Author: Ivor Ludlam
Publisher: Lexington Books
ISBN: 0739190202
Category : Philosophy
Languages : en
Pages : 297
Book Description
Transcending dominant debates of whether Plato's Republic is about the ideal state, the soul, art, or education, Ivor Ludlam's analysis treats the dialogue as pure conversation. Returning to the original Greek, Ludlam examines the dialogue both in its details and in its entirety. The result is a holistic interpretation wherein Ludlam reveals how each character becomes a paradigm for an aspect of the Republic's central theme—the apparent good. Ultimately, it is the individual aspects of apparent good that the characters represent that determines the final course of the dialogue. Revisioning the central theme of the Republic through the motivations and interactions of its characters, Ludlam provides an innovative, holistic, and dramatic analysis of this foundational work.
Plato's Republic as a Philosophical Drama on Doing Well
Author: Ivor Ludlam
Publisher: Lexington Books
ISBN: 0739190202
Category : Philosophy
Languages : en
Pages : 297
Book Description
Transcending dominant debates of whether Plato's Republic is about the ideal state, the soul, art, or education, Ivor Ludlam's analysis treats the dialogue as pure conversation. Returning to the original Greek, Ludlam examines the dialogue both in its details and in its entirety. The result is a holistic interpretation wherein Ludlam reveals how each character becomes a paradigm for an aspect of the Republic's central theme—the apparent good. Ultimately, it is the individual aspects of apparent good that the characters represent that determines the final course of the dialogue. Revisioning the central theme of the Republic through the motivations and interactions of its characters, Ludlam provides an innovative, holistic, and dramatic analysis of this foundational work.
Publisher: Lexington Books
ISBN: 0739190202
Category : Philosophy
Languages : en
Pages : 297
Book Description
Transcending dominant debates of whether Plato's Republic is about the ideal state, the soul, art, or education, Ivor Ludlam's analysis treats the dialogue as pure conversation. Returning to the original Greek, Ludlam examines the dialogue both in its details and in its entirety. The result is a holistic interpretation wherein Ludlam reveals how each character becomes a paradigm for an aspect of the Republic's central theme—the apparent good. Ultimately, it is the individual aspects of apparent good that the characters represent that determines the final course of the dialogue. Revisioning the central theme of the Republic through the motivations and interactions of its characters, Ludlam provides an innovative, holistic, and dramatic analysis of this foundational work.
Plato's Republic as a Philosophical Drama on Doing Well
Author: Ivor Ludlam
Publisher:
ISBN: 9781498505789
Category : Dialectic
Languages : en
Pages : 283
Book Description
Ivor Ludlam succeeds in unifying the Republic's multiplicity of ideas and themes, and in taming what might otherwise appear a great tangle. Ludlam's ingenious organizing principle is the correspondence between the dialogue's characters and the political types Socrates describes. Treating the dialogue's philosophical content as unfolding through its drama, this work honors Plato as a philosopher whose identity stubbornly resists submersion in that of any of the characters he limns. In the Republic, Plato is thus able to present his unique and inspiring vision of philosophy as the dialectical study of dialectic.
Publisher:
ISBN: 9781498505789
Category : Dialectic
Languages : en
Pages : 283
Book Description
Ivor Ludlam succeeds in unifying the Republic's multiplicity of ideas and themes, and in taming what might otherwise appear a great tangle. Ludlam's ingenious organizing principle is the correspondence between the dialogue's characters and the political types Socrates describes. Treating the dialogue's philosophical content as unfolding through its drama, this work honors Plato as a philosopher whose identity stubbornly resists submersion in that of any of the characters he limns. In the Republic, Plato is thus able to present his unique and inspiring vision of philosophy as the dialectical study of dialectic.
The Female Drama
Author: Charlotte C. S. Thomas
Publisher:
ISBN: 9780881467437
Category : Philosophy
Languages : en
Pages : 0
Book Description
Plato's most magisterial dialogue, the Republic, takes up the question "what is justice," and its central image is an imaginary city constructed in speech designed to aid in this inquiry. In Book V of the Republic, Socrates tells his interlocutors that they have completed the "Male Drama," of the city in speech and that it is now time for them to take up the "Female." The "Female Drama" is Socrates name for the action of the central books of the Republic: V-VII. Much has been made of what this transition in the Republic signifies for political questions. The Republic is not only concerned with politics or political justice, however. Like all of the images and arguments in the Republic, the Female Drama of the city in speech has meaning both for political and individual justice, but there has been no systematic inquiry into the central books of the Republic for their meaning for individual justice. That is the ambition of this book. On the level of moral psychology, Thomas argues that while the Male Drama of Books II-IV presents images of fully formed versions of the psychological activities that come together to define justice in a human life, the Female Drama explores the modes of potentiality and becoming necessary for those psychological activities to come into being. More specifically, Books V-VII explore the three modes of potentiality necessary for the development of justice: genesis, trophe, and paideia. Book jacket.
