Poems for Oral Interpretation, Contemporary and Classical PDF Download
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Author: Edwin Du Bois Shurter
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 288
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Book Description
Author: Edwin Du Bois Shurter
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 288
Get Book Here
Book Description
Author: Jamantha Williams Watson
Publisher: Xlibris Corporation
ISBN: 1493151703
Category : Fiction
Languages : en
Pages : 86
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Book Description
Jamantha Agape Williams Watson is an Assistant Professor of Performance in the Department of Fine and Performing Arts at Hampton University. Her focus area is in Acting. Professor Watson coaches Hampton Universitys award-winning Forensics and Debate Team. As a community servant, Watson is a tireless worker for Delta Sigma Theta Sorority, Inc. She is also the founder of the AGAPE (Americans Giving to African People Everywhere) Connection, a non-profit organization that develops the socialization, education and residential needs of Africans throughout the world. Mrs. Watson is also a drama-therapist, who helps develop the socialization skills of individuals with special needs and those who have been deeply affected by trauma. For the past twenty years she has volunteered as an oral communication specialist in the female correctional facilities throughout Virginia. Currently she volunteers her oral communication services to women who are incarcerated in Newport News, Virginia. She has appeared in numerous theatrical, film and television productions and tours the one woman show LD, a performance exploring the overrepresentation of African American students in Special Education. Watson is the author of Moonlight on a Weathered Path: Selected Readings for Dramatic Interpretation, Soul Food: Daily Inspirational Nutrition, Classical and Modern Monologues for Women, Classical and Modern Monologues for Men, Hear Me Out: Monologues for Todays Generation and Dont Call Us Well Call You. Her sixth book, Thats Debatable: Selected Prose, Poems, Single Dramatic Interpretation, Dramatic Duos and Debate Topics will be published in August 2011. She is completing two novels, Changing Seasons, a story about the civil war in Liberia, West Africa and No Shades of Grey, a novel about the school closings in Prince Edward County, Virginia.
Author: Alan Sitomer
Publisher: SCB Distributors
ISBN: 0972188231
Category : Music
Languages : en
Pages : 200
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Book Description
Hip-Hop's literary and artistic merits are evident when compared to classic poetry and it's easy to link the great poets of the past to the contemporary Hip Hop poets of today: compare Robert Frost to Public Enemy, Shakespeare to Eminem, and Shelley to the Notorious B.I.G. This interactive workbook-style format is fun for teachers and students, as it illuminates the art of the written word with in-depth analysis of poetic literary devices, writing activities, and other innovative methods.
Author: Jeffrey Wainwright
Publisher: Routledge
ISBN: 1136673121
Category : Literary Criticism
Languages : en
Pages : 220
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Book Description
Now in its second edition, Poetry: The Basics demystifies the traditions and forms of the world of poetry for all those who find it daunting or bewildering. Covering a wide range of poetic voices from Chaucer to children's rhymes, song lyrics and the words of contemporary poets, this book will help readers to appreciate poetry by examining: technical aspects such as rhythm and measures different tones of voice in poetry the relationship between 'everyday' and 'poetic' language how different types of poetry are structured how the form and 'space' of a poem contribute to its meaning some of the ways contemporary poets set to work. A must-read for all those wishing to get to grips with reading and writing poetry, this book is a lively and inspiring introduction to its many styles and purposes right up to the present-day.
Author: Neil Fraistat
Publisher: UNC Press Books
ISBN: 1469617439
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
With essays by 13 leading scholars, this collection establishes the grounds for a new kind of poetics that considers the poetry book itself -- the concept and the material fact -- as an object of interpretation. The authors argue that the decisions poets make about the presentation of their works play a meaningful role in the poetic process and therefore should figure as part of the reading experience. The common practice of approaching poems chronologically, as they are presented in anthologies or in posthumous editions, has been fostered by the long prevailing tendency of the New Criticism to treat each poem as self-contained. This volume urges the reader to reconsider the most fundamental ways that one reads, teaches, and inteprets poetry. Moving from classical to contemporary poetry, these essays develop a literary history and theory for such a poetics, at the same time providing a generous set of models for a related practical criticism. At the heart of this collection are such issues as order, arrangement, and intertextuality. Reading poems in their place helps to return them to their historical contexts because the book itself has had a particular place in its own culture and society. Originally published in 1987. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Author: Egbert J. Bakker
Publisher: Cornell University Press
ISBN: 1501722786
Category : Literary Criticism
Languages : en
Pages : 227
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Book Description
Applying linguistic theory to the study of Homeric style, Egbert J. Bakker offers a highly innovative approach to oral poetry, particularly the poetry of Homer. By situating formulas and other features of oral style within the wider contexts of spoken language and communication, he moves the study of oral poetry beyond the landmark work of Milman Parry and Albert Lord. One of the book's central features, related to the research of the linguist Wallace Chafe, is Bakker's conception of spoken discourse as a sequence of short speech units reflecting the flow of speech through the consciousness of the speaker. Bakker shows that such short speech units are present in Homeric poetry, with significant consequences for Homeric metrics and poetics. Considering Homeric discourse as a speech process rather than as the finished product associated with written discourse, Bakker's book offers a new perspective on Homer as well as on other archaic Greek texts. Here Homeric discourse appears as speech in its own right, and is freed, Bakker suggests, from the bias of modern writing style which too easily views Homeric discourse as archaic, implicitly taking the style of classical period texts as the norm. Bakker's perspective reaches beyond syntax and stylistics into the very heart of Homeric—and, ultimately, oral—poetics, altering the status of key features such as meter and formula, rethinking their relevance to the performance of Homeric poetry, and leading to surprising insights into the relation between "speech" and "text" in the encounter of the Homeric tradition with writing.
