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Author: Johnson Nwaubani
Publisher: AuthorHouse
ISBN: 142598343X
Category : Poetry
Languages : en
Pages : 130
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Book Description
This book contains the poet's award winning poems, and his exceptional creativity in the world of poetry. Acrostic poems with lyrical insight are quite applausable. Poems about love, greed, hope, courage, nature, religion, maturity, humor, and etc, would challenge the reader to a pondering journey, mingled with academic and creative insight.
Author: Johnson Nwaubani
Publisher: AuthorHouse
ISBN: 142598343X
Category : Poetry
Languages : en
Pages : 130
Get Book Here
Book Description
This book contains the poet's award winning poems, and his exceptional creativity in the world of poetry. Acrostic poems with lyrical insight are quite applausable. Poems about love, greed, hope, courage, nature, religion, maturity, humor, and etc, would challenge the reader to a pondering journey, mingled with academic and creative insight.
Author: Elizabeth Gregory
Publisher: Texas A&M University Press
ISBN: 9780892633470
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
In this volume Elizabeth Gregory addresses a number of key issues surrounding the formation of the American poetic canon. Taking as her primary examples T. S. Eliot's Waste Land, William Carlos Williams' Paterson, and selected poems by Marianne Moore, she examines the ways in which modern American writers struggled with questions of literary authority and cultural identity in relation to pre-existing European models. Gregory focuses on these issues through analysis of the use of quotation in modern and postmodern literature, a practice that was strikingly divergent from the accepted use of literary allusion. Her introduction traces a history of quotation as it has been practiced in literature from classical to modern times. She then focuses on the texts of Eliot, Williams, and Moore--three central figures of American modernism whose work the author believes represents a spectrum of responses to the established European model of poetical discourse. Gregory's selection of Moore also allows her to deal with feminist concerns as they emerge in the more general modernist dialogue. How was a female writer to make use of a literary canon that traditionally excluded female participation? "The implications of Gregory's argument . . . will surely be of especial interest to feminist scholars of American poetry."--Lois Parkinson Zamora, University of Houston.
Author: Leslie Ritchie
Publisher: Cambridge University Press
ISBN: 1108693245
Category : Drama
Languages : en
Pages : 315
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Book Description
What happens when an actor owns shares in the stage on which he performs and the newspapers that review his performances? Celebrity that lasts over 240 years. From 1741, David Garrick dominated the London theatre world as the progenitor of a new 'natural' style of acting. From 1747 to 1776, he was a part-owner and manager of Drury Lane, controlling most aspects of the theatre's life. In a spectacular foreshadowing of today's media convergences, he also owned shares in papers including the St James's Chronicle and the Public Advertiser, which advertised and reviewed Drury Lane's theatrical productions. This book explores the nearly inconceivable level of cultural power generated by Garrick's entrepreneurial manufacture and mediation of his own celebrity. Using new technologies and extensive archival research, this book uncovers fresh material concerning Garrick's ownership and manipulation of the media, offering timely reflections for theatre history and media studies.
Author: M. Scanlon
Publisher: Springer
ISBN: 1137401281
Category : Philosophy
Languages : en
Pages : 203
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Book Description
These essays extend an ongoing conversation on dialogic qualities of poetry by positing various foundations, practices, and purposes of poetic dialogism. The authors enrich and diversify the theoretical discourse on dialogic poetry and connect it to fertile critical fields like ethnic studies, translation studies, and ethics and literature.
Author: Johannes Göransson
Publisher: Noemi Press
ISBN: 9781934819593
Category : Literary Collections
Languages : en
Pages : 0
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Book Description
Literary Nonfiction. Poetry, Frost is often quoted as having said, is what is lost in translation, and American poets and critics have long taken this as their cue to subordinate translation to other forms of literary activity and to disqualify translated texts. In TRANSGRESSIVE CIRCULATION, poet, translator, and publisher Johannes Göransson reverses this dynamic, holding that we should use translation to re-assess our entire aesthetic establishment. Rather than argue against the denigration and abjection of translation--and most foreign texts--this book investigates those dark zones of expulsion as grounds for new possibilities, not just for translation but for literature as a whole.
