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Author: Yosra Amraoui
Publisher: Cambridge Scholars Publishing
ISBN: 1527565416
Category : Literary Criticism
Languages : en
Pages : 143
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Book Description
Natives, Aborigines, Indigenous populations, and First Nations are all appellations that assert the legitimacy of various antecessors despite the subordinate position granted to them by colonial, postcolonial and neo-colonial theories. In a perpetual quest for agency, the native has been framed within a set of representational practices that claim for a redress of grievances. Cultural, mediatized and historical representations of the native tend to fall within the boundaries of either a bottom-up or a top-down view that fits within a structuralist paradigm that rarely questions the individual, let alone the marginalized. However, there is a need to examine the systems within which indigenous narratives operate from a post-structuralist stance in order to re-read indigenous discourses and to celebrate the multiplicity of meanings inherent in them. The need for an intercultural pragmatic reading of native discourse therefore reveals itself to be of utmost relevance. This volume discusses indigenous literary performances, native history and cultural representations of natives and aboriginal discourse from around the world. Topics pivot around historicizing the native, the role of testimony and primary sources, displacement and the denial of native legitimacy, and literary (mis)representations of natives, among other themes.
Author: Yosra Amraoui
Publisher: Cambridge Scholars Publishing
ISBN: 1527565416
Category : Literary Criticism
Languages : en
Pages : 143
Get Book Here
Book Description
Natives, Aborigines, Indigenous populations, and First Nations are all appellations that assert the legitimacy of various antecessors despite the subordinate position granted to them by colonial, postcolonial and neo-colonial theories. In a perpetual quest for agency, the native has been framed within a set of representational practices that claim for a redress of grievances. Cultural, mediatized and historical representations of the native tend to fall within the boundaries of either a bottom-up or a top-down view that fits within a structuralist paradigm that rarely questions the individual, let alone the marginalized. However, there is a need to examine the systems within which indigenous narratives operate from a post-structuralist stance in order to re-read indigenous discourses and to celebrate the multiplicity of meanings inherent in them. The need for an intercultural pragmatic reading of native discourse therefore reveals itself to be of utmost relevance. This volume discusses indigenous literary performances, native history and cultural representations of natives and aboriginal discourse from around the world. Topics pivot around historicizing the native, the role of testimony and primary sources, displacement and the denial of native legitimacy, and literary (mis)representations of natives, among other themes.
Author: Neal McLeod
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1771120096
Category : Literary Criticism
Languages : en
Pages : 417
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Book Description
Indigenous Poetics in Canada broadens the way in which Indigenous poetry is examined, studied, and discussed in Canada. Breaking from the parameters of traditional English literature studies, this volume embraces a wider sense of poetics, including Indigenous oralities, languages, and understandings of place. Featuring work by academics and poets, the book examines four elements of Indigenous poetics. First, it explores the poetics of memory: collective memory, the persistence of Indigenous poetic consciousness, and the relationships that enable the Indigenous storytelling process. The book then explores the poetics of performance: Indigenous poetics exist both in written form and in relation to an audience. Third, in an examination of the poetics of place and space, the book considers contemporary Indigenous poetry and classical Indigenous narratives. Finally, in a section on the poetics of medicine, contributors articulate the healing and restorative power of Indigenous poetry and narratives.
Author: Dean Rader
Publisher: University of Arizona Press
ISBN: 9780816523481
Category : Poetry
Languages : en
Pages : 306
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Book Description
Although American Indian poetry is widely read and discussed, few resources have been available that focus on it critically. This book is the first collection of essays on the genre, bringing poetry out from under the shadow of fiction in the study of Native American literature. Highlighting various aspects of poetry written by American Indians since the 1960s, it is a wide-ranging collection that balances the insights of Natives and non-Natives, men and women, old and new voices.
Author: Heid E. Erdrich
Publisher: Graywolf Press
ISBN: 1555979998
Category : Poetry
Languages : en
Pages : 304
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Book Description
A landmark anthology celebrating twenty-one Native poets first published in the twenty-first century New Poets of Native Nations gathers poets of diverse ages, styles, languages, and tribal affiliations to present the extraordinary range and power of new Native poetry. Heid E. Erdrich has selected twenty-one poets whose first books were published after the year 2000 to highlight the exciting works coming up after Joy Harjo and Sherman Alexie. Collected here are poems of great breadth—long narratives, political outcries, experimental works, and traditional lyrics—and the result is an essential anthology of some of the best poets writing now. Poets included are Tacey M. Atsitty, Trevino L. Brings Plenty, Julian Talamantez Brolaski, Laura Da’, Natalie Diaz, Jennifer Elise Foerster, Eric Gansworth, Gordon Henry, Jr., Sy Hoahwah, LeAnne Howe, Layli Long Soldier, Janet McAdams, Brandy Nalani McDougall, Margaret Noodin, dg okpik, Craig Santos Perez, Tommy Pico, Cedar Sigo, M. L. Smoker, Gwen Westerman, and Karenne Wood.
Author: James Donahue
Publisher: Routledge
ISBN: 0429589263
Category : Literary Criticism
Languages : en
Pages : 293
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Book Description
Contemporary Native Fiction: Toward a Narrative Poetics of Survivance analyzes paradigmatic works of contemporary Native American/First Nations literary fiction using the tools of narrative theory. Each chapter is read through the lens of a narrative theory – structuralist narratology, feminist narratology, rhetorical narratology, and unnatural narratology – in order to demonstrate how the formal structure of these narratives engage the political issues raised in the text. Additionally, each chapter shows how the inclusion of Native American/First Nations-authored narratives productively advance the theoretical work project of those narrative theories. This book offers a broad survey of possible means by which narrative theory and critical race theories can productively work together and is key reading for students and researchers working in this area.