Author: Tom Furniss
Publisher: Routledge
ISBN: 1000548996
Category : Language Arts & Disciplines
Languages : en
Pages : 666
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Book Description
Reading Poetry offers a comprehensive and accessible guide to the art of reading poetry. Discussing more than 200 poems by more than 100 writers, ranging from ancient Greece and China to the twenty-first century, the book introduces readers to the skills and the critical and theoretical awareness that enable them to read poetry with enjoyment and insight. This third edition has been significantly updated in response to current developments in poetry and poetic criticism, and includes many new examples and exercises, new chapters on ‘world poetry’ and ‘eco-poetry’, and a greater emphasis throughout on American poetry, including the impact traditional Chinese poetry has had on modern American poetry. The seventeen carefully staged chapters constitute a complete apprenticeship in reading poetry, leading readers from specific features of form and figurative language to larger concerns with genre, intertextuality, Caribbean poetry, world poetry, and the role poetry can play in response to the ecological crisis. The workshop exercises at the end of each chapter, together with an extensive glossary of poetic and critical terms, and the number and range of poems analysed and discussed – 122 of which are quoted in full – make Reading Poetry suitable for individual study or as a comprehensive, self-contained textbook for university and college classes.
Author: Silvio Bär
Publisher: Bloomsbury Publishing
ISBN: 1350039349
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
This ground-breaking volume connects the situatedness of genre in English poetry with developments in classical scholarship, exploring how an emphasis on the interaction between English literary criticism and Classics changes, sharpens, or perhaps even obstructs views on genre in English poetry. “Genre” has classical roots: both in the etymology of the word and in the history of genre criticism, which begins with Aristotle. In a similar vein, recent developments in genre studies have suggested that literary genres are not given or fixed entities, but subjective and unstable (as well as historically situated), and that the reception of genre by both writers and scholars feeds back into the way genre is articulated in specific literary works. Classical scholarship, literary criticism, and genre form a triangle of key concepts for the volume, approached in different ways and with different productive results by contributors from across the disciplines of Classics and English literature. Covering topics from the establishment of genre in the Middle Ages to the invention of female epic and the epyllion, and bringing together the works of English poets from Milton to Tennyson to Josephine Balmer, the essays collected hereargue that the reception and criticism of classical texts play a crucial part in generic formation in English poetry.
Author: John Miles Foley
Publisher: University of Illinois Press
ISBN: 9780252070822
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
Drawing on many examples including an American slam poet, a Tibetan paper-singer, a South African praise-poet, and an ancient Greek bard (Homer) the author shows that although oral poetry predates writing it continues to be a vital culture-making and communications tool. Based on research on epics, folktales, lyrics, laments, charms, etc.--Back cover.
Author: Mark W. Edwards
Publisher: Princeton University Press
ISBN: 9780691117843
Category : Foreign Language Study
Languages : en
Pages : 210
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Book Description
This book concerns the way we read--or rather, imagine we are listening to--ancient Greek and Latin poetry. Through clear and penetrating analysis Mark Edwards shows how an understanding of the effects of word order and meter is vital for appreciating the meaning of classical poetry, composed for listening audiences. The first of four chapters examines Homer's emphasis of certain words by their positioning; a passage from the Iliad is analyzed, and a poem of Tennyson illustrates English parallels. The second considers Homer's techniques of disguising the break in the narrative when changing a scene's location or characters, to maintain his audience's attention. In the third we learn, partly through an English translation matching the rhythm, how Aeschylus chose and adapted meters to arouse listeners' emotions. The final chapter examines how Latin poets, particularly Propertius, infused their language with ambiguities and multiple meanings. An appendix examines the use of classical meters by twentieth-century American and English poets. Based on the author's Martin Classical Lectures at Oberlin College in 1998, this book will enrich the appreciation of classicists and their students for the immense possibilities of the languages they read, translate, and teach. Since the Greek and Latin quotations are translated into English, it will also be welcomed by non-classicists as an aid to understanding the enormous influence of ancient Greek and Latin poetry on modern Western literature.
