Poetry, Politics, and the Body in Rimbaud PDF Download
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Author: Robert St. Clair
Publisher: Oxford University Press
ISBN: 0192561219
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
Bodies abound in Rimbaud's poetry in a way that is nearly unprecedented in the nineteenth-century poetic canon: lazy, creative, rule-breaking bodies, queer bodies, marginalized and impoverished bodies, revolting and revolutionary, historical bodies. The question that Poetry, Politics, and the Body seeks to answer is: What does this corporeal density mean for reading Rimbaud? What kind of sense are we to make of this omnipresence of the body in the Rimbaldian corpus, from first to last–from the earliest poems in verse celebrating the sheer, simple delight of running away from wherever one is and stretching one's legs out under a table, to the ultimate flight away from poetry itself? In response, this book argues that the body appears–often literally–as a kind of gap, breach, or aperture through which Rimbaud's poems enter into contact with history and a larger body of other texts. Simply put, the body is privileged 'lyrical material' for Rimbaud: a figure for human beings in their exposed, finite creatureliness and in their unpredictable agency and interconnectedness. Its presence in the early work allows us not only to contemplate what a strange, sensuous thing it is to be embodied, to be both singular and part of a collective, it also allows the poet to diagnose, and the reader to perceive, a set of seemingly intractable, 'real' socio-economic, political, and symbolic problems. Rimbaud's bodies are, in other words, utopian bodies: sites where the historical and the lyrical, the ideal and the material, do not so much cancel each other out as become caught up in one another.
Author: Robert St. Clair
Publisher: Oxford University Press
ISBN: 0192561219
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
Bodies abound in Rimbaud's poetry in a way that is nearly unprecedented in the nineteenth-century poetic canon: lazy, creative, rule-breaking bodies, queer bodies, marginalized and impoverished bodies, revolting and revolutionary, historical bodies. The question that Poetry, Politics, and the Body seeks to answer is: What does this corporeal density mean for reading Rimbaud? What kind of sense are we to make of this omnipresence of the body in the Rimbaldian corpus, from first to last–from the earliest poems in verse celebrating the sheer, simple delight of running away from wherever one is and stretching one's legs out under a table, to the ultimate flight away from poetry itself? In response, this book argues that the body appears–often literally–as a kind of gap, breach, or aperture through which Rimbaud's poems enter into contact with history and a larger body of other texts. Simply put, the body is privileged 'lyrical material' for Rimbaud: a figure for human beings in their exposed, finite creatureliness and in their unpredictable agency and interconnectedness. Its presence in the early work allows us not only to contemplate what a strange, sensuous thing it is to be embodied, to be both singular and part of a collective, it also allows the poet to diagnose, and the reader to perceive, a set of seemingly intractable, 'real' socio-economic, political, and symbolic problems. Rimbaud's bodies are, in other words, utopian bodies: sites where the historical and the lyrical, the ideal and the material, do not so much cancel each other out as become caught up in one another.
Author: Arthur Rimbaud
Publisher: Penguin UK
ISBN: 0141932341
Category : Drama
Languages : en
Pages : 645
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Book Description
A phenomenonally precicious schoolboy, Rimbaud was still a teenager when he became notorious as Europe's most shocking and exhilarating poet. During his brief 5-year reign as the enfant terrible of French literature he produced an extraordinary body of poems that range from the exquisite to the obsene, while simultaneously living a life of dissolute excess with his lover and fellow poet, Verlaine. At the age of 21, he abandonned poetry and travelled across Europe before settling in Africa as an arms trader. This edition sets the two sides of Rimbaud side by side with a sparkling translation of his most exhilarating poetry and a generous selection of the letters from the harsh and colourful period of his life as a colonial trader.
Author: Arthur Rimbaud
Publisher: Modern Library
ISBN: 0307431258
Category : Literary Collections
Languages : en
Pages : 418
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Book Description
One of the most written-about literary figures in the past decade, Arthur Rimbaud left few traces when he abandoned poetry at age twenty-one and disappeared into the African desert. Although the dozen biographies devoted to Rimbaud’s life depend on one main source for information—his own correspondence—a complete edition of these remarkable letters has never been published in English. Until now. A moving document of decline, Rimbaud’s letters begin with the enthusiastic artistic pronouncements of a fifteen-year-old genius, and end with the bitter what-ifs of a man whose life has slipped disastrously away. But whether soapboxing on the essence of art, or struggling under the yoke of self-imposed exile in the desert of his later years, Rimbaud was incapable of writing an uninteresting sentence. As translator and editor Wyatt Mason makes clear in his engaging Introduction, the letters reveal a Rimbaud very different from our expectations. Rimbaud—presented by many biographers as a bohemian wild man—is unveiled as “diligent in his pursuit of his goals . . . wildly, soberly ambitious, in poetry, in everything.” I Promise to Be Good: The Letters of Arthur Rimbaud is the second and final volume in Mason’s authoritative presentation of Rimbaud’s writings. Called by Edward Hirsch “the definitive translation for our time,” Mason’s first volume, Rimbaud Complete (Modern Library, 2002), brought Rimbaud’s poetry and prose into vivid focus. In I Promise to Be Good, Mason adds the missing epistolary pieces to our picture of Rimbaud. “These letters,” he writes, “are proofs in all their variety—of impudence and precocity, of tenderness and rage—for the existence of Arthur Rimbaud.” I Promise to Be Good allows English-language readers to see with new eyes one of the most extraordinary poets in history.
