Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 304
Book Description
Catalogo
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 304
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 304
Book Description
Austria and the Venice Biennale 1895-2013
Author: Jasper Sharp
Publisher: Moderne Kunst Verlag Fur
ISBN:
Category : Art
Languages : en
Pages : 554
Book Description
To accompany the exhibition in the Austrian Pavilion for the 55th Biennale di Venezia, a landmark publication titled "Austria and the Venice Biennale 1895-2013" will be launched in May 2013. This scholarly, 400-page publication will present, for the first time, a comprehensive overview of each individual exhibition, with the help of previously unpublished photographs, plans and correspondence drawn from public and private archives in several different countries. The list of artists presented by Austria at the Venice Biennale over the last 120 years includes most, if not all, of the leading figures of its cultural avantgarde: from Gustav Klimt, Egon Schiele and Oskar Kokoschka, Hermann Nitsch and Arnulf Rainer to VALIE EXPORT, Maria Lassnig and Franz West.
Publisher: Moderne Kunst Verlag Fur
ISBN:
Category : Art
Languages : en
Pages : 554
Book Description
To accompany the exhibition in the Austrian Pavilion for the 55th Biennale di Venezia, a landmark publication titled "Austria and the Venice Biennale 1895-2013" will be launched in May 2013. This scholarly, 400-page publication will present, for the first time, a comprehensive overview of each individual exhibition, with the help of previously unpublished photographs, plans and correspondence drawn from public and private archives in several different countries. The list of artists presented by Austria at the Venice Biennale over the last 120 years includes most, if not all, of the leading figures of its cultural avantgarde: from Gustav Klimt, Egon Schiele and Oskar Kokoschka, Hermann Nitsch and Arnulf Rainer to VALIE EXPORT, Maria Lassnig and Franz West.
Harald Szeemann
Author: Glenn Phillips
Publisher: Getty Publications
ISBN: 1606065599
Category : Art
Languages : en
Pages : 418
Book Description
Widely regarded as the most influential curator of the second half of the twentieth century, Harald Szeemann (1933–2005) is associated with some of the most important artistic developments of the postwar era. A passionate advocate for avant-garde movements like Conceptualism and Postminimalism, he collaborated with artists such as Joseph Beuys, Bruce Nauman, Richard Serra, and Cy Twombly, developing new ways of presenting art that reflected his sweeping vision of contemporary culture. Szeemann once stated that his goal as an exhibition maker was to create a “Museum of Obsessions.” This richly illustrated volume is a virtual collection catalogue for that imaginary institution, tracing the evolution of his curatorial method through letters, drawings, personal datebooks, installation plans, artists’ books, posters, photographs, and handwritten notes. This book documents all phases of Szeemann’s career, from his early stint as director of the Kunsthalle Bern, where he organized the seminal Live in Your Head: When Attitudes Become Form (1969); to documenta 5 (1972) and the intensely personal exhibition he staged in his own apart-ment using the belongings of his hairdresser grandfather (1974); to his reinvention as a freelance curator who realized projects on wide-ranging themes until his death in 2005. The book contains essays exploring Szeemann’s curatorial approach as well as interviews with collaborators. Its more than 350 illustrations include previously unpublished installation photographs and documents as well as archival materials. This volume is published to accompany an exhibition on view at the Getty Research Institute at the Getty Center February 6 to May 6, 2018 (a satellite show will be at the Institute of Contemporary Art in Los Angeles February 4 to April 22, 2018); at the Kunsthalle Bern in Bern, Switzerland, June to September 2018; at the Kunsthalle Düsseldorf in Düsseldorf, Germany October 2018 to January 2019; and at the Castello di Rivoli Museo d’Arte Contemporanea Rivoli in Turin, Italy, February to May 2019.