Publisher:
ISBN: 9780881467437
Category : Philosophy
Languages : en
Pages : 0
Book Description
Plato's most magisterial dialogue, the Republic, takes up the question "what is justice," and its central image is an imaginary city constructed in speech designed to aid in this inquiry. In Book V of the Republic, Socrates tells his interlocutors that they have completed the "Male Drama," of the city in speech and that it is now time for them to take up the "Female." The "Female Drama" is Socrates name for the action of the central books of the Republic: V-VII. Much has been made of what this transition in the Republic signifies for political questions. The Republic is not only concerned with politics or political justice, however. Like all of the images and arguments in the Republic, the Female Drama of the city in speech has meaning both for political and individual justice, but there has been no systematic inquiry into the central books of the Republic for their meaning for individual justice. That is the ambition of this book. On the level of moral psychology, Thomas argues that while the Male Drama of Books II-IV presents images of fully formed versions of the psychological activities that come together to define justice in a human life, the Female Drama explores the modes of potentiality and becoming necessary for those psychological activities to come into being. More specifically, Books V-VII explore the three modes of potentiality necessary for the development of justice: genesis, trophe, and paideia. Book jacket.
Plato's Republic as a Philosophical Drama on Doing Well
Author: Ivor Ludlam
Publisher:
ISBN: 9780739190197
Category : Philosophy
Languages : en
Pages : 0
Book Description
Plato's Republic as a Philosophical Drama on Doing Well reimagines the central theme of Plato's foundational work through an interpretation of its characters as paradigms of the apparent good. Focusing attention on the dialogue itself, Ivor Ludlam provides an innovative, holistic, and dramatic new perspective on the classic text.
Publisher:
ISBN: 9780739190197
Category : Philosophy
Languages : en
Pages : 0
Book Description
Plato's Republic as a Philosophical Drama on Doing Well reimagines the central theme of Plato's foundational work through an interpretation of its characters as paradigms of the apparent good. Focusing attention on the dialogue itself, Ivor Ludlam provides an innovative, holistic, and dramatic new perspective on the classic text.
Plato's 'Republic'
Author: Mark L. McPherran
Publisher: Cambridge University Press
ISBN: 0521491908
Category : History
Languages : en
Pages : 289
Book Description
The essays in this volume provide a picture of the most interesting, puzzling, and provoking aspects of Plato's Republic.
Publisher: Cambridge University Press
ISBN: 0521491908
Category : History
Languages : en
Pages : 289
Book Description
The essays in this volume provide a picture of the most interesting, puzzling, and provoking aspects of Plato's Republic.
The Cambridge Companion to Plato's Republic
Author: Giovanni R. F. Ferrari
Publisher: Cambridge University Press
ISBN: 0521839637
Category : Political science
Languages : en
Pages : 38
Book Description
This book provides a fresh and comprehensive account of this outstanding work, which remains among the most frequently read works of Greek philosophy, indeed of Classical antiquity in general.
Publisher: Cambridge University Press
ISBN: 0521839637
Category : Political science
Languages : en
Pages : 38
Book Description
This book provides a fresh and comprehensive account of this outstanding work, which remains among the most frequently read works of Greek philosophy, indeed of Classical antiquity in general.
The Drama of Ideas
Author: Martin Puchner
Publisher: Oxford University Press
ISBN: 0199742243
Category : Performing Arts
Languages : en
Pages : 267
Book Description
Most philosophy has rejected the theater, denouncing it as a place of illusion or moral decay; the theater in turn has rejected philosophy, insisting that drama deals in actions, not ideas. Challenging both views, The Drama of Ideas shows that theater and philosophy have been crucially intertwined from the start. Plato is the presiding genius of this alternative history. The Drama of Ideas presents Plato not only as a theorist of drama, but also as a dramatist himself, one who developed a dialogue-based dramaturgy that differs markedly from the standard, Aristotelian view of theater. Puchner discovers scores of dramatic adaptations of Platonic dialogues, the most immediate proof of Plato's hitherto unrecognized influence on theater history. Drawing on these adaptations, Puchner shows that Plato was central to modern drama as well, with figures such as Wilde, Shaw, Pirandello, Brecht, and Stoppard using Plato to create a new drama of ideas. Puchner then considers complementary developments in philosophy, offering a theatrical history of philosophy that includes Kierkegaard, Nietzsche, Burke, Sartre, Camus, and Deleuze. These philosophers proceed with constant reference to theater, using theatrical terms, concepts, and even dramatic techniques in their writings. The Drama of Ideas mobilizes this double history of philosophical theater and theatrical philosophy to subject current habits of thought to critical scrutiny. In dialogue with contemporary thinkers such as Martha Nussbaum, Iris Murdoch, and Alain Badiou, Puchner formulates the contours of a "dramatic Platonism." This new Platonism does not seek to return to an idealist theory of forms, but it does point beyond the reigning philosophies of the body, of materialism and of cultural relativism.
