Author: Carlo (duca d'Orléans)
Publisher: Acmrs (Arizona Center for Medieval and Renaissance Studies)
ISBN: 9782503533827
Category :
Languages : en
Pages : 957
Book Description
This is the first complete, modern critical edition of the personal copy of the poetry of Charles, duc Orléans (BnF MS. fr. 25458), a manuscript made up primarily of lyrics. The duke also included lyrics composed by members of his household, his family, his friends, his peers, and various visitors to his court at Blois. The manuscript was almost certainly commissioned in London near the end of the duke's captivity (1439-1440). The edition contains the first translation (facing-page) of the duke's collection into English. It is intended to supersede Pierre Champion's 1923 edition of the same manuscript. Before Champion, editions of the duke's poetry simply reproduced the poems in manuscript order; his edition offered a new order based on his observations of the manuscript's construction. This new edition corrects that order by basing it on a recent codicological study of the manuscript, "The poet's notebook", by Mary-Jo Arn
Poetry of Charles D'Orléans and His Circle
Author: Carlo (duca d'Orléans)
Publisher: Acmrs (Arizona Center for Medieval and Renaissance Studies)
ISBN: 9782503533827
Category :
Languages : en
Pages : 957
Book Description
This is the first complete, modern critical edition of the personal copy of the poetry of Charles, duc Orléans (BnF MS. fr. 25458), a manuscript made up primarily of lyrics. The duke also included lyrics composed by members of his household, his family, his friends, his peers, and various visitors to his court at Blois. The manuscript was almost certainly commissioned in London near the end of the duke's captivity (1439-1440). The edition contains the first translation (facing-page) of the duke's collection into English. It is intended to supersede Pierre Champion's 1923 edition of the same manuscript. Before Champion, editions of the duke's poetry simply reproduced the poems in manuscript order; his edition offered a new order based on his observations of the manuscript's construction. This new edition corrects that order by basing it on a recent codicological study of the manuscript, "The poet's notebook", by Mary-Jo Arn
Publisher: Acmrs (Arizona Center for Medieval and Renaissance Studies)
ISBN: 9782503533827
Category :
Languages : en
Pages : 957
Book Description
This is the first complete, modern critical edition of the personal copy of the poetry of Charles, duc Orléans (BnF MS. fr. 25458), a manuscript made up primarily of lyrics. The duke also included lyrics composed by members of his household, his family, his friends, his peers, and various visitors to his court at Blois. The manuscript was almost certainly commissioned in London near the end of the duke's captivity (1439-1440). The edition contains the first translation (facing-page) of the duke's collection into English. It is intended to supersede Pierre Champion's 1923 edition of the same manuscript. Before Champion, editions of the duke's poetry simply reproduced the poems in manuscript order; his edition offered a new order based on his observations of the manuscript's construction. This new edition corrects that order by basing it on a recent codicological study of the manuscript, "The poet's notebook", by Mary-Jo Arn
Charles D'Orléans' English Aesthetic
Author: R. D. Perry
Publisher: Boydell & Brewer
ISBN: 1843845679
Category : History
Languages : en
Pages : 308
Book Description
New investigations into Charles d'Orléans' under-rated poem, its properties and its qualities.
Publisher: Boydell & Brewer
ISBN: 1843845679
Category : History
Languages : en
Pages : 308
Book Description
New investigations into Charles d'Orléans' under-rated poem, its properties and its qualities.
Poems
Author: François Villon
Publisher: Northwestern University Press
ISBN: 0810128780
Category : Poetry
Languages : en
Pages : 305
Book Description
One of the most original and influential European poets of the Middle Ages, François Villon took his inspiration from the streets, taverns, and jails of Paris. Villon was a subversive voice speaking from the margins of society. He wrote about love and sex, money trouble, "the thieving rich," and the consolations of good food and wine. His work is striking in its directness, wit, and gritty urban realism. Villon’s writing spurred the development of the psychologically complex first-person voice in lyric poetry. He has influenced generations of avant-garde poets and artists. Arthur Rimbaud and Paul Verlaine have emulated Villon’s poetry. Claude Debussy set it to music, and Bertolt Brecht adapted it for the stage. Ezra Pound championed Villon’s poetry and became largely responsible for its impact on modern verse. With David Georgi’s ingenious translation, English-speaking audiences finally have a text that captures the riotous energy and wordplay of the original. With a newly revised French text that reflects the latest scholarship, this bilingual edition also features inviting and informative notes that illuminate the nuances of Villon’s poems and the world of medieval Paris.
