Author: Brander Matthews
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 342
Book Description
Playwrights on Playmaking
Author: Brander Matthews
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 342
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 342
Book Description
Playmaking
Author: Daniel Judah Sklar
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 192
Book Description
Sklar's personal account of teaching dramatic writing, direction, and performance, to a group of 7th graders in the South Bronx, reveals the planning and execution of his lessons. It also addresses the reception such lessons received-including resistance. Teachers and Artists-in-Residence stand to gain much from this book, since it deals with real life dynamics in the classroom and necessary strategies for getting through a project in a thought-provoking, fun, and creative way for everyone participating. "I love this book. It's a great read, and it taught me a lot about playwriting, theater, and young people."-Pat Conroy, author of The Prince of Tides.
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 192
Book Description
Sklar's personal account of teaching dramatic writing, direction, and performance, to a group of 7th graders in the South Bronx, reveals the planning and execution of his lessons. It also addresses the reception such lessons received-including resistance. Teachers and Artists-in-Residence stand to gain much from this book, since it deals with real life dynamics in the classroom and necessary strategies for getting through a project in a thought-provoking, fun, and creative way for everyone participating. "I love this book. It's a great read, and it taught me a lot about playwriting, theater, and young people."-Pat Conroy, author of The Prince of Tides.
The Crafty Art of Playmaking
Author: Alan Ayckbourn
Publisher: St. Martin's Press
ISBN: 1250083087
Category : Performing Arts
Languages : en
Pages : 204
Book Description
In The Crafty Art of Playmaking, this seminal guide from renowned playwright Alan Ayckbourn shares his tricks of the trade. From helpful hints on writing to tips on directing, this book provides a complete primer for the newcomer and a refresher for those with more experience. Written in Ayckbourn's signature style that combines humor, seriousness, and a heady air of sophistication, The Crafty Art of Playmaking is a must-have for aspiring playwrights, students of drama, and anyone who has ever laughed their way through one of Ayckbourn's plays.
Publisher: St. Martin's Press
ISBN: 1250083087
Category : Performing Arts
Languages : en
Pages : 204
Book Description
In The Crafty Art of Playmaking, this seminal guide from renowned playwright Alan Ayckbourn shares his tricks of the trade. From helpful hints on writing to tips on directing, this book provides a complete primer for the newcomer and a refresher for those with more experience. Written in Ayckbourn's signature style that combines humor, seriousness, and a heady air of sophistication, The Crafty Art of Playmaking is a must-have for aspiring playwrights, students of drama, and anyone who has ever laughed their way through one of Ayckbourn's plays.
The Principles of Playmaking, and Other Discussions of the Drama
Author: Brander Matthews
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 334
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 334
Book Description
Playmaking Vs. Playwriting
Author: Jean Lee Latham
Publisher:
ISBN:
Category : Drama in education
Languages : en
Pages : 38
Book Description
Publisher:
ISBN:
Category : Drama in education
Languages : en
Pages : 38
Book Description
Playwriting for Profit
Author: Arthur Edwin Krows
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 592
Book Description
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 592
Book Description
The Principles Of Playmaking And Other Discussions Of The Drama
Author: Brander Matthews
Publisher:
ISBN: 9781410214492
Category : Performing Arts
Languages : en
Pages : 316
Book Description
CONTENTS The Principles of Playmaking How to Write a Play On Putting Literature into the Drama Three Theorists of the Theater If Shakespeare Should Come Back Shakespearian Stage-Traditions The Pleasant Land of Scribia "Hamlet" with Hamlet Left Out Situations Wanted The Playwright and the Player Irish Plays and Irish Playwrights The Conventions of the Music-Drama The Simplification of Stage-Scenery The Vocabulary of the Show-Business Matthew Arnold and the Theater Memories of Edwin Booth At the time of original publication in 1916, Brander Matthews was Professor of Dramatic Literature in Columbia University, and a Member of the American Academy of Arts and Letters.