Publisher: Oxford University Press
ISBN: 0199742243
Category : Performing Arts
Languages : en
Pages : 267
Book Description
Most philosophy has rejected the theater, denouncing it as a place of illusion or moral decay; the theater in turn has rejected philosophy, insisting that drama deals in actions, not ideas. Challenging both views, The Drama of Ideas shows that theater and philosophy have been crucially intertwined from the start. Plato is the presiding genius of this alternative history. The Drama of Ideas presents Plato not only as a theorist of drama, but also as a dramatist himself, one who developed a dialogue-based dramaturgy that differs markedly from the standard, Aristotelian view of theater. Puchner discovers scores of dramatic adaptations of Platonic dialogues, the most immediate proof of Plato's hitherto unrecognized influence on theater history. Drawing on these adaptations, Puchner shows that Plato was central to modern drama as well, with figures such as Wilde, Shaw, Pirandello, Brecht, and Stoppard using Plato to create a new drama of ideas. Puchner then considers complementary developments in philosophy, offering a theatrical history of philosophy that includes Kierkegaard, Nietzsche, Burke, Sartre, Camus, and Deleuze. These philosophers proceed with constant reference to theater, using theatrical terms, concepts, and even dramatic techniques in their writings. The Drama of Ideas mobilizes this double history of philosophical theater and theatrical philosophy to subject current habits of thought to critical scrutiny. In dialogue with contemporary thinkers such as Martha Nussbaum, Iris Murdoch, and Alain Badiou, Puchner formulates the contours of a "dramatic Platonism." This new Platonism does not seek to return to an idealist theory of forms, but it does point beyond the reigning philosophies of the body, of materialism and of cultural relativism.
The Republic
Author: By Plato
Publisher: BookRix
ISBN: 3736801467
Category : Philosophy
Languages : en
Pages : 530
Book Description
The Republic is a Socratic dialogue, written by Plato around 380 BCE, concerning the definition of justice, the order and character of the just city-state and the just man. The dramatic date of the dialogue has been much debated and though it must take place some time during the Peloponnesian War, "there would be jarring anachronisms if any of the candidate specific dates between 432 and 404 were assigned". It is Plato's best-known work and has proven to be one of the most intellectually and historically influential works of philosophy and political theory. In it, Socrates along with various Athenians and foreigners discuss the meaning of justice and examine whether or not the just man is happier than the unjust man by considering a series of different cities coming into existence "in speech", culminating in a city (Kallipolis) ruled by philosopher-kings; and by examining the nature of existing regimes. The participants also discuss the theory of forms, the immortality of the soul, and the roles of the philosopher and of poetry in society.
Publisher: BookRix
ISBN: 3736801467
Category : Philosophy
Languages : en
Pages : 530
Book Description
The Republic is a Socratic dialogue, written by Plato around 380 BCE, concerning the definition of justice, the order and character of the just city-state and the just man. The dramatic date of the dialogue has been much debated and though it must take place some time during the Peloponnesian War, "there would be jarring anachronisms if any of the candidate specific dates between 432 and 404 were assigned". It is Plato's best-known work and has proven to be one of the most intellectually and historically influential works of philosophy and political theory. In it, Socrates along with various Athenians and foreigners discuss the meaning of justice and examine whether or not the just man is happier than the unjust man by considering a series of different cities coming into existence "in speech", culminating in a city (Kallipolis) ruled by philosopher-kings; and by examining the nature of existing regimes. The participants also discuss the theory of forms, the immortality of the soul, and the roles of the philosopher and of poetry in society.
Philosophy in Dialogue
Author: Gary Alan Scott
Publisher: Northwestern University Press
ISBN: 0810123568
Category : Philosophy
Languages : en
Pages : 297
Book Description
Traditional Plato scholarship, in the English-speaking world, has assumed that Platonic dialogues are merely collections of arguments. Inevitably, the question arises: If Plato wanted to present collections of arguments, why did he write dialogues instead of treatises? Concerned about this question, some scholars have been experimenting with other, more contextualized ways of reading the dialogues. This anthology is among the first to present these new approaches as pursued by a variety of scholars. As such, it offers new perspectives on Plato as well as a suggestive view of Plato scholarship as something of a laboratory for historians of philosophy generally. The essays gathered here each examine vital aspects of Plato’s many methods, considering his dialogues in relation to Thucydides and Homer, narrative strategies and medical practice, images and metaphors. They offer surprising new research into such much-studied works as The Republic as well as revealing views of lesser-known dialogues like the Cratylus and Philebus. With reference to thinkers such as Heidegger, Gadamer, and Sartre, the authors place the Platonic dialogues in an illuminating historical context. Together, their essays should reinvigorate the scholarly examination of the way Plato’s dialogues “work”—and should prompt a reconsideration of how the form of Plato’s philosophical writing bears on the Platonic conception of philosophy.