Publisher: Northwestern University Press
ISBN: 0810128780
Category : Poetry
Languages : en
Pages : 305
Book Description
One of the most original and influential European poets of the Middle Ages, François Villon took his inspiration from the streets, taverns, and jails of Paris. Villon was a subversive voice speaking from the margins of society. He wrote about love and sex, money trouble, "the thieving rich," and the consolations of good food and wine. His work is striking in its directness, wit, and gritty urban realism. Villon’s writing spurred the development of the psychologically complex first-person voice in lyric poetry. He has influenced generations of avant-garde poets and artists. Arthur Rimbaud and Paul Verlaine have emulated Villon’s poetry. Claude Debussy set it to music, and Bertolt Brecht adapted it for the stage. Ezra Pound championed Villon’s poetry and became largely responsible for its impact on modern verse. With David Georgi’s ingenious translation, English-speaking audiences finally have a text that captures the riotous energy and wordplay of the original. With a newly revised French text that reflects the latest scholarship, this bilingual edition also features inviting and informative notes that illuminate the nuances of Villon’s poems and the world of medieval Paris.
Literature and Complaint in England 1272-1553
Author: Wendy Scase
Publisher: Oxford University Press
ISBN: 0199270856
Category : Law
Languages : en
Pages : 228
Book Description
Giving a different perspective on the relations between early judicial process & the development of literature in England, this book argues that texts ranging from political libels & pamphlets to laments of the unrequited lover constitute a literature shaped by the crucial role of complaint in the law courts.
Publisher: Oxford University Press
ISBN: 0199270856
Category : Law
Languages : en
Pages : 228
Book Description
Giving a different perspective on the relations between early judicial process & the development of literature in England, this book argues that texts ranging from political libels & pamphlets to laments of the unrequited lover constitute a literature shaped by the crucial role of complaint in the law courts.
Readings in Medieval Textuality
Author: Cristina Maria Cervone
Publisher: Boydell & Brewer
ISBN: 184384446X
Category : Literary Criticism
Languages : en
Pages : 287
Book Description
III: Subjectivity and the Self -- 6. Re-reading Troilus in Response to Tony Spearing -- 7. The English Charles: Subjectivity, Texts and Culture -- IV: Reading for Form -- 8. The Inescapability of Form -- 9. Destroyer of Forms: Chaucer's Philomela -- 10. Gower's Confessio Amantis and Chaucer's Canterbury Tales as Dits -- 11. Poems without Form? Maiden in the mor lay Revisited -- 12. "I" and "We" in Chaucer's Complaint unto Pity -- V: Epilogue -- 13. Two Appreciations of A.C. Spearing -- 14. Announcing a Literary Find Apparently Related to the Gawain-poet -- Works Cited -- Index
Publisher: Boydell & Brewer
ISBN: 184384446X
Category : Literary Criticism
Languages : en
Pages : 287
Book Description
III: Subjectivity and the Self -- 6. Re-reading Troilus in Response to Tony Spearing -- 7. The English Charles: Subjectivity, Texts and Culture -- IV: Reading for Form -- 8. The Inescapability of Form -- 9. Destroyer of Forms: Chaucer's Philomela -- 10. Gower's Confessio Amantis and Chaucer's Canterbury Tales as Dits -- 11. Poems without Form? Maiden in the mor lay Revisited -- 12. "I" and "We" in Chaucer's Complaint unto Pity -- V: Epilogue -- 13. Two Appreciations of A.C. Spearing -- 14. Announcing a Literary Find Apparently Related to the Gawain-poet -- Works Cited -- Index
Collected Poems of Anthony Hecht
Author: Anthony Hecht
Publisher: Knopf
ISBN: 0593319206
Category : Poetry
Languages : en
Pages : 641
Book Description
In his centenary year, this volume of the Pulitzer Prize winner and former poet laureate’s poems celebrates the indispensable artistry of a writer who faced the history of his era with a “clear-eyed mercy toward human weakness” (The New York Times Book Review) and was hailed in his day as “the best poet writing in English” (Joseph Brodsky). This volume brings together for the first time all of the poems that appeared in Anthony Hecht’s seven trade collections, from A Summoning of Stones of 1954 through to The Darkness and the Light of 2001; it adds the remarkable work contained in his posthumously issued Interior Skies: Late Poems from Liguria of 2011; and it rounds this out with the best of the many poems which were left uncollected at the time of his death in 2004, the earliest dating from 1950 and the latest from 2001. Including the woodcuts by Leonard Baskin that accompanied some of his pieces through the years, Collected Poems brings us the full sweep of the experience and artistry of Anthony Hecht, who, as an infantryman in World War II, bore witness to the shaping events of his time, which continue to shape our own. As the editor Philip Hoy states in his introduction: “Anthony Hecht once wrote that poems can allow us to contemplate our ‘sweetest triumphs’ and our ‘deepest desolations,’ and by employing ‘the manifold devices of art’ to recover for us what he memorably called ‘the inexhaustible plenitude of the world.’ The work gathered together here amply attests to the truth of that claim, and makes it clear that Hecht was one of the finest poets, not just of his generation, but of the twentieth century.”
