Author: Professor David Ohana
Publisher: Liverpool University Press
ISBN: 1837642192
Category : Political Science
Languages : en
Pages : 239
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Book Description
In the turbulent period between 1870 and 1930, the contours on modernity were taking shape, especially the connections between technology, politics and aesthetics. The trilogy The Nihilist Order traces the genealogy of the nihilist-totalitarian syndrome. Until now, nihilism and totalitarianism were considered opposites: one an orderless state of affairs, the other a strict regimented order. On closer scrutiny, however, a surprising affinity can be found between these two concepts that dominated the history of the first half of the twentieth century. Starting with Nietzsche's philosophy, this book traces the development of an intellectual school characterised by the paradoxical dual purpose of a wish to destroy, coupled with a strong desire to create imposing structures. This explosive combination of nihilist leanings together with a craving for totalitarianism was an ideal of philosophers, cultural critics, political theorists, engineers, architects and aesthetes long before it materialised in flesh and blood, not only in technology, but also in fascism, Nazism, bolshevism and radical European political movements. Friedrich Nietzsche, Georges Sorel, the Italian Futurists, led by Filippo Tommaso Marinetti, and Ernst Jünger were all well-known intellectual and cultural figures. Here they are seen and understood in a different light, as creators of a modern political mythology that became a source of inspiration for belligerent ideological camps. Among the ideas propagated by this school, and later adopted by totalitarian regimes, were historical nihilism, a revolt against the rationalistic and universalistic pretensions of the Enlightenment, an affirmation of the dynamism of modern life, and the replacement of the traditional Judeo-Christian values of good and evil by other dualities such as authenticity and decadence. Concurrently there took place affirmation of the technological era, the creation of a 'new man' and a violent order, and the birth of a new political style in place of traditional world-views. When channelled into the political sphere, these aesthetic nihilist ideas paved the way for the rise of totalitarianism.
Author: Stefania Michelucci
Publisher: McFarland
ISBN: 078648392X
Category : Literary Criticism
Languages : en
Pages : 191
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Book Description
Originally published in Italian as L'orizzonte mobile: spazio e luoghi nella narrativa di D.H. Lawrence in 1998, this critical study analyzes the work of D.H. Lawrence in light of new theories about space and location, or place and community. This approach is especially useful in examining Lawrence, as place and space are central aspects of all of his work. The introductory chapter explains the theoretical premises, drawing extensively from anthropology especially insofar as the relationship between culture and nature or community and place are concerned. This chapter also offers theories based on semiotics, sociological concerns and recent research in human geography and environmentalism. Succeeding chapters analyze functional aspects of place and space in D.H. Lawrence's work. Lawrence's major novels and stories provide the main focus of this book, but attention is also paid to lesser-known texts, both fiction and nonfiction. This work provides a new approach to studies on D.H. Lawrence, opening up new insights for both scholars and students alike.
Author: Andreas Fischer
Publisher: Gunter Narr Verlag
ISBN: 9783823351801
Category : Literature, Modern
Languages : en
Pages : 366
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Book Description
Author: Christos Hadjiyiannis
Publisher: Cambridge University Press
ISBN: 1108661238
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
Despite sustained scholarly interest in the politics of modernism, astonishingly little attention has been paid to its relationship to Conservatism. Yet modernist writing was imbricated with Tory rhetoric and ideology from when it emerged in the Edwardian era. By investigating the many intersections between Anglophone modernism and Tory politics, Conservative Modernists offers new ways to read major figures such as T. S. Eliot, Ezra Pound, T. E. Hulme, and Ford Madox Ford. It also highlights the contribution to modernism of lesser-known writers, including Edward Storer, J. M. Kennedy, and A. M. Ludovici. These are the figures to whom it most frequently returns, but, cutting through disciplinary delineations, the book simultaneously reveals the inputs to modernism of a broad range of political writers, philosophers, art historians, and crowd psychologists: from Pascal, Burke, and Disraeli, to Nietzsche, Le Bon, Wallas, Worringer, Ribot, Bergson, and Scheler.
