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Author: Matteo A. Pangallo
Publisher: University of Pennsylvania Press
ISBN: 0812249410
Category : Drama
Languages : en
Pages : 256
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Book Description
Using a range of familiar and lesser-known print and manuscript plays, as well as literary accounts and documentary evidence, Playwriting Playgoers in Shakespeare's Theater shows how these playgoers wrote and revised to address what they assumed to be the needs of actors, readers, and the Master of the Revels; how they understood playhouse materials and practices; and how they crafted poetry for theatrical effects. The book also situates them in the context of the period's concepts of, and attitudes toward, playgoers' participation in the activity of playmaking. --Publisher description.
Author: Matteo A. Pangallo
Publisher: University of Pennsylvania Press
ISBN: 0812249410
Category : Drama
Languages : en
Pages : 256
Get Book Here
Book Description
Using a range of familiar and lesser-known print and manuscript plays, as well as literary accounts and documentary evidence, Playwriting Playgoers in Shakespeare's Theater shows how these playgoers wrote and revised to address what they assumed to be the needs of actors, readers, and the Master of the Revels; how they understood playhouse materials and practices; and how they crafted poetry for theatrical effects. The book also situates them in the context of the period's concepts of, and attitudes toward, playgoers' participation in the activity of playmaking. --Publisher description.
Author: Matteo Pangallo
Publisher: Routledge
ISBN: 1000352579
Category : Literary Collections
Languages : en
Pages : 345
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Book Description
Shakespeare wrote for a theater in which the audience was understood to be, and at times invited to be, active and participatory. How have Shakespeare’s audiences, from the sixteenth century to the present, responded to that invitation? In what ways have consumers across different cultural contexts, periods, and platforms engaged with the performance of Shakespeare’s plays? What are some of the different approaches taken by scholars today in thinking about the role of Shakespeare's audiences and their relationship to performance? The chapters in this collection use a variety of methods and approaches to explore the global history of audience experience of Shakespearean performance in theater, film, radio, and digital media. The approaches that these contributors take look at Shakespeare’s audiences through a variety of lenses, including theater history, dramaturgy, film studies, fan studies, popular culture, and performance. Together, they provide both close studies of particular moments in the history of Shakespeare’s audiences and a broader understanding of the various, often complex, connections between and among those audiences across the long history of Shakespearean performance.
Author: Lauren Robertson
Publisher: Cambridge University Press
ISBN: 100922512X
Category : Literary Criticism
Languages : en
Pages : 269
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Book Description
Lauren Robertson's original study shows that the theater of Shakespeare and his contemporaries responded to the crises of knowledge that roiled through early modern England by rendering them spectacular. Revealing the radical, exciting instability of the early modern theater's representational practices, Robertson uncovers the uncertainty that went to the heart of playgoing experience in this period. Doubt was not merely the purview of Hamlet and other onstage characters, but was in fact constitutive of spectators' imaginative participation in performance. Within a culture in the midst of extreme epistemological upheaval, the commercial theater licensed spectators' suspension among opposed possibilities, transforming dubiety itself into exuberantly enjoyable, spectacular show. Robertson shows that the playhouse was a site for the entertainment of uncertainty in a double sense: its pleasures made the very trial of unknowing possible.
Author: Cynthia Greenwood
Publisher: Penguin
ISBN: 9781592577088
Category : Drama
Languages : en
Pages : 372
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Book Description
Here art thou real Shakespeare. The resurgence of interest in Shakespeare's plays - largely due to recent film adaptations - has reminded the world that Shakespearean theatre is a social art form. This guide focuses on the essence of the spoken word of his plays rather than simply dissecting them. It also explores the cultural and historical contexts for the major plays, offering the director's and actor's perspective in addition to that of the scholar and close reader. Each major play is explored in depth, explaining Shakespearean terms Offers commentary on the experience of each play on and off stage with attention to language and verse Appendixes include Shakespeare's likely collaborations, a glossary, suggested further reading, and resources for viewing live performances and video/audio recordings Perfect for students, general readers, theatregoers, and actors Published to commemorate Shakespeare's 443rd birthday
Author: Fiona Banks
Publisher: Bloomsbury Publishing
ISBN: 1474257941
Category : Drama
Languages : en
Pages : 282
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Book Description
Shakespeare: Actors and Audiences brings together the voices of those who make productions of Shakespeare come to life. It shines a spotlight on the relationship between actors and audiences and explores the interplay that makes each performance unique. We know much about theatre in Shakespeare's time but very little about the audiences who attended his plays. Even today the audience's voice remains largely ignored. This volume places the role of the audience at the centre of how we understand Shakespeare in performance. Part One offers an overview of the best current audience research and provides a critical framework for the interviews and testimony of leading actors, theatre makers and audience members that follow in Part Two, including Juliet Stevenson and Emma Rice. Shakespeare: Actors and Audiences offers a fascinating insight into the world of theatre production and of the relationship between actor and audience that lies at the heart of theatre-making.
