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Author: Judy Tatchell
Publisher: Usborne Books
ISBN: 9780794501006
Category : Juvenile Nonfiction
Languages : en
Pages : 296
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Book Description
A step-by-step guide for learning how to draw animals, people, maps, buildings, and more.
Author: Judy Tatchell
Publisher: Usborne Books
ISBN: 9780794501006
Category : Juvenile Nonfiction
Languages : en
Pages : 296
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Book Description
A step-by-step guide for learning how to draw animals, people, maps, buildings, and more.
Author: Evans
Publisher: Search Press Limited
ISBN: 1781265577
Category : Art
Languages : en
Pages :
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Book Description
Author: Joanna Henly
Publisher: Rockport Publishers
ISBN: 1631594702
Category : Art
Languages : en
Pages : 112
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Book Description
This debut book in the Pocket Art series is packed with expert technical guidance on drawing realistic portraits in pencil and stunning, inspirational examples. London-based artist Joanna Henly (a.k.a. Miss Led) guides you through every aspect of pencil portraiture with a lively, graphic approach to instruction—demystifying the complexities of the human face with step-by-step illustrations and expert tips. Get started with a quick overview of how to set up your work space, how to hold a pencil, and tips on mark making. A section on understanding the face begins with a look at its underlying structure (the skull and muscles) and includes guidance on capturing facial relationships from different angles. Then learn to accurately draw each individual feature—eyes, ears, nose, mouth, skin tones, and hair—with illustrations of their anatomy and examples of their differing shapes. You’ll also find tips on rendering the facial expressions of your subjects. The exercises demonstrate and reinforce the skills as you go, while the incredible artwork inspires and motivates. With its compact size and sturdy flexi binding, you can carry this invaluable resource everywhere you go—in your backpack, bag, or pocket.
Author: Amy Guglielmo
Publisher: Simon and Schuster
ISBN: 1481461311
Category : Juvenile Nonfiction
Languages : en
Pages : 48
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Book Description
From her imaginative childhood to her career as an illustrator, designer, and animator for Walt Disney Studios, Mary Blair wouldn't play by the rules. At a time when studios wanted to hire men and think in black and white, Mary painted the world in color. Full color.
Author: Geoff Kersey
Publisher: Search Press Limited
ISBN: 1781265585
Category : Art
Languages : en
Pages : 96
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Book Description
Geoff Kersey shares his expertise in this book packed full of tips for watercolour painters. Learn all you need to know, from what to buy, composing a painting and mastering techniques such as wet into wet and dry brush work, to how to paint skies, water, trees, buildings and more. The tips are clearly explained and illustrated through artwork and step-by-step photographs.This title was previously published as Geoff's Top Tips for Watercolour Artists. In this new, easy-to-use flexibinding format with an updated design, the books in the Watercolour Artists' Pocket Books series bring you the best tips from some of Search Press's leading authors.
Author: Brett K. Maly
Publisher:
ISBN: 9780991538003
Category : Art
Languages : en
Pages : 117
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Book Description
A Field Guide to Procuring and Profiting in Fine Art.
Author: Kath Macaulay
Publisher:
ISBN: 9781940985626
Category :
Languages : en
Pages :
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Book Description
Author: Joanna Henly
Publisher: Rockport Publishers
ISBN: 1631594729
Category : Art
Languages : en
Pages : 112
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Book Description
In Pocket Art: Figure Drawing, the second book in the new Pocket Art series (be sure to check out the first book on portraits!), learn to draw figures on the go with the quick visual exercises in this compact book. The lively, graphic approach of this guide will have you drawing figures right away. Look and learn with step-by-step illustrations and expert tips provided by London-based fashion and portrait artist Miss Led, a.k.a. Joanna Henly. Following an introduction including a look at career directions for figure artists and an overview of tools, materials, and techniques, your lessons begin with the basics ofaccurately rendering body proportions, body types, and body parts. After you gain some experience drawing basic figures, you'll move on to adding expression—a person's style and personality, proclamation and identity—to your work. Then you'll finish up by heading out and about, practicing street sketching and movement. A gallery of drawings in the back provides a quick reference for inspiration and to reinforce what you've learned. This quick, visual guide is a must-have for figure drawing artists of all levels.
Author: Evans
Publisher: Search Press Limited
ISBN: 1781265569
Category : Art
Languages : en
Pages :
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Book Description
Author: Hedi Kyle
Publisher: Laurence King Publishing
ISBN: 9781786272935
Category : Design
Languages : en
Pages : 0
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Book Description
"The influential artist Hedi Kyle and renowned architecture graduate Ulla Warchol shows you how to create their unique designs using folding techniques. From creating flag books and fishbones, to blizzards and nesting boxes, you'll gain an invaluable insight into the work of two skilled artists with this fun read! With the help of their thorough instructions and simple illustrations, you'll be on your way to becoming a pro paper crafter in no time at all" – Sew magazine "A wonderful insight into the work of a truly skilled artist" – PaperCrafter The renowned and influential book artist Hedi Kyle shows you step–by–step how to create her unique designs using folding techniques in The Art of the Fold. Bookbinding and paper craft projects include flag books, blizzard books, the fishbone fold, and nesting boxes. Written by the doyenne of artists' books, Hedi Kyle, The Art of the Fold is a wonderful insight into the work of a truly skilled artist. Hedi will show you how to bind a book and fold paper to create over 35 of her cut–fold book designs. The book is beautifully illustrated with Hedi's finished works of art. An excerpt from the book: 'I can still remember the thrill I experienced when my first folded book structure emerged from my fingers – how eager I was to explore its possibilities and to share it with whoever was interested. The Flag Book, as I now call it, is a simple accordion and has interlocking pages oriented in opposite directions. Little did I know that this simple structure would have legs and be the catalyst for the next forty–plus years of thinking about and making books. The common perception of the book today is fairly straightforward: a series of pages organized around a spine and protected on either side by two covers. This format allows for easy access, storage and retrieval of information. Yet what happens when the book is stripped away of centuries of preconceptions and is allowed to reveal something else: playfulness, utility, invention? Expanding the notion of the book is what the structures in the following chapters of The Art of the Fold attempt to do. Exploring its tactile, sculptural form, primarily through folding methods, the book as a structural object is celebrated while content is considered in a new and unconventional way. My range in this medium has always been broad. In part this is due to my introduction to the world of bookbinding and some chance encounters. In the 1970s in New York City, the art and craft of hand bookbinding and papermaking were experiencing an unprecedented revival. I was fortunate to arrive in the city at just this moment. With an art–school background and an impulse to make things, I was naturally drawn to pursue this new opportunity. The Center for Book Arts, the famous forerunner of so many centers yet to come, was located in a small storefront just down the street from where I lived on the Lower East Side of Manhattan. Under the direction of founder Richard Minsky, it had a radical mission: to push concept, materials, printing and making of artist books in a new direction. When Richard dared me to teach at the Center one evening a week, I was hooked. My career as a book conservator and a book artist has now spanned over 45 years. As head conservator at the American Philosophical Society in Philadelphia, I've had the opportunity to handle some of the rarest volumes and manuscripts in the world. I have also dealt with decrepit books, torn maps and countless curiosities discovered in stacks and archives. All were endless sources for ideas and provided a springboard for a departure from tradition. Leading book–arts workshops around the world and a 25 year tenure teaching in the graduate program for Book Arts and Printmaking at the University of the Arts in Philadelphia have shown me, in retrospect, that the more I taught, t
