Author: M. P. SIMONS
Publisher:
ISBN:
Category : Photographs
Languages : en
Pages : 78
Book Description
Plain Instructions for Colouring Photographs in Water Colours and India Ink
Author: M. P. SIMONS
Publisher:
ISBN:
Category : Photographs
Languages : en
Pages : 78
Book Description
Publisher:
ISBN:
Category : Photographs
Languages : en
Pages : 78
Book Description
A Critical Dictionary of English Literature and British and American Authors Living and Deceased from the Earliest Accounts to the Latter Half of the Nineteenth Century by S. Austin Allibone
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1196
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1196
Book Description
A Critical Dictionary of English Literature and British and American Authors, Living and Deceased, from the Earliest Accounts to the Latter Half of the Nineteenth Century
Author: Samuel Austin Allibone
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1188
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 1188
Book Description
British Museum Catalogue of printed Books
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 652
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 652
Book Description
The Painted Photograph, 1839-1914
Author: Heinz K. Henisch
Publisher: Penn State University Press
ISBN:
Category : Art
Languages : en
Pages : 260
Book Description
As photography grew more popular following its invention in 1839, its admirers did not understand how a medium that rendered shapes and textures in exquisite detail could fail to render them in realistic color. Also disappointing was the tendency of the captured images to fade over time. Photographers, ever eager to please their public, began "painting" their photographs with substances ranging from water colors and oil to chalk and crayon. Images were enlarged, enhanced, and framed, to simulate the splendors of the traditional portrait. With its rich variety of illustrations in color and duotone, The Painted Photograph is the first comprehensive history of overpainting, from its origins to World War I. The 131 illustrations featured draw upon original nineteenth- and early twentieth-century sources, most from America and Britain, but also representing Japan, Turkey, Austria, Germany, Poland, Canada, Bohemia, India, Australia, Norway, Holland, and Russia. In describing a multitude of early techniques, the authors survey overpainting on various types of photographs, including daguerreotypes, tintypes, and imprinted porcelain, milk glass, enamel, magic lantern slides, and textiles. Particularly fascinating are discussions of overpainted death portraits, most commonly those of children, and the origins of popular "picture postcards" featuring overpainted landscape scenes. The Henisches address also the eager acceptance of the painted photograph throughout the world, despite the hostility of the art-critical establishment. The Painted Photograph will appeal to a wide public interested in photography, history, sociology, social anthropology, folk art, popular fashion, and antiques.
Publisher: Penn State University Press
ISBN:
Category : Art
Languages : en
Pages : 260
Book Description
As photography grew more popular following its invention in 1839, its admirers did not understand how a medium that rendered shapes and textures in exquisite detail could fail to render them in realistic color. Also disappointing was the tendency of the captured images to fade over time. Photographers, ever eager to please their public, began "painting" their photographs with substances ranging from water colors and oil to chalk and crayon. Images were enlarged, enhanced, and framed, to simulate the splendors of the traditional portrait. With its rich variety of illustrations in color and duotone, The Painted Photograph is the first comprehensive history of overpainting, from its origins to World War I. The 131 illustrations featured draw upon original nineteenth- and early twentieth-century sources, most from America and Britain, but also representing Japan, Turkey, Austria, Germany, Poland, Canada, Bohemia, India, Australia, Norway, Holland, and Russia. In describing a multitude of early techniques, the authors survey overpainting on various types of photographs, including daguerreotypes, tintypes, and imprinted porcelain, milk glass, enamel, magic lantern slides, and textiles. Particularly fascinating are discussions of overpainted death portraits, most commonly those of children, and the origins of popular "picture postcards" featuring overpainted landscape scenes. The Henisches address also the eager acceptance of the painted photograph throughout the world, despite the hostility of the art-critical establishment. The Painted Photograph will appeal to a wide public interested in photography, history, sociology, social anthropology, folk art, popular fashion, and antiques.
Photographica
Author: New York Public Library. Research Libraries
Publisher: G. K. Hall
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 402
Book Description
Publisher: G. K. Hall
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 402
Book Description
Photography and Photographers to 1900
Author: Robert S. Sennett
Publisher: Scholarly Title
ISBN:
Category : Photography
Languages : en
Pages : 160
Book Description
Publisher: Scholarly Title
ISBN:
Category : Photography
Languages : en
Pages : 160
Book Description
Mathew Brady and the Image of History
Author: Mary Panzer
Publisher:
ISBN:
Category : Photographers
Languages : en
Pages : 264
Book Description
Taking advantage of emerging photographic paper printing techniques to create large-format, classically posed portraits, Brady also collaborated with painters such as G.P.A. Healy and Alonzo Chappel, who used his photographs to complete their own heroically scaled images. Contending that Brady's photographs contribute to an ongoing national interest in the Civil War, Panzer concludes that they continue to function as Brady hoped they would, constructing an idealized history in which fact and memory are intertwined.
Publisher:
ISBN:
Category : Photographers
Languages : en
Pages : 264
Book Description
Taking advantage of emerging photographic paper printing techniques to create large-format, classically posed portraits, Brady also collaborated with painters such as G.P.A. Healy and Alonzo Chappel, who used his photographs to complete their own heroically scaled images. Contending that Brady's photographs contribute to an ongoing national interest in the Civil War, Panzer concludes that they continue to function as Brady hoped they would, constructing an idealized history in which fact and memory are intertwined.
A Manual of Artistic Colouring, as Applied to Photographs
Author: Alfred H. Wall
Publisher:
ISBN:
Category : Photographs
Languages : en
Pages : 292
Book Description
Publisher:
ISBN:
Category : Photographs
Languages : en
Pages : 292
Book Description
A Manual of Artistic Colouring
Author: Alfred H. Wall
Publisher: BoD – Books on Demand
ISBN: 337504187X
Category : Fiction
Languages : en
Pages : 282
Book Description
Reprint of the original, first published in 1861.
Publisher: BoD – Books on Demand
ISBN: 337504187X
Category : Fiction
Languages : en
Pages : 282
Book Description
Reprint of the original, first published in 1861.