Author: Laurie E. Rozakis
Publisher: Penguin
ISBN: 9780028633787
Category : Literary Criticism
Languages : en
Pages : 500
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Book Description
Looks at American authors from Washington Irving to John Updike and provides brief biographical sketches, excerpts and summaries of major works, and explanations of major literary movements
Author: D. Thomas Benediktson
Publisher: SIU Press
ISBN: 9780809314539
Category : Biography & Autobiography
Languages : en
Pages : 194
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Book Description
An examination of Propertius in light of nonclassical, modernist literary techniques, especially internal monologue or stream of consciousness and imagism. Classical writers typically try to order or shape disparate experiences while modernists seek to present the complexity and disarray of human experience. Failing to realize that Propertius is in the modernist camp has led previous textual critics to divide and reorganize his poems. A. E. Housman, for example, unsuccessfully tried to reorder the lines in one Propertian poem into a logical and chronological sequence. On the contrary, Propertius, like the modernists, attempts to communicate experience itself through the association of ideas or through the reflection upon a visual picture or series of pictures (imagism, or what Pound described as the "superposition" of image and narrative). Benediktson finds philosophical justification for imagism in the Epicurean theory of images and in the Epicurean theorist and poet Philodemus, as well as in the doctrine of utpictura poesis. The result is a picture of Propertius that accounts for the mathematical precision of Book I, the structural chaos of Book II, and the more balanced poetry of Books III and IV.
Author: Andrzej Gasiorek
Publisher: Routledge
ISBN: 1317047117
Category : Literary Criticism
Languages : en
Pages : 257
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Book Description
Though only 34 years old at the time of his death in 1917, T.E. Hulme had already taken his place at the center of pre-war London's advanced intellectual circles. His work as poet, critic, philosopher, aesthetician, and political theorist helped define several major aesthetic and political movements, including imagism and Vorticism. Despite his influence, however, the man T.S. Eliot described as 'classical, reactionary, and revolutionary' has until very recently been neglected by scholars, and T.E. Hulme and the Question of Modernism is the first essay collection to offer an in-depth exploration of Hulme's thought. While each essay highlights a different aspect of Hulme's work on the overlapping discourses of aesthetics, politics, and philosophy, taken together they demonstrate a shared belief in Hulme's decisive importance to the emergence of modernism and to the many categories that still govern our thinking about it. In addition to the editors, contributors include Todd Avery, Rebecca Beasley, C.D. Blanton, Helen Carr, Paul Edwards, Lee Garver, Jesse Matz, Alan Munton, and Andrew Thacker.
Author: Nicholas Cook
Publisher: Cambridge University Press
ISBN: 9780521662567
Category : Music
Languages : en
Pages : 848
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Book Description
Publisher Description
Author: A. Robinson
Publisher: Springer
ISBN: 0230316743
Category : Literary Criticism
Languages : en
Pages : 238
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Book Description
In recent years controversy has surrounded the narrative turn in history and the historical turn in fiction. This book clarifies what is at stake, tracing connections between historiography and life-writing, arguing that the challenges posed in representing the past illuminate issues which are central to all literary narrative.
Author: Laura Marcus
Publisher: Oxford University Press
ISBN: 0192883909
Category : Literary Criticism
Languages : en
Pages : 417
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Book Description
Tracing a developing fascination with rhythm's significance, its patterns, and its measures, across philosophy, psychology, science, and the whole range of arts, Rhythmical Subjects shows how and why attention to rhythm came to serve as connective tissue between fields of inquiry at a time when modern disciplines were still in the process of formation or consolidation. The concentration on 'rhythm' and its cognates largely arose, Laura Marcus demonstrates, from the desire to reclaim or retain human and natural measures in the face of the coming of the machine and the speed of technological innovation. Rhythmical Subjects uncovers the disparate routes by which rhythm acquired its newfound ability to link ancient and modern forms of intellectual inquiry, and to fathom and re-invigorate temporal articulations of modern subjective life. Among the numerous intellectual and artistic developments set in a new light by this brilliantly wide-ranging book are: the long line of philosophical and theoretical writing on rhythm, from Nietzsche to Bergson and their twentieth-century interlocutors; psychological explorations of rhythm as the fundamental law of life, from Herbert Spencer and Ralph Waldo Emerson to Elsie Fogarty; more experimental engagements with psychology's rhythms, from Wilhelm Wundt, Théodule Ribot, and Karl Groos to the aesthetic writings of Vernon Lee; the history of prosody; pioneering applications of rhythm studies to social and sexual reform, by Havelock Ellis, Marie Stopes, D. H. Lawrence, and Mary Austin (among others); Lebensreform movements and the contribution of Rudolf Steiner and Emile Jaques-Dalcroze; and numerous endeavours in artistic and critical innovation, from the small modernist magazines of Bloomsbury and Paris to art salons and dance studios across Britain, Continental Europe, and America.
