Author: Ardis Butterfield
Publisher: Cambridge University Press
ISBN: 9780521622196
Category : Literary Criticism
Languages : en
Pages : 406
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Book Description
This book, first published in 2003, examines the relationship between poetry and music in medieval France.
Author: Jennifer Saltzstein
Publisher: DS Brewer
ISBN: 1843843498
Category : Foreign Language Study
Languages : en
Pages : 210
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Book Description
A survey of the use of the refrain in thirteenth and fourteenth-century French music and poetry, showing how it was skilfully deployed to assert the validity of the vernacular. The relationship between song quotation and the elevation of French as a literary language that could challenge the cultural authority of Latin is the focus of this book. It approaches this phenomenon through a close examination of the refrain, a short phrase of music and text quoted intertextually across thirteenth- and early fourteenth-century musical and poetic genres. The author draws on a wide range of case studies, from motets, trouvère song, plays, romance, vernacular translations, and proverb collections, to show that medieval composers quoted refrains as vernacular auctoritates; she argues that their appropriation of scholastic, Latinate writing techniques workedto authorize Old French music and poetry as media suitable for the transmission of knowledge. Beginning with an exploration of the quasi-scholastic usage of refrains in anonymous and less familiar clerical contexts, the book goeson to articulate a new framework for understanding the emergence of the first two named authors of vernacular polyphonic music, the cleric-trouvères Adam de la Halle and Guillaume de Machaut. It shows how, by blending their craftwith the writing practices of the universities, composers could use refrain quotation to assert their status as authors with a new self-consciousness, and to position works in the vernacular as worthy of study and interpretation. Jennifer Saltzstein is Assistant Professor of Musicology at the University of Oklahoma.
Author: Mark Everist
Publisher: Cambridge University Press
ISBN: 9780521612043
Category : Music
Languages : en
Pages : 220
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Book Description
This is the first full-length study of the vernacular motet in thirteenth-century France. The motet was the most prestigious type of music of that period, filling a gap between the music of the so-called Notre-Dame School and the Ars Nova of the early fourteenth century. This book takes the music and the poetry of the motet as its starting-point and attempts to come to grips with the ways in which musicians and poets treated pre-existing material, creating new artefacts. The book reviews the processes of texting and retexting, and the procedures for imparting structure to the works; it considers the way we conceive genre in the thirteenth-century motet, and supplements these with principles derived from twentieth-century genre theory. The motet is viewed as the interaction of literary and musical modes whose relationships give meaning to individual musical compositions.
Author: Rebecca Anne Baltzer
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 176
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Book Description
In these essays, five noted scholars draw upon the insights of musicology, philology, linguistics, and metrics to illuminate central aspects of the relationship between poetry and music in the Middle Ages. Rebecca A. Baltzer adds notes on the accompanying musical tape made by the professional ensemble Sequentia, which significantly illustrates the topics under consideration, while offering the experience of listening to superb musical performances.
Author: Peter Becker
Publisher:
ISBN:
Category :
Languages : en
Pages : 378
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Book Description
Author: Christopher Page
Publisher: University of Chicago Press
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 94
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Book Description
Conductus repertory of the twelfth and thirteenth centuries comes under re-investigation in this study. Christopher Page seeks to revise certain opinions about medieval Latin poetry which some exponents of modal theory have entertained. The book develops a view that spoken performances and sung performances of this repertory had their own distinct traditions, and that the most acceptable method of transcription for many conducti is a rhythmically neutral one which signals the wide range of possible rhythmic solutions to performance of these songs.
Author: Rachel May Golden
Publisher:
ISBN: 9780813069036
Category : LITERARY CRITICISM
Languages : en
Pages : 310
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Book Description
This volume brings together literary and musical compositions of medieval France, identifying the use of voice in these works as a way of articulating gendered identities.
Author: William Doremus Paden
Publisher: DS Brewer
ISBN: 9781843841296
Category : Provençal poetry
Languages : en
Pages : 310
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Book Description
Author: Guillaume (de Machaut)
Publisher:
ISBN: 9781580443753
Category : French poetry
Languages : en
Pages : 0
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Book Description
"Guillaume de Machaut is the most important poet and composer of late medieval France. His unique and inventive output is the subject of this new, integrated edition of Machaut's complete poetry and music. Volume 1, The Debate Series, presents the two "judgment" poems, which are among his most important artistically in terms of their formal innovations and their influence on contemporaries, notably Geoffrey Chaucer, and the associated Lay de plour, presented here with its music."--Provided by publisher.
Author: Elizabeth Eva Leach
Publisher: Cornell University Press
ISBN: 1501704869
Category : Biography & Autobiography
Languages : en
Pages : 384
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Book Description
At once a royal secretary, a poet, and a composer, Guillaume de Machaut was one of the most protean and creative figures of the late Middle Ages. Rather than focus on a single strand of his remarkable career, Elizabeth Eva Leach gives us a book that encompasses all aspects of his work, illuminating it in a distinctively interdisciplinary light. The author provides a comprehensive picture of Machaut's artistry, reviews the documentary evidence about his life, charts the different agendas pursued by modern scholarly disciplines in their rediscovery and use of specific parts of his output, and delineates Machaut's own poetic and material presentation of his authorial persona. Leach treats Machaut's central poetic themes of hope, fortune, and death, integrating the aspect of Machaut's multimedia art that differentiates him from his contemporaries' treatment of similar thematic issues: music. In restoring the centrality of music in Machaut's poetics, arguing that his words cannot be truly understood or appreciated without the additional layers of meaning created in their musicalization, Leach makes a compelling argument that musico-literary performance occupied a special place in the courts of fourteenth-century France.
