Plays: The wild gallant. The rival ladies. The Indian queen PDF Download
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Author: John Dryden
Publisher:
ISBN:
Category :
Languages : en
Pages : 396
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Author: John Dryden
Publisher:
ISBN:
Category :
Languages : en
Pages : 396
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Book Description
Author: John Dryden
Publisher: Univ of California Press
ISBN: 0520904842
Category : Literary Criticism
Languages : en
Pages : 389
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Book Description
Volume VIII contains three of Dryden's Plays, along with accompanying scholarly appartus: Wild Gallant, Rival Ladies, and Indian Queen.
Author: John Dryden
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 400
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Author: Michael Werth Gelber
Publisher: Manchester University Press
ISBN: 9780719061424
Category : Literary Criticism
Languages : en
Pages : 358
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Book Description
Recognition is often considered a means to de-escalate conflicts and promote peaceful social interactions. This volume explores the forms that social recognition and its withholding may take in asymmetric armed conflicts, examining the risks and opportunities that arise when local, state, and transnational actors recognise, misrecognise, or deny recognition of armed non-state actors.By studying key asymmetric conflicts through the prism of recognition, it offers an innovative perspective on the interactions between armed non-state actors and state actors. In what contexts does granting recognition to armed non-state actors foster conflict transformation? What happens when governments withhold recognition or label armed non-state actors in ways they perceive as misrecognition? The authors examine the ambivalence of recognition processes in violent conflicts and their sometimes-unintended consequences. The volume shows that, while non-recognition prevents conflict transformation, the recognition of armed non-state actors may produce counterproductive precedents and new modes of exclusion in intra-state and transnational politics.
![The works of Samuel Johnson [ed. by F.P. Walesby]. PDF](https://books.google.com/books/content/images/frontcover/5mOgh8MubVoC?fife=w80-h100)
Author: Samuel Johnson
Publisher:
ISBN:
Category :
Languages : en
Pages : 622
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 858
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Author:
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ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 940
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Author: Day Otis Kellogg
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 880
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Author: Day Otis Kellogg
Publisher:
ISBN:
Category : Encyclopedias and dictionaries
Languages : en
Pages : 880
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Author: Rebecca Herissone
Publisher: Boydell & Brewer Ltd
ISBN: 1843837404
Category : Art
Languages : en
Pages : 374
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Book Description
The first genuinely interdisciplinary study of creativity in early modern England In the seventeenth century, the concept of creativity was far removed from most of the fundamental ideas about the creative act - notions of human imagination, inspiration, originality and genius - that developed in the eighteenthand nineteenth centuries. Instead, in this period, students learned their crafts by copying and imitating past masters and did not consciously seek to break away from tradition. Most new material was made on the instructions of apatron and had to conform to external expectations; and basic tenets that we tend to take for granted-such as the primacy and individuality of the author-were apparently considered irrelevant in some contexts. The aim of this interdisciplinary collection of essays is to explore what it meant to create buildings and works of art, music and literature in seventeenth-century England and to investigate the processes by which such creations came into existence. Through a series of specific case studies, the book highlights a wide range of ideas, beliefs and approaches to creativity that existed in seventeenth-century England and places them in the context of the prevailing intellectual, social and cultural trends of the period. In so doing, it draws into focus the profound changes that were emerging in the understanding of human creativity in early modern society - transformations that would eventually lead to the development of a more recognisably modern conception of the notion of creativity. The contributors work in and across the fields of literary studies, history, musicology, history of art and history of architecture, and their work collectively explores many of the most fundamental questions about creativity posed by the early modern English 'creative arts'. REBECCA HERISSONE is Head of Music and Senior Lecturer in Musicology at the University of Manchester. ALAN HOWARD is Lecturer in Music at the University of East Anglia and Reviews Editor for Eighteenth-Century Music. Contributors: Linda Phyllis Austern, Stephanie Carter, John Cunningham, Marina Daiman, Kirsten Gibson, Raphael Hallett, Rebecca Herissone, Anne Hultzsch, Freyja Cox Jensen, Stephen Rose, Andrew R. Walkling, Amanda Eubanks Winkler, James A. Winn.
