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Author: Timothy Cheek
Publisher: Rowman & Littlefield
ISBN: 0810883058
Category : Music
Languages : en
Pages : 292
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Book Description
This book serves as an aid to anyone seeking to perform and gain a deeper understanding of this multi-layered opera, which so trenchantly asks what it means to be human, to love, and to be loved in return.
Author: Timothy Cheek
Publisher: Rowman & Littlefield
ISBN: 0810883058
Category : Music
Languages : en
Pages : 292
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Book Description
This book serves as an aid to anyone seeking to perform and gain a deeper understanding of this multi-layered opera, which so trenchantly asks what it means to be human, to love, and to be loved in return.
Author: Paul Gruber
Publisher: W. W. Norton & Company
ISBN: 9780393034448
Category : Music
Languages : en
Pages : 808
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Book Description
A guide to recordings of operas.
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Category : Great Britain
Languages : en
Pages : 878
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Book Description
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Category :
Languages : en
Pages : 668
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Book Description
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Category : Theater
Languages : en
Pages : 384
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Book Description
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Category : Music
Languages : en
Pages : 498
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Book Description
Author: Robert Ignatius Letellier
Publisher: Cambridge Scholars Publishing
ISBN: 1443884251
Category : Music
Languages : en
Pages : 710
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Book Description
Operetta developed in the second half of the 19th century from the French opéra-comique and the more lighthearted German Singspiel. As the century progressed, the serious concerns of mainstream opera were sustained and intensified, leaving a gap between opéra-comique and vaudeville that necessitated a new type of stage work. Jacques Offenbach, son of a Cologne synagogue cantor, established himself in Paris with his series of opéras-bouffes. The popular success of this individual new form of entertainment light, humorous, satirical and also sentimental led to the emergence of operetta as a separate genre, an art form with its own special flavour and concerns, and no longer simply a "little opera". Attempts to emulate Offenbach's success in France and abroad generated other national schools of operetta and helped to establish the genre internationally, in Spain, in England, and especially in Austria Hungary. Here it inspired works by Franz von Suppé and Johann Strauss II (the Golden Age), and later Franz Lehár and Emmerich Kálmán (the Silver Age). Viennese operetta flourished conterminously with the Habsburg Empire and the mystique of Vienna, but, after the First World War, an artistically vibrant Berlin assumed this leading position (with Paul Lincke, Leon Jessel and Edouard Künnecke). As popular musical tastes diverged more and more during the interwar years, with the advent of new influences—like those of cabaret, the revue, jazz, modern dance music and the cinema, as well as changing social mores—the operetta genre took on new guises. This was especially manifested in the musical comedy of London's West End and New York's Broadway, with their imitators generating a success that opened a new golden age for the reinvented genre, especially after the Second World War. This source book presents an overview of the operetta genre in all its forms. The first volume provides an introduction, a representative chronology of the genre from 1840 to 2013, and a survey of the national schools of France and Austria-Hungary. The principal composers are considered in chronological sequence, with biographical material and a list of stage works, selected synopses and some commentary.
Author: Nicolas Abraham
Publisher: U of Minnesota Press
ISBN: 0816648581
Category : Psychology
Languages : en
Pages : 206
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Book Description
An innovative literary analysis of Freud's "Wolf Man."
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Languages : en
Pages : 684
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Book Description
Author: Morris Goldenberg
Publisher: Alfred Music
ISBN: 9781457404740
Category : Music
Languages : en
Pages : 188
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Book Description
The "Goldenberg Book" has been used by generations of orchestral snare drum players to develop their skills. As well as studies and etudes, this book includes excerpts of major orchestral repertoire for snare drum and all of the instruments of the percussion family. This edition, edited by Tony Cirone, includes phrasings and stickings along with re-engraved etudes. This book is the primary source for percussionists to learn proper technique and important orchestral repertoire.