Author: Joy Harjo
Publisher: W. W. Norton & Company
ISBN: 0393867927
Category : Poetry
Languages : en
Pages : 309
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Book Description
A powerful, moving anthology that celebrates the breadth of Native poets writing today. Joy Harjo, the first Native poet to serve as U.S. Poet Laureate, has championed the voices of Native peoples past and present. Her signature laureate project gathers the work of contemporary Native poets into a national, fully digital map of story, sound, and space, celebrating their vital and unequivocal contributions to American poetry. This companion anthology features each poem and poet from the project—including Natalie Diaz, Ray Young Bear, Craig Santos Perez, Sherwin Bitsui, and Layli Long Soldier, among others—to offer readers a chance to hold the wealth of poems in their hands. The chosen poems reflect on the theme of place and displacement and circle the touchpoints of visibility, persistence, resistance, and acknowledgment. Each poem showcases, as Joy Harjo writes in her stirring introduction, “that heritage is a living thing, and there can be no heritage without land and the relationships that outline our kinship.” In this country, poetry is rooted in the more than five hundred living indigenous nations. Living Nations, Living Words is a representative offering.
Author: Leanne Howe
Publisher: National Geographic Books
ISBN: 0393356809
Category : Poetry
Languages : en
Pages : 0
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Book Description
Selected as one of Oprah Winfrey's "Books That Help Me Through" United States Poet Laureate Joy Harjo gathers the work of more than 160 poets, representing nearly 100 indigenous nations, into the first historically comprehensive Native poetry anthology. This landmark anthology celebrates the indigenous peoples of North America, the first poets of this country, whose literary traditions stretch back centuries. Opening with a blessing from Pulitzer Prize–winner N. Scott Momaday, the book contains powerful introductions from contributing editors who represent the five geographically organized sections. Each section begins with a poem from traditional oral literatures and closes with emerging poets, ranging from Eleazar, a seventeenth-century Native student at Harvard, to Jake Skeets, a young Diné poet born in 1991, and including renowned writers such as Luci Tapahanso, Natalie Diaz, Layli Long Soldier, and Ray Young Bear. When the Light of the World Was Subdued, Our Songs Came Through offers the extraordinary sweep of Native literature, without which no study of American poetry is complete.
Author: Aksana Ismailbekova
Publisher: Indiana University Press
ISBN: 025302577X
Category : Social Science
Languages : en
Pages : 242
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Book Description
An anthropologist explores the politics and society of Kyrgyzstan through a study of one influential man’s life. A pioneering study of kinship, patronage, and politics in Central Asia, Blood Ties and the Native Son tells the story of the rise and fall of a man called Rahim, an influential and powerful patron in rural northern Kyrgyzstan, and of how his relations with clients and kin shaped the economic and social life of the region. Many observers of politics in post-Soviet Central Asia have assumed that corruption, nepotism, and patron-client relations would forestall democratization. Looking at the intersection of kinship ties with political patronage, Aksana Ismailbekova finds instead that this intertwining has in fact enabled democratization—both kinship and patronage develop apace with democracy, although patronage relations may stymie individual political opinion and action. “This book is an important contribution to a growing literature on Central Asian politics and society, and by complicating dominant narratives about the dangers of weak state institutions, Ismailbekova has much to offer to the broader research project on democratization and clientelism.” —Europe-Asia Studies
Author: Sarah Dowling
Publisher: University of Iowa Press
ISBN: 160938606X
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
Since the 1980s, poets in Canada and the U.S. have increasingly turned away from the use of English, bringing multiple languages into dialogue—and into conflict—in their work. This growing but under-studied body of writing differs from previous forms of multilingual poetry. While modernist poets offered multilingual displays of literary refinement, contemporary translingual poetries speak to and are informed by feminist, anti-racist, immigrant rights, and Indigenous sovereignty movements. Although some translingual poems have entered Chicanx, Latinx, Asian American, and Indigenous literary canons, translingual poetry has not yet been studied as a cohesive body of writing. The first book-length study on the subject, Translingual Poetics argues for an urgent rethinking of Canada and the U.S.’s multiculturalist myths. Dowling demonstrates that rising multilingualism in both countries is understood as new and as an effect of cultural shifts toward multiculturalism and globalization. This view conceals the continent’s original Indigenous multilingualism and the ongoing violence of its dismantling. It also naturalizes English as traditional, proper, and, ironically, native. Reading a range of poets whose work contests this “settler monolingualism”—Jordan Abel, Layli Long Soldier, Myung Mi Kim, Guillermo Gómez-Peña, M. NourbeSe Philip, Rachel Zolf, Cecilia Vicuña, and others—Dowling argues that translingual poetry documents the flexible forms of racialization innovated by North American settler colonialisms. Combining deft close readings of poetry with innovative analyses of media, film, and government documents, Dowling shows that translingual poetry’s avoidance of authentic, personal speech reveals the differential forms of personhood and non-personhood imposed upon the settler, the native, and the alien.
Author: Eugene E. Miller
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 306
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Book Description
Wright's works most often have been judged by his own ideological polemics, seldom by the terms of art. This, however, is a study of Wright's poetics, rich in a black aesthetic force that was the elemental voice in his writings.
