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Author: Tessie Prakas
Publisher: Oxford University Press
ISBN: 0192671332
Category : Literary Criticism
Languages : en
Pages : 253
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Book Description
Poetic Priesthood reads seventeenth-century devotional verse as staging a surprising competition between poetry and the established church. The work of John Donne, George Herbert, Richard Crashaw, John Milton, and Thomas Traherne suggests that the demands of faith are better understood by poets than by priests—even while four of these authors were also ordained. While recent scholarship has tended to emphasize the shaping influence of the liturgy on the poetry of this period, this book argues that verse instead presents readers with a mode of articulating piety that relies on formal experimentation, and that varies from the forms of the church rather than straightforwardly reproducing them. In crafting this poetic aid to devotion, these authors practiced an alternative and even more ample form of ministry than in their ecclesiastical activities. In the wake of the Reformation, the liturgy of the English church centered on rituals of communal prayer and praise, but the poetry considered in this study suggests that such rituals in fact risk distracting worshippers from the pleasures and challenges of navigating an individual relationship with God. Yet these poets do not make this suggestion by rejecting communal rituals outright. Their verse invokes ecclesiastical practice as a basis for formal innovation that suggests how intimacy with the divine might look, feel, and sound, connecting humans with their God more precisely and more individually than the liturgy can. As they shift between explicit comment on the liturgy and more subtle departures from it in the interplay of verse form and denotation, these authors claim the work of priesthood for poetry.
Author: Tessie Prakas
Publisher: Oxford University Press
ISBN: 0192671332
Category : Literary Criticism
Languages : en
Pages : 253
Get Book
Book Description
Poetic Priesthood reads seventeenth-century devotional verse as staging a surprising competition between poetry and the established church. The work of John Donne, George Herbert, Richard Crashaw, John Milton, and Thomas Traherne suggests that the demands of faith are better understood by poets than by priests—even while four of these authors were also ordained. While recent scholarship has tended to emphasize the shaping influence of the liturgy on the poetry of this period, this book argues that verse instead presents readers with a mode of articulating piety that relies on formal experimentation, and that varies from the forms of the church rather than straightforwardly reproducing them. In crafting this poetic aid to devotion, these authors practiced an alternative and even more ample form of ministry than in their ecclesiastical activities. In the wake of the Reformation, the liturgy of the English church centered on rituals of communal prayer and praise, but the poetry considered in this study suggests that such rituals in fact risk distracting worshippers from the pleasures and challenges of navigating an individual relationship with God. Yet these poets do not make this suggestion by rejecting communal rituals outright. Their verse invokes ecclesiastical practice as a basis for formal innovation that suggests how intimacy with the divine might look, feel, and sound, connecting humans with their God more precisely and more individually than the liturgy can. As they shift between explicit comment on the liturgy and more subtle departures from it in the interplay of verse form and denotation, these authors claim the work of priesthood for poetry.
Author: Tessie Prakas
Publisher: Oxford University Press
ISBN: 0192857126
Category : Christian poetry, English
Languages : en
Pages : 253
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Book Description
Poetic Priesthood reads seventeenth-century devotional verse as staging a surprising competition between poetry and the established church. The work of John Donne, George Herbert, Richard Crashaw, John Milton, and Thomas Traherne suggests that the demands of faith are better understood by poets than by priests--even while four of these authors were also ordained. While recent scholarship has tended to emphasize the shaping influence of the liturgy on the poetry of this period, this book argues that verse instead presents readers with a mode of articulating piety that relies on formal experimentation, and that varies from the forms of the church rather than straightforwardly reproducing them. In crafting this poetic aid to devotion, these authors practiced an alternative and even more ample form of ministry than in their ecclesiastical activities. In the wake of the Reformation, the liturgy of the English church centered on rituals of communal prayer and praise, but the poetry considered in this study suggests that such rituals in fact risk distracting worshippers from the pleasures and challenges of navigating an individual relationship with God. Yet these poets do not make this suggestion by rejecting communal rituals outright. Their verse invokes ecclesiastical practice as a basis for formal innovation that suggests how intimacy with the divine might look, feel, and sound, connecting humans with their God more precisely and more individually than the liturgy can. As they shift between explicit comment on the liturgy and more subtle departures from it in the interplay of verse form and denotation, these authors claim the work of priesthood for poetry.