Publisher: Knopf
ISBN: 0593319206
Category : Poetry
Languages : en
Pages : 641
Book Description
In his centenary year, this volume of the Pulitzer Prize winner and former poet laureate’s poems celebrates the indispensable artistry of a writer who faced the history of his era with a “clear-eyed mercy toward human weakness” (The New York Times Book Review) and was hailed in his day as “the best poet writing in English” (Joseph Brodsky). This volume brings together for the first time all of the poems that appeared in Anthony Hecht’s seven trade collections, from A Summoning of Stones of 1954 through to The Darkness and the Light of 2001; it adds the remarkable work contained in his posthumously issued Interior Skies: Late Poems from Liguria of 2011; and it rounds this out with the best of the many poems which were left uncollected at the time of his death in 2004, the earliest dating from 1950 and the latest from 2001. Including the woodcuts by Leonard Baskin that accompanied some of his pieces through the years, Collected Poems brings us the full sweep of the experience and artistry of Anthony Hecht, who, as an infantryman in World War II, bore witness to the shaping events of his time, which continue to shape our own. As the editor Philip Hoy states in his introduction: “Anthony Hecht once wrote that poems can allow us to contemplate our ‘sweetest triumphs’ and our ‘deepest desolations,’ and by employing ‘the manifold devices of art’ to recover for us what he memorably called ‘the inexhaustible plenitude of the world.’ The work gathered together here amply attests to the truth of that claim, and makes it clear that Hecht was one of the finest poets, not just of his generation, but of the twentieth century.”
The Middle English Verse Love Epistle
Author: Martin Camargo
Publisher: Walter de Gruyter
ISBN: 3110910799
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
Publisher: Walter de Gruyter
ISBN: 3110910799
Category : Literary Criticism
Languages : en
Pages : 228
Book Description
Freedom, Imprisonment, and Slavery in the Pre-Modern World
Author: Albrecht Classen
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110731797
Category : History
Languages : en
Pages : 320
Book Description
Contrary to common assumptions, medieval and early modern writers and poets often addressed the high value of freedom, whether we think of such fable authors as Marie de France or Ulrich Bonerius. Similarly, medieval history knows of numerous struggles by various peoples to maintain their own freedom or political independence. Nevertheless, as this study illustrates, throughout the pre-modern period, the loss of freedom could happen quite easily, affecting high and low (including kings and princes) and there are many literary texts and historical documents that address the problems of imprisonment and even enslavement (Georgius of Hungary, Johann Schiltberger, Hans Ulrich Krafft, etc.). Simultaneously, philosophers and theologians discussed intensively the fundamental question regarding free will (e.g., Augustine) and political freedom (e.g., John of Salisbury). Moreover, quite a large number of major pre-modern poets spent a long time in prison where they composed some of their major works (Boethius, Marco Polo, Charles d'Orléans, Thomas Malory, etc.). This book brings to light a vast range of relevant sources that confirm the existence of this fundamental and impactful discourse on freedom, imprisonment, and enslavement.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110731797
Category : History
Languages : en
Pages : 320
Book Description
Contrary to common assumptions, medieval and early modern writers and poets often addressed the high value of freedom, whether we think of such fable authors as Marie de France or Ulrich Bonerius. Similarly, medieval history knows of numerous struggles by various peoples to maintain their own freedom or political independence. Nevertheless, as this study illustrates, throughout the pre-modern period, the loss of freedom could happen quite easily, affecting high and low (including kings and princes) and there are many literary texts and historical documents that address the problems of imprisonment and even enslavement (Georgius of Hungary, Johann Schiltberger, Hans Ulrich Krafft, etc.). Simultaneously, philosophers and theologians discussed intensively the fundamental question regarding free will (e.g., Augustine) and political freedom (e.g., John of Salisbury). Moreover, quite a large number of major pre-modern poets spent a long time in prison where they composed some of their major works (Boethius, Marco Polo, Charles d'Orléans, Thomas Malory, etc.). This book brings to light a vast range of relevant sources that confirm the existence of this fundamental and impactful discourse on freedom, imprisonment, and enslavement.
