Plainte des Parisiens, av roy, et a la reyne

Plainte des Parisiens, av roy, et a la reyne PDF Author:
Publisher:
ISBN:
Category : France
Languages : fr
Pages : 8

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Plainte des Parisiens, av roy, et a la reyne

Plainte des Parisiens, av roy, et a la reyne PDF Author:
Publisher:
ISBN:
Category : France
Languages : fr
Pages : 8

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Book Description


Plainte des parisiens au Roy et à la Reine sur le dessein que leurs Majestés ont de l'éloigner de Paris

Plainte des parisiens au Roy et à la Reine sur le dessein que leurs Majestés ont de l'éloigner de Paris PDF Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages : 6

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Plainte des Parisiens, au Roy, et à la Reyne, sur le desseing que leurs Maiestez ont de s'esloygner de leur bonne Ville de Paris

Plainte des Parisiens, au Roy, et à la Reyne, sur le desseing que leurs Maiestez ont de s'esloygner de leur bonne Ville de Paris PDF Author:
Publisher:
ISBN:
Category :
Languages : fr
Pages :

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Mazarinades

Mazarinades PDF Author: Houghton Library
Publisher: Macmillan Reference USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 492

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Catalogue of the Library of the Corporation of the City of London. Instituted in the Year 1824: A-L

Catalogue of the Library of the Corporation of the City of London. Instituted in the Year 1824: A-L PDF Author: Guildhall Library (London, England)
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 604

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Catalogue of the Guildhall Library of the City of London

Catalogue of the Guildhall Library of the City of London PDF Author: Guildhall Library (London, England)
Publisher:
ISBN:
Category : Catalogs, Dictionary
Languages : en
Pages : 1154

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The Identities of Catherine de' Medici

The Identities of Catherine de' Medici PDF Author: Susan Broomhall
Publisher: BRILL
ISBN: 9004461817
Category : History
Languages : en
Pages : 408

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Book Description
An innovative analysis of the representational strategies that constructed Catherine de’ Medici and sought to explain her behaviour and motivations.

Painted Love

Painted Love PDF Author: Hollis Clayson
Publisher: Getty Publications
ISBN: 0892367296
Category : Art
Languages : en
Pages : 224

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Book Description
In this engrossing book, Hollis Clayson provides the first description and analysis of French artistic interest in women prostitutes, examining how the subject was treated in the art of the 1870s and 1880s by such avant-garde painters as Cézanne, Degas, Manet, and Renoir, as well as by the academic and low-brow painters who were their contemporaries. Clayson not only illuminates the imagery of prostitution-with its contradictory connotations of disgust and fascination-but also tackles the issues and problems relevant to women and men in a patriarchal society. She discusses the conspicuous sexual commerce during this era and the resulting public panic about the deterioration of social life and civilized mores. She describes the system that evolved out of regulating prostitutes and the subsequent rise of clandestine prostitutes who escaped police regulation and who were condemned both for blurring social boundaries and for spreading sexual licentiousness among their moral and social superiors. Clayson argues that the subject of covert prostitution was especially attractive to vanguard painters because it exemplified the commercialization and the ambiguity of modern life.

The National Union Catalog, Pre-1956 Imprints

The National Union Catalog, Pre-1956 Imprints PDF Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 712

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Poets, Patrons, and Printers

Poets, Patrons, and Printers PDF Author: Cynthia J. Brown
Publisher: Cornell University Press
ISBN: 150174254X
Category : Literary Criticism
Languages : en
Pages : 519

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Book Description
Cynthia J. Brown explains why the advent of print in the late medieval period brought about changes in relationships among poets, patrons, and printers which led to a new conception of authorship. Examining such paratextual elements of manuscripts as title pages, colophons, and illustrations as well as such literary strategies as experimentation with narrative voice, Brown traces authors' attempts to underscore their narrative presence in their works and to displace patrons from their role as sponsors and protectors of the book. Her accounts of the struggles of poets, including Jean Lemaire, Jean Bouchet, Jean Molinet, and Pierre Gringore, over the design, printing, and sale of their books demonstrate how authors secured the status of literary proprietor during the transition from the culture of script and courtly patronage to that of print capitalism.