Category : Faith
Languages : en
Pages : 44
Book Description
Modern Linguistics and the Classical Languages
Author: H. C. Du Toit
Publisher:
ISBN:
Category : Classical languages
Languages : en
Pages : 36
Book Description
Publisher:
ISBN:
Category : Classical languages
Languages : en
Pages : 36
Book Description
Chemistry - for a Change
Author: Petrus Van Zyl Bekker
Publisher:
ISBN:
Category : Chemie
Languages : en
Pages : 36
Book Description
Publisher:
ISBN:
Category : Chemie
Languages : en
Pages : 36
Book Description
Home Economics: Reflections on Relevance
Author: M. H. McLachlan
Publisher:
ISBN:
Category : Home economics
Languages : en
Pages : 36
Book Description
Publisher:
ISBN:
Category : Home economics
Languages : en
Pages : 36
Book Description
The Elizabethan Dumb Show
Author: Dieter Mehl
Publisher: Routledge
ISBN: 0415610788
Category : English drama
Languages : en
Pages : 228
Book Description
First published in English in 1965, this book discusses the roots and development of the dumb show as a device in Elizabethan drama. The work provides not only a useful manual for those who wish to check the occurrence of dumb shows and the uses to which they are put; it also makes a real contribution to a better understanding of the progress of Elizabethan drama, and sheds new light on some of the lesser known plays of the period.
Publisher: Routledge
ISBN: 0415610788
Category : English drama
Languages : en
Pages : 228
Book Description
First published in English in 1965, this book discusses the roots and development of the dumb show as a device in Elizabethan drama. The work provides not only a useful manual for those who wish to check the occurrence of dumb shows and the uses to which they are put; it also makes a real contribution to a better understanding of the progress of Elizabethan drama, and sheds new light on some of the lesser known plays of the period.