Author: Karrȧ Shimabukuro
Publisher: Liverpool University Press
ISBN: 1835532810
Category : Art
Languages : en
Pages : 149
Book Description
Horror’s pleasures fundamentally hinge on looking backward, either on destabilising trauma, or as a period of comfort and happiness which is undermined by threat. However, this stretches beyond the scares on our screens to the consumption and criticism of the monsters of our past. The horror films of our youth can be locations of psychological and social trauma, or the happy place we go back to for comfort when our lives become unsettled. Horror That Haunts Us: Nostalgia, Revisionism, and Trauma in Contemporary American Horror is a collection of essays that brings together multiple theoretical and critical approaches to consider the way popular horror films from the last fifty years communicate, embody, and rework our view of the past. Whether we look at our current relationship to the scary movies of decades ago as personal or cultural memory, the way historical and sociopolitical events and frameworks – especially traumas – reframe the way we look at our pasts, or even the way recent horror films and video games look back at our past (and the past of the genre itself) through a filter of experience and history, this collection will show the close relationship between nostalgia and popular horror. These essays also demonstrate a range of unique and diverse points of view from both established and emerging scholars on the subject of horror and the past. Edited by seasoned horror experts Karrá Shimabukuro and Wickham Clayton, Horror That Haunts Us is a book with the aim of examining why we return again and again to certain popular horror films, either as remakes or reboots or as the basis for pastiche and homage.
Horror That Haunts Us
Author: Karrȧ Shimabukuro
Publisher: Liverpool University Press
ISBN: 1835532810
Category : Art
Languages : en
Pages : 149
Book Description
Horror’s pleasures fundamentally hinge on looking backward, either on destabilising trauma, or as a period of comfort and happiness which is undermined by threat. However, this stretches beyond the scares on our screens to the consumption and criticism of the monsters of our past. The horror films of our youth can be locations of psychological and social trauma, or the happy place we go back to for comfort when our lives become unsettled. Horror That Haunts Us: Nostalgia, Revisionism, and Trauma in Contemporary American Horror is a collection of essays that brings together multiple theoretical and critical approaches to consider the way popular horror films from the last fifty years communicate, embody, and rework our view of the past. Whether we look at our current relationship to the scary movies of decades ago as personal or cultural memory, the way historical and sociopolitical events and frameworks – especially traumas – reframe the way we look at our pasts, or even the way recent horror films and video games look back at our past (and the past of the genre itself) through a filter of experience and history, this collection will show the close relationship between nostalgia and popular horror. These essays also demonstrate a range of unique and diverse points of view from both established and emerging scholars on the subject of horror and the past. Edited by seasoned horror experts Karrá Shimabukuro and Wickham Clayton, Horror That Haunts Us is a book with the aim of examining why we return again and again to certain popular horror films, either as remakes or reboots or as the basis for pastiche and homage.
Publisher: Liverpool University Press
ISBN: 1835532810
Category : Art
Languages : en
Pages : 149
Book Description
Horror’s pleasures fundamentally hinge on looking backward, either on destabilising trauma, or as a period of comfort and happiness which is undermined by threat. However, this stretches beyond the scares on our screens to the consumption and criticism of the monsters of our past. The horror films of our youth can be locations of psychological and social trauma, or the happy place we go back to for comfort when our lives become unsettled. Horror That Haunts Us: Nostalgia, Revisionism, and Trauma in Contemporary American Horror is a collection of essays that brings together multiple theoretical and critical approaches to consider the way popular horror films from the last fifty years communicate, embody, and rework our view of the past. Whether we look at our current relationship to the scary movies of decades ago as personal or cultural memory, the way historical and sociopolitical events and frameworks – especially traumas – reframe the way we look at our pasts, or even the way recent horror films and video games look back at our past (and the past of the genre itself) through a filter of experience and history, this collection will show the close relationship between nostalgia and popular horror. These essays also demonstrate a range of unique and diverse points of view from both established and emerging scholars on the subject of horror and the past. Edited by seasoned horror experts Karrá Shimabukuro and Wickham Clayton, Horror That Haunts Us is a book with the aim of examining why we return again and again to certain popular horror films, either as remakes or reboots or as the basis for pastiche and homage.