Publisher: Northwestern University Press
ISBN: 0810123568
Category : Philosophy
Languages : en
Pages : 297
Book Description
Traditional Plato scholarship, in the English-speaking world, has assumed that Platonic dialogues are merely collections of arguments. Inevitably, the question arises: If Plato wanted to present collections of arguments, why did he write dialogues instead of treatises? Concerned about this question, some scholars have been experimenting with other, more contextualized ways of reading the dialogues. This anthology is among the first to present these new approaches as pursued by a variety of scholars. As such, it offers new perspectives on Plato as well as a suggestive view of Plato scholarship as something of a laboratory for historians of philosophy generally. The essays gathered here each examine vital aspects of Plato’s many methods, considering his dialogues in relation to Thucydides and Homer, narrative strategies and medical practice, images and metaphors. They offer surprising new research into such much-studied works as The Republic as well as revealing views of lesser-known dialogues like the Cratylus and Philebus. With reference to thinkers such as Heidegger, Gadamer, and Sartre, the authors place the Platonic dialogues in an illuminating historical context. Together, their essays should reinvigorate the scholarly examination of the way Plato’s dialogues “work”—and should prompt a reconsideration of how the form of Plato’s philosophical writing bears on the Platonic conception of philosophy.
Plato and Aristophanes
Author: Marina Marren
Publisher: Northwestern University Press
ISBN: 0810144204
Category : Philosophy
Languages : en
Pages : 208
Book Description
In Plato and Aristophanes, Marina Marren contends that our search for communal justice must start with self-examination. The realization that there are things that we cannot know about ourselves unless we become the subject of a joke is integral to such self-scrutiny. Jokes provide a new perspective on our politics and ethics; they are essential to our civic self-awareness. Marren makes this case by delving into Plato’s Republic, a foundational work of political philosophy. While the Republic straightforwardly condemns the decadence and greed of a tyrant, Plato’s attack on political idealism is both solemn and comedic. In fact, Plato draws on the same comedic stock and tropes as do Aristophanes’s plays. Marren’s book strikes up an innovative conversation between three works by Aristophanes—Assembly Women, Knights, and Birds—and Plato’s philosophy, prompting important questions about individual convictions and one’s personal search for justice. These dialogic works offer critiques of tyranny that are by turns brilliant, scathing, and exuberant, making light of faults and ideals alike. Philosophical comedy exposes despotism in individuals as well as systems of government claiming to be just and good. This critique holds as much bite against contemporary injustices as it did at the time of Aristophanes and Plato. An ingenious new work by an emerging scholar, Plato and Aristophanes shows that comedy—in tandem with philosophy and politics—is essential to self-examination. And without such examination, there is no hope for a just life.
Publisher: Northwestern University Press
ISBN: 0810144204
Category : Philosophy
Languages : en
Pages : 208
Book Description
In Plato and Aristophanes, Marina Marren contends that our search for communal justice must start with self-examination. The realization that there are things that we cannot know about ourselves unless we become the subject of a joke is integral to such self-scrutiny. Jokes provide a new perspective on our politics and ethics; they are essential to our civic self-awareness. Marren makes this case by delving into Plato’s Republic, a foundational work of political philosophy. While the Republic straightforwardly condemns the decadence and greed of a tyrant, Plato’s attack on political idealism is both solemn and comedic. In fact, Plato draws on the same comedic stock and tropes as do Aristophanes’s plays. Marren’s book strikes up an innovative conversation between three works by Aristophanes—Assembly Women, Knights, and Birds—and Plato’s philosophy, prompting important questions about individual convictions and one’s personal search for justice. These dialogic works offer critiques of tyranny that are by turns brilliant, scathing, and exuberant, making light of faults and ideals alike. Philosophical comedy exposes despotism in individuals as well as systems of government claiming to be just and good. This critique holds as much bite against contemporary injustices as it did at the time of Aristophanes and Plato. An ingenious new work by an emerging scholar, Plato and Aristophanes shows that comedy—in tandem with philosophy and politics—is essential to self-examination. And without such examination, there is no hope for a just life.