A Companion to Alain Chartier (c.1385-1430)
Author:
Publisher: BRILL
ISBN: 9004290141
Category : Religion
Languages : en
Pages : 388
Book Description
A Companion to Alain Chartier: Father of French Eloquence brings together fourteen contributions that offer a range of perspectives and insights into the works of this exceptional late medieval author. As heir to the past and herald of the future, Chartier reinvented the traditional, whether in Latin or French, verse or prose. Chartier’s open-ended, dialogic works and his own politically-engaged writing inspired his successors to think and write in new ways about ethics, the individual’s role in society, relationships between men and women, and the responsibility of a poet to his/her audience. As these essays show, Chartier’s renovation of poetic form and content had considerable influence over successive generations of writers in France and across Europe. Contributors are: Adrian Armstrong, Florence Bouchet, Emma Cayley, Daisy Delogu, Ashby Kinch, James C. Laidlaw, Marta Marfany, Deborah McGrady, Joan E. McRae, Jean-Claude Mühlethaler, Liv Robinson, Camille Serchuk, Andrea Tarnowski, Craig Taylor, and Hanno Wijsman.
Publisher: BRILL
ISBN: 9004290141
Category : Religion
Languages : en
Pages : 388
Book Description
A Companion to Alain Chartier: Father of French Eloquence brings together fourteen contributions that offer a range of perspectives and insights into the works of this exceptional late medieval author. As heir to the past and herald of the future, Chartier reinvented the traditional, whether in Latin or French, verse or prose. Chartier’s open-ended, dialogic works and his own politically-engaged writing inspired his successors to think and write in new ways about ethics, the individual’s role in society, relationships between men and women, and the responsibility of a poet to his/her audience. As these essays show, Chartier’s renovation of poetic form and content had considerable influence over successive generations of writers in France and across Europe. Contributors are: Adrian Armstrong, Florence Bouchet, Emma Cayley, Daisy Delogu, Ashby Kinch, James C. Laidlaw, Marta Marfany, Deborah McGrady, Joan E. McRae, Jean-Claude Mühlethaler, Liv Robinson, Camille Serchuk, Andrea Tarnowski, Craig Taylor, and Hanno Wijsman.
The Politics of Obscenity in the Age of the Gutenberg Revolution
Author: Peter Frei
Publisher: Routledge
ISBN: 1000530434
Category : History
Languages : en
Pages : 331
Book Description
What does obscene mean? What does it have to say about the means through which meaning is produced and received in literary, artistic and, more broadly, social acts of representation and interaction? Early modern France and Europe faced these questions not only in regard to the political, religious and artistic reformations for which the Renaissance stands, but also in light of the reconfiguration of its mediasphere in the wake of the invention of the printing press. The Politics of Obscenity brings together researchers from Europe and the United States in offering scholars of early modern Europe a detailed understanding of the implications and the impact of obscene representations in their relationship to the Gutenberg Revolution which came to define Western modernity.
Publisher: Routledge
ISBN: 1000530434
Category : History
Languages : en
Pages : 331
Book Description
What does obscene mean? What does it have to say about the means through which meaning is produced and received in literary, artistic and, more broadly, social acts of representation and interaction? Early modern France and Europe faced these questions not only in regard to the political, religious and artistic reformations for which the Renaissance stands, but also in light of the reconfiguration of its mediasphere in the wake of the invention of the printing press. The Politics of Obscenity brings together researchers from Europe and the United States in offering scholars of early modern Europe a detailed understanding of the implications and the impact of obscene representations in their relationship to the Gutenberg Revolution which came to define Western modernity.