Author: Seth Adam Whidden
Publisher: Rodopi
ISBN: 9042022108
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
Leaving Parnassus: The Lyric Subject in Verlaine and Rimbaud considers how the crisis of the lyric subject in the middle of the nineteenth century in France is a direct response to the aesthetic principles of Parnassian poetry, which dominated the second half of the century much more than critics often think. The poets considered here rebel against the strict confines of traditional and contemporary poetry and attempt to create radically new discursive practices. Specifically, the close readings of poems apply recent studies of subjectivity in poetry and focus on the works of Paul Verlaine and Arthur Rimbaud to see how each subverts the dominant tradition of French poetry in a unique way. Whereas previous studies considered isolated aspects of each poet's lyric subject, Leaving Parnassus shows that the situation of the lyric is a source of subversion throughout the poets' entire work, and as such it is crucial to our full understanding of their respective innovations.
Author: Arthur Rimbaud
Publisher: Carcanet Press
ISBN: 9780856464409
Category : French poetry
Languages : en
Pages : 0
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Book Description
The best and most helpful presentation of the French genius s work in bilingual form for English-language readers and students."
Author: Arthur Rimbaud
Publisher: Galaxy Books
ISBN: 9780195017601
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
Although he abandoned poetry before he was twenty-one years old, and wrote for only five or six years in all, Arthur Rimbaud has had an extraordinary influence on modern poetry. His work helped inspire poetic Symbolism, Dadaism, and Surrealism. Rimbaud dreamed of re-creating life through his words. Not content merely to describe the world, he longed to reorder it through his revolutionary poetry. He rebelled against all forms of hypocrisy, as well as against conventional concepts of love, morality, religion, and art. He even dreamed of liberating women from "endless servitude." Written a century ago, A Season in Hell and The Illuminations read like the works of an avant-garde poet of today. In her Introduction dealing with Rimbaud's life and work, Enid Rhodes Peschel discusses his concept of the voyant, the poet-visionary he dreamed of becoming through a "reasoned deranging of all his senses." A Season in Hell, which combines autobiography with self-appraisal, vision and hallucination, reflects Rimbaud's tortures in trying to be a voyant. The forty-two poems of The Illuminations, kaleidoscopic evocations of a universe in continual evolution, are further evidence of his attempts to reach this transcendent state. Enid Rhodes Peschel has succeeded in not only translating these works but in recreating them. Eye, ear, mind, and heart have all been engaged in her effort to capture the tone and rhythm of Rimbaud's language as well as the quality of his thought. Book jacket.
Author: Harmon Siegel
Publisher: Princeton University Press
ISBN: 0691257434
Category : Art
Languages : en
Pages : 312
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Book Description
"An examination of the paintings Monet made en plein air alongside his artist colleagues, and the meaning and impact that this practice had on his fellow impressionists"--
Author: Emilia Borowska
Publisher: Edinburgh University Press
ISBN: 147442466X
Category : Electronic books
Languages : en
Pages : 278
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Book Description
This study brings the radicalism of Acker's politics back to life. Moving beyond conventional accounts of her postmodernism, it explores her work as a continuation of the historical avant-garde and examines how she took moments and movements from modern history, including Russian nihilism, Spanish anarchism and the global revolts of the 1960s, to create her own political agenda. In doing so, it presents Acker in a new light: a revolutionary voice in an age when such voices are sorely needed.
Author: Edmund White
Publisher: Atlantic Books Ltd
ISBN: 1848873751
Category : Biography & Autobiography
Languages : en
Pages : 183
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Book Description
Poet and prodigy Arthur Rimbaud (1854-1891) died young but his extraordinary poetry continues to influence and inspire - fans include Dylan, Jim Morrison, Patti Smith. His long poem Un Saison en Enferand his collection Illuminations are central to the modern canon. Having sworn off writing at the age of twenty-one, Rimbaud drifted around the world from scheme to scheme, ultimately dying from an infection contracted while gun-running in Africa. He was thirty-seven. Distinguished biographer, novelist, and memoirist Edmund White brilliantly explores the young poet's relationships with his family and his teachers, as well as his notorious affair with the older and more established poet Paul Verlaine. He reveals the longing for a utopian life of the future and the sexual taboos that haunt Rimbaud's works, offering incisive interpretations of the poems and his own artful translations to bring us closer to this great and mercurial poet.
Author: Arthur Rimbaud
Publisher: New Directions Publishing
ISBN: 0811221032
Category : Poetry
Languages : en
Pages : 132
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Book Description
A reissue of Rimbaud’s highly influential work, with a new preface by Patti Smith and the original 1945 New Directions cover design by Alvin lustig. New Directions is pleased to announce the relaunch of the long-celebrated bilingual edition of Rimbaud’s A Season In Hell & The Drunken Boat — a personal poem of damnation as well as a plea to be released from “the examination of his own depths.” Rimbaud originally distributed A Season In Hell to friends as a self-published booklet, and soon afterward, at the age of nineteen, quit poetry altogether. New Directions’s edition was among the first to be published in the U.S., and it quickly became a classic. Rimbaud’s famous poem “The Drunken Boat” was subsequently added to the first paperbook printing. Allen Ginsberg proclaimed Arthur Rimbaud as “the first punk” — a visionary mentor to the Beats for both his recklessness and his fiery poetry. This new edition proudly dons the original Alvin Lustig–designed cover, and a introduction by another famous rebel — and now National Book Award–winner — Patti Smith.