Publisher:
ISBN: 9781410214492
Category : Performing Arts
Languages : en
Pages : 316
Book Description
CONTENTS The Principles of Playmaking How to Write a Play On Putting Literature into the Drama Three Theorists of the Theater If Shakespeare Should Come Back Shakespearian Stage-Traditions The Pleasant Land of Scribia "Hamlet" with Hamlet Left Out Situations Wanted The Playwright and the Player Irish Plays and Irish Playwrights The Conventions of the Music-Drama The Simplification of Stage-Scenery The Vocabulary of the Show-Business Matthew Arnold and the Theater Memories of Edwin Booth At the time of original publication in 1916, Brander Matthews was Professor of Dramatic Literature in Columbia University, and a Member of the American Academy of Arts and Letters.
The Principles of Playmaking
Author: Brander Matthews
Publisher: Forgotten Books
ISBN: 9781330188231
Category : Literary Collections
Languages : en
Pages : 320
Book Description
Excerpt from The Principles of Playmaking: And Other Discussions of the Drama Of all the theorists of the theater in the nineteenth century Francisque Sarcey was the shrewdest. He had an incomparable intimacy with the drama and an insatiable desire to discover the principles of the art of playmaking. Yet when he once set out to discuss these principles he felt obliged to begin by disclaiming any intention of issuing a series of edicts to be obeyed to the letter by all intending playwrights. "Most readers," he declared, "when you speak to them of a treatise on the art of the theater, or to express it more simply, as did our fathers, when you speak to them of the Rules of the Drama, believe that you have in mind a code of precepts by the aid of which one is assured, if he writes, of composing a piece without faults, or if he criticizes, of being able to place his finger precisely on every defect." Sarcey went on to confess that this belief in the all-sufficiency of a sequence of dramatic dogmas was peculiarly French and that it was a long establisht tradition. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9781330188231
Category : Literary Collections
Languages : en
Pages : 320
Book Description
Excerpt from The Principles of Playmaking: And Other Discussions of the Drama Of all the theorists of the theater in the nineteenth century Francisque Sarcey was the shrewdest. He had an incomparable intimacy with the drama and an insatiable desire to discover the principles of the art of playmaking. Yet when he once set out to discuss these principles he felt obliged to begin by disclaiming any intention of issuing a series of edicts to be obeyed to the letter by all intending playwrights. "Most readers," he declared, "when you speak to them of a treatise on the art of the theater, or to express it more simply, as did our fathers, when you speak to them of the Rules of the Drama, believe that you have in mind a code of precepts by the aid of which one is assured, if he writes, of composing a piece without faults, or if he criticizes, of being able to place his finger precisely on every defect." Sarcey went on to confess that this belief in the all-sufficiency of a sequence of dramatic dogmas was peculiarly French and that it was a long establisht tradition. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Papers on Playmaking
Author: Brander Matthews
Publisher: New York : Hill and Wang
ISBN:
Category : Authorship
Languages : en
Pages : 322
Book Description
Publisher: New York : Hill and Wang
ISBN:
Category : Authorship
Languages : en
Pages : 322
Book Description
Pursuing Shakespeare's Dramaturgy
Author: John C. Meagher
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838639931
Category : Drama
Languages : en
Pages : 498
Book Description
"The Shakespeare studied in this book is Shakespeare the playmaker, engaged in every step of the process from the first draft of the text to the performance before a live audience. This, the author contends, is the Shakespeare that is most essential, the Shakespeare who should be known as the foundation underlying any other treatment of the plays, and the Shakespeare most exciting and rewarding to pursue."--Jacket.
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838639931
Category : Drama
Languages : en
Pages : 498
Book Description
"The Shakespeare studied in this book is Shakespeare the playmaker, engaged in every step of the process from the first draft of the text to the performance before a live audience. This, the author contends, is the Shakespeare that is most essential, the Shakespeare who should be known as the foundation underlying any other treatment of the plays, and the Shakespeare most exciting and rewarding to pursue."--Jacket.