Author: R. V. Young
Publisher: Boydell & Brewer Ltd
ISBN: 9780859915694
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
English devotional poets of 17c set in a wider European and Catholic context. This book offers a comprehensive account of the literary and theological background to English devotional poetry of the seventeenth century, concentrating on four major poets, Donne, Herbert, Vaughan and Crashaw. It challenges both Protestant poetics and postmodernism, the prevailing critical approaches to Renaissance literature: by reading the poetry in the light of continental Catholic devotional literature and theology, the author demonstrates that religious poetry in seventeenth-century England was not rigidly or exclusively Protestant in its doctrinal and liturgical orientation. He argues that poetic genres and devices that have been ascribed to strict Reformation influence are equally prominent in the Catholic poetry of Spain and France; he also shows that postmodernist anxiety about subjective identity and the capacity of language for signification is in fact a concern of such landmark Christian thinkers as Augustine and Aquinas, and appears in devotional poetry in the Christian tradition. Professor R.V. YOUNGteaches at North Carolina State University.
Author: Ruth Wallerstein
Publisher:
ISBN:
Category :
Languages : en
Pages : 444
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Book Description
Author: Leslie C. Dunn
Publisher: Routledge
ISBN: 1317130480
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
Song offers a vital case study for examining the rich interplay of music, gender, and representation in the early modern period. This collection engages with the question of how gender informed song within particular textual, social, and spatial contexts in sixteenth- and seventeenth-century England. Bringing together ongoing work in musicology, literary studies, and film studies, it elaborates an interdisciplinary consideration of the embodied and gendered facets of song, and of song’s capacity to function as a powerful-and flexible-gendered signifier. The essays in this collection draw vivid attention to song as a situated textual and musical practice, and to the gendered processes and spaces of song's circulation and reception. In so doing, they interrogate the literary and cultural significance of song for early modern readers, performers, and audiences.
Author: George Herbert
Publisher: W W Norton & Company Incorporated
ISBN: 9780393092547
Category : Literary Criticism
Languages : en
Pages : 401
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Book Description
This volume presents the major works of five poets--George Herbert, Richard Crashaw, Andrew Marvell, Henry Vaughan, and Thomas Traherne. While most of the selections are religious poetry, the important secular verse of Marvell and Crashaw is also included. Eighty poems by Herbert have been selected form The Temple, and two early poems from Issak Walton's Lives are also included.
Author: W. L. Doughty
Publisher: Wipf and Stock Publishers
ISBN: 153263515X
Category : Poetry
Languages : en
Pages : 215
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Book Description
“Hence these studies are analytical and descriptive, rather than critical. I have tried to let the writers speak for themselves, venturing from time to time to interrupt their monologue, and the reader is invited to do the same.” — From the Preface
Author: Louis Lohr Martz
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 412
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Book Description
Author: Michael J. Tan Creti
Publisher: Xlibris Corporation
ISBN: 1450061249
Category : Body, Mind & Spirit
Languages : en
Pages : 194
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Book Description
This small collection of poems was written in the course of a decade by an Episcopal priest approaching retirement. The inspiration for them came from the "metaphysical poetry" of the Seventeenth century English priest poets, Donne, Herbert, and Traherne. They were first used in his teaching and spiritual direction and continue to inspire readers. James Delmont, of the National Book Critics Circle, offers the follow description: Michael Tan Creti’s To Make Myself a Word is a marvelous collection of free verse poems and poetic prose reflections that provide a running commentary on life, faith and history – history that is both collective and personal. From the point of view of a pastor in the American Episcopal Church, the author muses, with irony and sensitivity, on ethics, memories, relationships, expectations, disappointments and the daily search for God in our lives. There is a skein of faith stubbornly running through these often exquisitely crafted word portraits that reward the reader with wisdom, continuing questions and even some answers. It is well worth reading – and not all at once.” Recently the text one of the poems, "The Father's Face," has been set as a cappella anthem by the composer Michael McCabe and is available from Parachlete Press, under the title "Seek God Face."
Author: Malcolm M. Ross
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 256
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Book Description