Author: Bret Mulligan
Publisher: Routledge
ISBN: 1000538117
Category : History
Languages : en
Pages : 267
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Book Description
The Poetry of Ennodius offers the first translation into English verse of the entire eclectic corpus of sacred and secular poetry by Magnus Felix Ennodius (c. 473/4–521 CE), amply supplemented by detailed notes that elucidate the literary and cultural references essential for understanding this poet. Ennodius’ poetry offers the reader a remarkable window into how Roman literary culture continued to thrive in the aftermath of the traditional "fall" of Rome in 476 CE. A prolific writer of prose and poetry, Ennodius played an active role in the political and ecclesiastical disputes of Ostrogothic Italy, and he stands as an important exemplar of late antique literary culture. Readers of this volume will encounter esteemed bishops, delicate objects, pets, stately churches, fools, villains, and more in vivid panegyrics, travelogues, hymns, epistles, and epigrams found in the sweeping poetic archive assembled after Ennodius’ death. From the grandiose "Declamation for the anniversary of the holy and most blessed Bishop Epiphanius in his 30th year as bishop of Pavia" to self-depricating descriptions of silverware that bears the poet’s image, Ennodius’ poetry sports with the expectations of his audience, composing verse that modulates from the beautiful to the conventional to the stunningly unusual, while always displaying an intimate knowledge of the literary traditions in which he writes and a deep engagement with previous authors, both from the distant classical past and the contemporary world of late antique prose and poetry. Through these poems, the reader can gain an appreciation of the intellectual and aesthetic world of an important bishop (and future saint) in the early sixth-century CE. Featuring a lucid line-by-line verse translation from the Latin and extensive notes—both firsts in English—richly introduced by a scholarly introduction to Ennodius, his works, and era, and complemented by a comprehensive bibliography, The Poetry of Ennodius makes these works accessible for the first time to readers unfamiliar with Latin as well as those seeking a guide into the labyrinthine literary world of this challenging but rewarding poet. Students of the classics, late antique and medieval history, comparative literature, and early Christianity, as well as any independent reader interested in the enduring presence of classical Latin verse, will benefit from this book.
Author: Peggy Rosenthal
Publisher: Oxford University Press, USA
ISBN: 019515164X
Category : Christian poetry
Languages : en
Pages : 204
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Book Description
Peggy Rosenthal considers the world's poets as creators who dreamed or destroyed visions of Jesus which shaped the spiritual climate of their times and nations.
Author:
Publisher: BRILL
ISBN: 9004486321
Category : Literary Criticism
Languages : en
Pages : 355
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Book Description
From Tottel's Miscellany (1557) to the last twentieth-century Oxford Book of English Verse (1999), anthologies have been a prime institution for the preservation and mediation of poetry. The importance of anthologies for creating and re-creating the canon of English poetry, for introducing ‘new' programmes of poetry, as a record of changing poetic fashions, audience tastes and reading practices, or as a profitable literary commodity has often been asserted. Despite its impact, however, the poetry anthology in itself has attracted surprisingly little critical interest in Britain or elsewhere in the English-speaking world. This volume is the first publication to explore the largely unmapped field of poetry anthologies in Britain. Essays written from a wide range of perspectives in literary and cultural studies, and the point of view of poets, editors, publishers and cultural institutions, aim to do justice to the typological, functional and historical variety with which this form of publication has manifested itself - from early modern print culture to the postmodern age of the world wide web.
Author: Daniel Gerhard van der Vat
Publisher: Ardent Media
ISBN:
Category : Aesthetics
Languages : en
Pages : 212
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Book Description
Author: Paul Stephens
Publisher: MIT Press
ISBN: 026204367X
Category : Art
Languages : en
Pages : 289
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Book Description
An exploration of minimal writing—texts generally shorter than a sentence—as complex, powerful literary and visual works. In the 1960s and 70s, minimal and conceptual artists stripped language down to its most basic components: the word and the letter. Barbara Kruger, Jenny Holzer, Carl Andre, Lawrence Weiner, and others built lucrative careers from text-based art. Meanwhile, poets and writers created works of minimal writing—visual texts generally shorter than a sentence. (One poem by Aram Saroyan reads in its entirety: eyeye.) In absence of clutter, Paul Stephens offers the first comprehensive account of minimal writing, arguing that it is equal in complexity and power to better-known, more commercial text-based art. Minimal writing, Stephens writes, can be beguilingly simple on the surface, but can also offer iterative reading experiences on multiple levels, from the fleeting to the ponderous. “absence of clutter,” for example, the entire text of a poem by Robert Grenier, is both expressive and self-descriptive. Stephens first sets out a theoretical framework for reading and viewing minimal writing and then offers close readings of works of minimal writing by Saroyan, Grenier, Norman Pritchard, Natalie Czech, and others. He “reverse engineers” recent works by Jen Bervin, Craig Dworkin, and Christian Bök that draw on molecular biology, and explores print-on-demand books by Holly Melgard, code poetry by Nick Montfort, Twitter-based work by Allison Parrish, and the use of Instagram by Hans-Ulrich Obrist and Saroyan. Text, it seems, is becoming ever more prevalent in visual art; meanwhile, poems are getting shorter. When reading has become scanning a screen and writing tapping out a text, absence of clutter invites us to reflect on how we read, see, and pay attention.