Is It French? Popular Postnational Screen Fiction from France
Author: Mary Harrod
Publisher: Springer Nature
ISBN: 3031391950
Category : Electronic books
Languages : en
Pages : 317
Book Description
Zusammenfassung: This book investigates the recently accelerated phenomenon of mainstream French film and serial television's remarkable popularity not only within but - more novelly for European audiovisual narratives - outside the domestic context. Treating changes that have taken place in France's production landscape during the mass rollout of global streaming platforms as revelatory of broader tendencies in media production and circulation in Europe and beyond, the collection explores emergent influential players (Omar Sy, Camille Cottin, Alexandre Aja and Fanny Herrero), companies such as Netflix and Gaumont, and new genres, identities and representations on screen. It thus draws together a body of new research by international experts in French and European media production to analyse popular film and television series from France through a postnational lens with regards to both economic and institutional norms and to culture as a whole
Publisher: Springer Nature
ISBN: 3031391950
Category : Electronic books
Languages : en
Pages : 317
Book Description
Zusammenfassung: This book investigates the recently accelerated phenomenon of mainstream French film and serial television's remarkable popularity not only within but - more novelly for European audiovisual narratives - outside the domestic context. Treating changes that have taken place in France's production landscape during the mass rollout of global streaming platforms as revelatory of broader tendencies in media production and circulation in Europe and beyond, the collection explores emergent influential players (Omar Sy, Camille Cottin, Alexandre Aja and Fanny Herrero), companies such as Netflix and Gaumont, and new genres, identities and representations on screen. It thus draws together a body of new research by international experts in French and European media production to analyse popular film and television series from France through a postnational lens with regards to both economic and institutional norms and to culture as a whole
Cult Film as a Guide to Life
Author: I.Q. Hunter
Publisher: Bloomsbury Publishing USA
ISBN: 1623568978
Category : Performing Arts
Languages : en
Pages : 233
Book Description
A collection of closely related essays on cult film, cult adaptations, and cultism as a way of life.
Publisher: Bloomsbury Publishing USA
ISBN: 1623568978
Category : Performing Arts
Languages : en
Pages : 233
Book Description
A collection of closely related essays on cult film, cult adaptations, and cultism as a way of life.
Cycles, Sequels, Spin-offs, Remakes, and Reboots
Author: Amanda Ann Klein
Publisher: University of Texas Press
ISBN: 1477308199
Category : Performing Arts
Languages : en
Pages : 368
Book Description
With sequels, prequels, remakes, spin-offs, or copies of successful films or franchises dominating film and television production, it sometimes seems as if Hollywood is incapable of making an original film or TV show. These textual pluralities or multiplicities—while loved by fans who flock to them in droves—tend to be dismissed by critics and scholars as markers of the death of high culture. Cycles, Sequels, Spin-offs, Remakes, and Reboots takes the opposite view, surveying a wide range of international media multiplicities for the first time to elucidate their importance for audiences, industrial practices, and popular culture. The essays in this volume offer a broad picture of the ways in which cinema and television have used multiplicities to streamline the production process, and to capitalize on and exploit viewer interest in previously successful and/or sensational story properties. An impressive lineup of established and emerging scholars talk seriously about forms of multiplicity that are rarely discussed as such, including direct-to-DVD films made in Nigeria, cross-cultural Japanese horror remakes, YouTube fan-generated trailer mash-ups, and 1970s animal revenge films. They show how considering the particular bonds that tie texts to one another allows us to understand more about the audiences for these texts and why they crave a version of the same story (or character or subject) over and over again. These findings demonstrate that, far from being lowbrow art, multiplicities are actually doing important cultural work that is very worthy of serious study.
Publisher: University of Texas Press
ISBN: 1477308199
Category : Performing Arts
Languages : en
Pages : 368
Book Description
With sequels, prequels, remakes, spin-offs, or copies of successful films or franchises dominating film and television production, it sometimes seems as if Hollywood is incapable of making an original film or TV show. These textual pluralities or multiplicities—while loved by fans who flock to them in droves—tend to be dismissed by critics and scholars as markers of the death of high culture. Cycles, Sequels, Spin-offs, Remakes, and Reboots takes the opposite view, surveying a wide range of international media multiplicities for the first time to elucidate their importance for audiences, industrial practices, and popular culture. The essays in this volume offer a broad picture of the ways in which cinema and television have used multiplicities to streamline the production process, and to capitalize on and exploit viewer interest in previously successful and/or sensational story properties. An impressive lineup of established and emerging scholars talk seriously about forms of multiplicity that are rarely discussed as such, including direct-to-DVD films made in Nigeria, cross-cultural Japanese horror remakes, YouTube fan-generated trailer mash-ups, and 1970s animal revenge films. They show how considering the particular bonds that tie texts to one another allows us to understand more about the audiences for these texts and why they crave a version of the same story (or character or subject) over and over again. These findings demonstrate that, far from being lowbrow art, multiplicities are actually doing important cultural work that is very worthy of serious study.
