Politics and Skepticism in Antebellum American Literature PDF Download
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Author: Dominic Mastroianni
Publisher: Cambridge University Press
ISBN: 110707617X
Category : History
Languages : en
Pages : 229
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Book Description
This volume explores the way in which antebellum American writers perceived the political implications of modern philosophical skepticism. Dominic Mastroianni offers new readings of six major American authors - Emerson, Melville, Hawthorne, Dickinson, Douglass and Jacobs - and illumines their thinking about revolution, civil war, and the world's susceptibility to transformation.
Author: Dominic Mastroianni
Publisher: Cambridge University Press
ISBN: 110707617X
Category : History
Languages : en
Pages : 229
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Book Description
This volume explores the way in which antebellum American writers perceived the political implications of modern philosophical skepticism. Dominic Mastroianni offers new readings of six major American authors - Emerson, Melville, Hawthorne, Dickinson, Douglass and Jacobs - and illumines their thinking about revolution, civil war, and the world's susceptibility to transformation.
Author: Juliana Chow
Publisher: Cambridge University Press
ISBN: 1108845711
Category : Literary Criticism
Languages : en
Pages : 239
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Book Description
This book discusses how literary writers re-envisioned species survival and racial uplift through ecological and biogeographical concepts of dispersal. It will appeal to readers interested in nineteenth-Century American literature and Literature and the Environment.
Author: Cody Marrs
Publisher: Cambridge University Press
ISBN: 1107109833
Category : History
Languages : en
Pages : 207
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Book Description
Nineteenth-century American literature is often divided into two asymmetrical halves, neatly separated by the Civil War. Focusing on the later writings of Walt Whitman, Frederick Douglass, Herman Melville, and Emily Dickinson, this book shows how the war took shape across the nineteenth century, inflecting literary forms for decades after 1865.
Author: Herman Melville
Publisher: W. W. Norton & Company
ISBN: 039326968X
Category : Fiction
Languages : en
Pages : 428
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Book Description
When Pierre was published one year after Moby-Dick, expectations were high. Readers expected—and Melville delivered—adventure, humor, and brilliance. Magnificent and strange, Pierre is a richly allusive novel mirroring both antebellum America and Melville’s own life. This Norton Critical Edition includes: · The Harper & Brothers 1852 first edition of the novel, accompanied by Robert S. Levine and Cindy Weinstein’s editorial matter. · Six illustrations. · Contextual and source materials, including letters, responses to Pierre by Melville’s contemporaries, and works by Daniel Webster, Thomas Cole, James Fenimore Cooper, Lydia Maria Child, and Nathaniel Hawthorne, among others, that give readers a sense of Pierre’s time and place. · Seven critical essays on Pierre’s major themes by Sacvan Bercovitch, James Creech, Samuel Otter, Wyn Kelley, Cindy Weinstein, Jeffory A. Clymer, and Dominic Mastroianni. · A Chronology and a Selected Bibliography.
Author: Cody Marrs
Publisher: Oxford University Press
ISBN: 0192871722
Category : Aesthetics in literature
Languages : en
Pages : 167
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Book Description
In this fascinating book, Cody Marrs retraces Melville's engagement with beauty and provides a revisionary account of Melville's philosophy, aesthetics, and literary career.
Author: David Bergman
Publisher: Cambridge University Press
ISBN: 1316300021
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
In The Poetry of Disturbance, David Bergman argues that post-war poetry underwent a significant if subtle shift in emphasis, moving from the modernist concern with the poem as a visual text to one that was chiefly oral in nature. The resulting change was disturbing, especially for those brought up on the principles of high modernism. This new stress on orality implied a shift in the economy of the poem, away from the austerity of language advocated by Pound and Eliot to a style that conveyed freedom, expansiveness, and an innovative directness.
Author: Stacey Margolis
Publisher: Cambridge University Press
ISBN: 1316381366
Category : Literary Criticism
Languages : en
Pages : 225
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Book Description
Fictions of Mass Democracy in Nineteenth-Century America examines how mass democracy was understood before public opinion could be measured by polls. It argues that fiction, in its freedom to represent what resists representation, develops the most groundbreaking theories of the democratic public. These literary accounts of democracy focus less on overt pubic action than the profound effects of everyday social encounters. This book thus departs from recent scholarship, which emphasizes the responsibilities of citizenship and the achievements of oppositional social movements. It demonstrates how novels and stories by Charles Brockden Brown, Edgar Allan Poe, Nathaniel Hawthorne, Herman Melville, Fanny Fern, Harriet Jacobs and James Fenimore Cooper attempt to understand a public organized not only by explicitly political discourse, but by informal and disorganized social networks.
Author: Cody Marrs
Publisher: Cambridge University Press
ISBN: 1108484034
Category : Fiction
Languages : en
Pages : 293
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Book Description
This collection reimagines Melville as both a theorist and a writer, approaching his works as philosophical forms in their own right.
Author: Ryan M. Brooks
Publisher: Cambridge University Press
ISBN: 1316519813
Category : Literary Criticism
Languages : en
Pages : 253
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Book Description
Argues that a new, post-postmodern aesthetic emerges in the 1990s as American writers grapple with the triumph of free-market politics.
Author: Eliza Richards
Publisher: University of Pennsylvania Press
ISBN: 0812250699
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
During the U.S. Civil War, a combination of innovative technologies and catastrophic events stimulated the development of news media into a central cultural force. Reacting to the dramatic increases in news reportage and circulation, poets responded to an urgent need to make their work immediately relevant to current events. As poetry's compressed forms traveled more quickly and easily than stories, novels, or essays through ephemeral print media, it moved alongside and engaged with news reports, often taking on the task of imagining the mental states of readers on receiving accounts from the war front. Newspaper and magazine poetry had long editorialized on political happenings—Indian wars, slavery and abolition, prison reform, women's rights—but the unprecedented scope of what has been called the first modern war, and the centrality of the issues involved for national futures, generated a powerful sense of single-mindedness among readers and writers that altered the terms of poetic expression. In Battle Lines, Eliza Richards charts the transformation of Civil War poetry, arguing that it was fueled by a symbiotic relationship between the development of mass media networks and modern warfare. Focusing primarily on the North, Richards explores how poets working in this new environment mediated events via received literary traditions. Collectively and with a remarkable consistency, poems pulled out key features of events and drew on common tropes and practices to mythologize, commemorate, and ponder the consequences of distant battles. The lines of communication reached outward through newspapers and magazines to writers such as Dickinson, Whitman, and Melville, who drew their inspiration from their peers' poetic practices and reconfigured them in ways that bear the traces of their engagements.