Publisher: Getty Publications
ISBN: 1606065599
Category : Art
Languages : en
Pages : 418
Book Description
Widely regarded as the most influential curator of the second half of the twentieth century, Harald Szeemann (1933–2005) is associated with some of the most important artistic developments of the postwar era. A passionate advocate for avant-garde movements like Conceptualism and Postminimalism, he collaborated with artists such as Joseph Beuys, Bruce Nauman, Richard Serra, and Cy Twombly, developing new ways of presenting art that reflected his sweeping vision of contemporary culture. Szeemann once stated that his goal as an exhibition maker was to create a “Museum of Obsessions.” This richly illustrated volume is a virtual collection catalogue for that imaginary institution, tracing the evolution of his curatorial method through letters, drawings, personal datebooks, installation plans, artists’ books, posters, photographs, and handwritten notes. This book documents all phases of Szeemann’s career, from his early stint as director of the Kunsthalle Bern, where he organized the seminal Live in Your Head: When Attitudes Become Form (1969); to documenta 5 (1972) and the intensely personal exhibition he staged in his own apart-ment using the belongings of his hairdresser grandfather (1974); to his reinvention as a freelance curator who realized projects on wide-ranging themes until his death in 2005. The book contains essays exploring Szeemann’s curatorial approach as well as interviews with collaborators. Its more than 350 illustrations include previously unpublished installation photographs and documents as well as archival materials. This volume is published to accompany an exhibition on view at the Getty Research Institute at the Getty Center February 6 to May 6, 2018 (a satellite show will be at the Institute of Contemporary Art in Los Angeles February 4 to April 22, 2018); at the Kunsthalle Bern in Bern, Switzerland, June to September 2018; at the Kunsthalle Düsseldorf in Düsseldorf, Germany October 2018 to January 2019; and at the Castello di Rivoli Museo d’Arte Contemporanea Rivoli in Turin, Italy, February to May 2019.
Proceedings of the Twentyfirst International Congress of Americanists
Author:
Publisher:
ISBN:
Category : America
Languages : en
Pages : 522
Book Description
Publisher:
ISBN:
Category : America
Languages : en
Pages : 522
Book Description
Actes
Author:
Publisher:
ISBN:
Category : America
Languages : en
Pages : 524
Book Description
Publisher:
ISBN:
Category : America
Languages : en
Pages : 524
Book Description
Art in America
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 360
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 360
Book Description
Encounters in Video Art in Latin America
Author: Elena Shtromberg
Publisher: Getty Publications
ISBN: 1606067923
Category : Art
Languages : en
Pages : 290
Book Description
With insightful essays and interviews, this volume examines how artists have experimented with the medium of video across different regions of Latin America since the 1960s. The emergence of video art in Latin America is marked by multiple points of development, across more than a dozen artistic centers, over a period of more than twenty-five years. When it was first introduced during the 1960s, video was seen as empowering: the portability of early equipment and the possibility of instant playback allowed artists to challenge and at times subvert the mainstream media. Video art in Latin America was—and still is—closely related to the desire for social change. Themes related to gender, ethnic, and racial identity as well as the consequences of social inequality and ecological disasters have been fundamental to many artists’ practices. This compendium explores the history and current state of artistic experimentation with video throughout Latin America. Departing from the relatively small body of existing scholarship in English, much of which focuses on individual countries, this volume approaches the topic thematically, positioning video artworks from different periods and regions throughout Latin America in dialogue with each other. Organized in four broad sections—Encounters, Networks and Archives, Memory and Crisis, and Indigenous Perspectives—the book’s essays and interviews encourage readers to examine the medium of video across varied chronologies and geographies.
Publisher: Getty Publications
ISBN: 1606067923
Category : Art
Languages : en
Pages : 290
Book Description
With insightful essays and interviews, this volume examines how artists have experimented with the medium of video across different regions of Latin America since the 1960s. The emergence of video art in Latin America is marked by multiple points of development, across more than a dozen artistic centers, over a period of more than twenty-five years. When it was first introduced during the 1960s, video was seen as empowering: the portability of early equipment and the possibility of instant playback allowed artists to challenge and at times subvert the mainstream media. Video art in Latin America was—and still is—closely related to the desire for social change. Themes related to gender, ethnic, and racial identity as well as the consequences of social inequality and ecological disasters have been fundamental to many artists’ practices. This compendium explores the history and current state of artistic experimentation with video throughout Latin America. Departing from the relatively small body of existing scholarship in English, much of which focuses on individual countries, this volume approaches the topic thematically, positioning video artworks from different periods and regions throughout Latin America in dialogue with each other. Organized in four broad sections—Encounters, Networks and Archives, Memory and Crisis, and Indigenous Perspectives—the book’s essays and interviews encourage readers to examine the medium of video across varied chronologies and geographies.