Author: John R Gallagher
Publisher: University Press of Colorado
ISBN: 1607329743
Category : Language Arts & Disciplines
Languages : en
Pages : 204
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Book Description
Update Culture and the Afterlife of Digital Writing explores “neglected circulatory writing processes” to better understand why and how digital writers compose, revise, and deliver arguments that undergo sometimes constant revision. John R. Gallagher also looks at how digital writers respond to comments, develop a brand, and evolve their arguments—all post-publication. With the advent of easy-to-use websites, ordinary people have become internet writers, disseminating their texts to large audiences. Social media sites enable writers’ audiences to communicate back to the them, instantly and often. Even professional writers work within interfaces that place comments adjacent to their text, privileging the audience’s voice. Thus, writers face the prospect of attending to their writing after they deliver their initial arguments. Update Culture and the Afterlife of Digital Writing describes the conditions that encourage “published” texts to be revisited. It demonstrates—through forty case studies of Amazon reviewers, redditors, and established journalists—how writers consider the timing, attention, and management of their writing under these ever-evolving conditions. Online culture, from social media to blog posts, requires a responsiveness to readers that is rarely duplicated in print and requires writers to consistently reread, edit, and update texts, a process often invisible to readers. This book takes questions of circulation online and shows, via interviews with both writers and participatory audience members, that writing studies must contend with writing’s afterlife. It will be of interest to researchers, scholars, and students of writing studies and the fields of rhetoric, communication, education, technical communication, digital writing, and social media, as well as all content creators interested in learning how to create more effective posts, comments, replies, and reviews.
Author: Harry R. McCarthy
Publisher: Cambridge University Press
ISBN: 1009116584
Category : Literary Criticism
Languages : en
Pages : 263
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Book Description
Boy Actors in Early Modern England: Skill and Stagecraft in the Theatre provides a new approach to the study of early modern boy actors, offering a historical re-appraisal of these performers' physical skills in order to reassess their wide-reaching contribution to early modern theatrical culture. Ranging across drama performed from the 1580s to the 1630s by all-boy and adult companies alike, the book argues that the exuberant physicality fostered in boy performers across the early modern repertory shaped not only their own performances, but how and why plays were written for them in the first place. Harry R. McCarthy's ground-breaking approach to boy performance draws on detailed analysis of a wide range of plays, thorough interrogation of the cultural contexts in which they were written and performed, and present-day practice-based research, offering a critical reimagining of this important and unique facet of early modern theatrical culture.
Author: David McInnis
Publisher: Cambridge University Press
ISBN: 1108843263
Category : Drama
Languages : en
Pages : 239
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Book Description
Explores Shakespeare's plays in their most immediate context: the hundreds of plays known to original audiences, but lost to us.
Author: Scott Oldenburg
Publisher: University of Alabama Press
ISBN: 0817361731
Category : Drama
Languages : en
Pages : 298
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Book Description
None a Stranger There offers a collection of wide-ranging essays that explore the creation and understanding of English identity through the lens of early modern drama. Drawing together a rich array of disciplines--literary criticism, theater history, linguistics, book history, and performance studies--the scholars in this collection illuminate how diverse or competing notions of "Englishness" can be seen and studied in early modern English plays. They are an especially fertile site of study because they enabled collective performances in a variety of settings, such as public theaters, royal courts, and streets. They engaged with live audiences from a cross section of society. The contributors also draw parallels in plays of the period between past and present. They identify vivid struggles over controversies--especially Brexit and neonationalism--that still bedevil Britain and much of the western world: attitudes about and experiences of immigrants; xenophobia and tolerance; multiculturalism, assimilation, and hybridity; patriotism and jingoism; racial and ethnic identity; border-making and border-crossing; transnational itinerancy; and other topics. None a Stranger There provides a nuanced understanding of how early modern dramatists shaped and responded to questions about English identity and its relationship with Europe and beyond. It emphasizes the fluidity and complexities of national identity, reminding us that these debates remain deeply relevant in an interconnected world. CONTRIBUTORS Heather Bailey / Todd Andrew Borlik / William Casey Caldwell / Matt Carter / Kevin Chovanec / John S. Garrison / Scott Oldenburg / Matteo Pangallo / Jamie Paris / Vimala C. Pasupathi / Kyle Pivetti / Margaret Tudeau-Clayton
Author: Patricia Wareh
Publisher: Manchester University Press
ISBN: 1526149842
Category : Literary Criticism
Languages : en
Pages : 342
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Book Description
Courteous Exchanges explores the significant overlap between Edmund Spenser’s Faerie Queene and Shakespeare’s plays, showing how both facilitate the critique of Renaissance aristocratic identity. Moving from a consideration of Castiglione’s Book of the Courtier as a text that encouraged reader engagement, the book offers new readings of Shakespeare’s plays in conjunction with Spenser. It pairs Love’s Labour’s Lost, Much Ado About Nothing, The Merchant of Venice, and The Winter’s Tale with The Faerie Queene in order to explore how topics such as education, gender, religion, race, and aristocratic identity are offered up to reader and audience interpretation.