150 Movies So Bad They’re Good
Author: Steve Hutchison
Publisher: Tales of Terror
ISBN: 1778870481
Category : Performing Arts
Languages : en
Pages : 306
Book Description
I hope you like cheese. This book is full of it. In this edition of Trends of Terror, film critic Steve Hutchison reviews 150 horror and horror-adjacent movies so bad they’re good, sorted from best to worst. How many have you seen?
Publisher: Tales of Terror
ISBN: 1778870481
Category : Performing Arts
Languages : en
Pages : 306
Book Description
I hope you like cheese. This book is full of it. In this edition of Trends of Terror, film critic Steve Hutchison reviews 150 horror and horror-adjacent movies so bad they’re good, sorted from best to worst. How many have you seen?
Legacy of Terror 2021: Sequels, Prequels & Remakes
Author: Steve Hutchison
Publisher: Tales of Terror
ISBN: 1778871879
Category : Performing Arts
Languages : en
Pages : 911
Book Description
I review 300 sequels, 100 remakes, and 50 prequels of my favorite horror movie franchises. The movies are ranked. Their position in the list is established by the sum of 8 ratings: stars, gimmick, rewatchability, story, creativity, acting, quality, and creepiness.
Publisher: Tales of Terror
ISBN: 1778871879
Category : Performing Arts
Languages : en
Pages : 911
Book Description
I review 300 sequels, 100 remakes, and 50 prequels of my favorite horror movie franchises. The movies are ranked. Their position in the list is established by the sum of 8 ratings: stars, gimmick, rewatchability, story, creativity, acting, quality, and creepiness.
Sequels, Prequels & Remakes (2020)
Author: Steve Hutchison
Publisher: Tales of Terror
ISBN: 1778872441
Category : Performing Arts
Languages : en
Pages : 709
Book Description
200 sequels, 100 remakes, and 50 prequels are reviewed in this book. The movies are ranked. Their position in each list is established by the sum of 8 types of ratings: stars, gimmick, rewatchability, story, creativity, acting, quality, and creepiness. How many have you seen?
Publisher: Tales of Terror
ISBN: 1778872441
Category : Performing Arts
Languages : en
Pages : 709
Book Description
200 sequels, 100 remakes, and 50 prequels are reviewed in this book. The movies are ranked. Their position in each list is established by the sum of 8 types of ratings: stars, gimmick, rewatchability, story, creativity, acting, quality, and creepiness. How many have you seen?
100 Horror Movie Remakes (2020)
Author: Steve Hutchison
Publisher: Tales of Terror
ISBN: 177887245X
Category : Performing Arts
Languages : en
Pages : 206
Book Description
In this book, I review 100 of my favorite horror movie remakes. The movies are ranked. Their position in the list is established by the sum of 8 types of ratings: stars, gimmick, rewatchability, story, creativity, acting, quality, and creepiness. How many have you seen?
Publisher: Tales of Terror
ISBN: 177887245X
Category : Performing Arts
Languages : en
Pages : 206
Book Description
In this book, I review 100 of my favorite horror movie remakes. The movies are ranked. Their position in the list is established by the sum of 8 types of ratings: stars, gimmick, rewatchability, story, creativity, acting, quality, and creepiness. How many have you seen?
Legacy of Terror 2021: 100 Horror Movie Remakes
Author: Steve Hutchison
Publisher: Tales of Terror
ISBN: 1778871844
Category : Performing Arts
Languages : en
Pages : 205
Book Description
I review 100 of my favorite horror movie remakes. The movies are ranked. Their position in the list is established by the sum of 8 ratings: stars, gimmick, rewatchability, story, creativity, acting, quality, and creepiness.
Publisher: Tales of Terror
ISBN: 1778871844
Category : Performing Arts
Languages : en
Pages : 205
Book Description
I review 100 of my favorite horror movie remakes. The movies are ranked. Their position in the list is established by the sum of 8 ratings: stars, gimmick, rewatchability, story, creativity, acting, quality, and creepiness.
300 Horror Science Fiction Films Reviewed (2020)
Author: Steve Hutchison
Publisher: Tales of Terror
ISBN: 1778871062
Category : Performing Arts
Languages : en
Pages : 605
Book Description
Steve Hutchison reviews 300 horror science fiction films and ranks them. Each article includes a picture of the main antagonist, a release year, a synopsis, a star rating, and a review.
Publisher: Tales of Terror
ISBN: 1778871062
Category : Performing Arts
Languages : en
Pages : 605
Book Description
Steve Hutchison reviews 300 horror science fiction films and ranks them. Each article includes a picture of the main antagonist, a release year, a synopsis, a star rating, and a review.