Compte rendu de la troisième session, Bruxelles, 1879
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 524
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 524
Book Description
Harald Szeemann
Author: Hans-Joachim Müller
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 180
Book Description
Harald Szeemann (1933-2005) war einer der einflussreichsten Ausstellungsmacher der letzten Jahrzehnte. Eine ganze Generation von Kuratoren hat sich von seiner unabhängigen Ausstellungspraxis und seinen emphatischen Inszenierungen der Gegenwartskunst inspirieren lassen. Szeemanns unbeirrbares Interesse am künstlerischen Einzelweg, an starker Haltung und kraftvoller Persönlichkeit erscheint im Rückblick wie vehementer Widerspruch gegen einen Kunstbetrieb der Trends und Tendenzen. Der Band beschreibt das »Prinzip Szeemann«, die Visionen eines erklärten Ausstellungskünstlers und lässt die wichtigsten Stationen seiner singulären Karriere Revue passieren - von der legendären Berner Ausstellung »When Attitudes Become Form« über die documenta 5, die großen thematischen Untersuchungen wie »Junggesellenmaschinen« und »Der Hang zum Gesamtkunstwerk«, die Entdeckung der jungen osteuropäischen Szenen bis hin zu den Biennalen in Venedig, Lyon und Sevilla. (Englische Ausgabe ISBN 978-3-7757-1705-2) Zum Autor: Hans-Joachim Müller (*1947), Studium der Kunstgeschichte und Philosophie, in den 1980er Jahren Kunstkritiker im Feuilleton der »Zeit«, zuletzt Feuilletonchef der »Basler Zeitung«. Lebt heute als freier Autor (unter anderem für die »Frankfurter Allgemeine Zeitung«, die »Zeit« und das »art«-Magazin) in Freiburg im Breisgau und in Süditalien. Autor des 1992 erschienenen Filmporträts »Harald Szeemann - Verzauberung auf Zeit«. Unterstützt von Pro Helvetia, Schweizer Kulturstiftung
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 180
Book Description
Harald Szeemann (1933-2005) war einer der einflussreichsten Ausstellungsmacher der letzten Jahrzehnte. Eine ganze Generation von Kuratoren hat sich von seiner unabhängigen Ausstellungspraxis und seinen emphatischen Inszenierungen der Gegenwartskunst inspirieren lassen. Szeemanns unbeirrbares Interesse am künstlerischen Einzelweg, an starker Haltung und kraftvoller Persönlichkeit erscheint im Rückblick wie vehementer Widerspruch gegen einen Kunstbetrieb der Trends und Tendenzen. Der Band beschreibt das »Prinzip Szeemann«, die Visionen eines erklärten Ausstellungskünstlers und lässt die wichtigsten Stationen seiner singulären Karriere Revue passieren - von der legendären Berner Ausstellung »When Attitudes Become Form« über die documenta 5, die großen thematischen Untersuchungen wie »Junggesellenmaschinen« und »Der Hang zum Gesamtkunstwerk«, die Entdeckung der jungen osteuropäischen Szenen bis hin zu den Biennalen in Venedig, Lyon und Sevilla. (Englische Ausgabe ISBN 978-3-7757-1705-2) Zum Autor: Hans-Joachim Müller (*1947), Studium der Kunstgeschichte und Philosophie, in den 1980er Jahren Kunstkritiker im Feuilleton der »Zeit«, zuletzt Feuilletonchef der »Basler Zeitung«. Lebt heute als freier Autor (unter anderem für die »Frankfurter Allgemeine Zeitung«, die »Zeit« und das »art«-Magazin) in Freiburg im Breisgau und in Süditalien. Autor des 1992 erschienenen Filmporträts »Harald Szeemann - Verzauberung auf Zeit«. Unterstützt von Pro Helvetia, Schweizer Kulturstiftung
Ilya Kabakov and Emilia Kabakov
Author: Ilʹi︠a︡ Iosifovich Kabakov
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 110
Book Description
Who is the greatest? Who today can define himself as the greatest? Ilya Kabakov, father of Russian Conceptualism, and his wife Emilia, ask these very questions in "Where is Our Place?" A project about the paradoxical contrast between contemporary and past art, this book meditates on the inner workings of the art system and artistic experience, identifying the importance of and need for a new critical and ethical awareness in our reception of art. Here different eras exist simultaneously in an incongruous art museum outside of time: contemporary, past, and perhaps also an imaginary projection into the future.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 110
Book Description
Who is the greatest? Who today can define himself as the greatest? Ilya Kabakov, father of Russian Conceptualism, and his wife Emilia, ask these very questions in "Where is Our Place?" A project about the paradoxical contrast between contemporary and past art, this book meditates on the inner workings of the art system and artistic experience, identifying the importance of and need for a new critical and ethical awareness in our reception of art. Here different eras exist simultaneously in an incongruous art museum outside of time: contemporary, past, and perhaps also an imaginary projection into the future.