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Author: Annelise Lindhard
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 86
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Book Description
Author: Annelise Lindhard
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 86
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Book Description
Author: David Del Principe
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838636381
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
Although these artists are loosely grouped as a literary movement, the influence of Scapigliatura has been rightfully confirmed in Decadent fin de siecle literature and, arguably, in the twentieth-century historical avant-garde.
Author: Raffaele Pisano
Publisher: Springer
ISBN: 9401796459
Category : Science
Languages : en
Pages : 621
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Book Description
This book analyzes scientific problems within the history of physics, engineering, chemistry, astronomy and medicine, correlated with technological applications in the social context. When and how is tension between disciplines explicitly practised? What is the conceptual bridge between science researches and the organization of technological researches in the development of industrial applications? The authors explain various ways in which the sciences allowed advanced modelling on the one hand, and the development of new technological ideas on the other hand. An emphasis on the role played by mechanisms, production methods and instruments bestows a benefit on historical and scientific discourse: theories, institutions, universities, schools for engineers, social implications as well. Scholars from different traditions discuss the emergency style of thinking in methodology and, in theoretical perspective, aim to gather and re-evaluate the current thinking on this subject. It brings together contributions from leading experts in the field, and gives much-needed insight into the subject from a historical point of view. The volume composition makes for absorbing reading for historians, philosophers and scientists.
Author: Evonne Levy
Publisher: Routledge
ISBN: 1317099494
Category : Art
Languages : en
Pages : 272
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Book Description
Bringing together established and emerging specialists in seventeenth-century Italian sculpture, Material Bernini is the first sustained examination of the conspicuous materiality of Bernini’s work in sculpture, architecture, and paint. The various essays demonstrate that material Bernini has always been tied (whether theologically, geologically, politically, or in terms of art theory) to his immaterial twin. Here immaterial Bernini and the historiography that sustains him is finally confronted by material Bernini. Central to the volume are Bernini’s works in clay, a fragmentary record of a large body of preparatory works by a sculptor who denied any direct relation between sketches of any kind and final works. Read together, the essays call into question why those works in which Bernini’s bodily relation to the material of his art is most evident, his clay studies, have been configured as a point of unmediated access to the artist’s mind, to his immaterial ideas. This insight reveals a set of values and assumptions that have profoundly shaped Bernini studies from their inception, and opens up new and compelling avenues of inquiry within a field that has long remained remarkably self-enclosed.
Author: Allen F. Isaacman
Publisher: Univ of California Press
ISBN: 9780520030657
Category : History
Languages : en
Pages : 258
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Book Description
Author: Kamini Vellodi
Publisher: Bloomsbury Publishing
ISBN: 1350083089
Category : Philosophy
Languages : en
Pages : 239
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Book Description
A provocative account of the philosophical problem of 'difference' in art history, Tintoretto's Difference offers a new reading of this pioneering 16th century painter, drawing upon the work of the 20th century philosopher Gilles Deleuze. Bringing together philosophical, art historical, art theoretical and art historiographical analysis, it is the first book-length study in English of Tintoretto for nearly two decades and the first in-depth exploration of the implications of Gilles Deleuze's philosophy for the understanding of early modern art and for the discipline of art history. With a focus on Deleuze's important concept of the diagram, Tintoretto's Difference positions the artist's work within a critical study of both art history's methods, concepts and modes of thought, and some of the fundamental dimensions of its scholarly practice: context, tradition, influence, and fact. Indicating potentials of the diagrammatic for art historical thinking across the registers of semiotics, aesthetics, and time, Tintoretto's Difference offers at once an innovative study of this seminal artist, an elaboration of Deleuze's philosophy of the diagram, and a new avenue for a philosophical art history.
Author: Nelson Moe
Publisher: Univ of California Press
ISBN: 0520248260
Category : History
Languages : en
Pages : 368
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Book Description
This book shows that the Southern Question is far from just an Italian issue, for its origins are deeply connected to the formation of European cultural identity between the mid-eighteenth and late-nineteenth centuries."--Jacket.
Author: John Shannon Hendrix
Publisher: Routledge
ISBN: 1317066405
Category : Art
Languages : en
Pages : 258
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Book Description
How are processes of vision, perception, and sensation conceived in the Renaissance? How are those conceptions made manifest in the arts? The essays in this volume address these and similar questions to establish important theoretical and philosophical bases for artistic production in the Renaissance and beyond. The essays also attend to the views of historically significant writers from the ancient classical period to the eighteenth century, including Plato, Aristotle, Plotinus, St Augustine, Ibn Sina (Avicenna), Ibn al-Haytham (Alhazen), Ibn Sahl, Marsilio Ficino, Nicholas of Cusa, Leon Battista Alberti, Gian Paolo Lomazzo, Gregorio Comanini, John Davies, Rene Descartes, Samuel van Hoogstraten, and George Berkeley. Contributors carefully scrutinize and illustrate the effect of changing and evolving ideas of intellectual and physical vision on artistic practice in Florence, Rome, Venice, England, Austria, and the Netherlands. The artists whose work and practices are discussed include Fra Angelico, Donatello, Leonardo da Vinci, Filippino Lippi, Giovanni Bellini, Raphael, Parmigianino, Titian, Bronzino, Johannes Gumpp and Rembrandt van Rijn. Taken together, the essays provide the reader with a fresh perspective on the intellectual confluence between art, science, philosophy, and literature across Renaissance Europe.
Author: Enrico Cicalò
Publisher: Springer Nature
ISBN: 3030410188
Category : Computers
Languages : en
Pages : 1151
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Book Description
This book gathers peer-reviewed papers presented at the 1st International and Interdisciplinary Conference on Image and Imagination (IMG 2019), held in Alghero, Italy, in July 2019. Highlighting interdisciplinary and multi-disciplinary research concerning graphics science and education, the papers address theoretical research as well as applications, including education, in several fields of science, technology and art. Mainly focusing on graphics for communication, visualization, description and storytelling, and for learning and thought construction, the book provides architects, engineers, computer scientists, and designers with the latest advances in the field, particularly in the context of science, arts and education.
Author: AA.VV.
Publisher: Rosenberg & Sellier
ISBN:
Category : Philosophy
Languages : en
Pages : 220
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Book Description
This issue of the 'philosophy of the city' includes articles by scholars on a range of human sciences, from media theory to aesthetics and architectural theory. Philosophy, social ontology, cultural anthropology, aesthetics, digital hermeneutics, media theory, cognitive science: these are just some of the disciplines that contribute to the philosophy of the city. This variety of approaches doesn't necessarily result in a chaotic mix. Many of the included forms of discourse belong to the same episteme, which means there are many connections and overlaps. This is true both in the literatures of reference and in the ways of answering the question of what 'the city' is. Secondly, the texts don't focus on the city itself, but on those who live in, design, imagine and think about it. Thirdly, because these texts create a place where different ideas can live together. This is like a city, where ideas change, are built on and then rebuilt. This is what Wittgenstein wrote about in his Philosophical Investigations.
