Author: Baylor University. Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 436
Book Description
Browningiana in Baylor University
Author: Baylor University. Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 436
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 436
Book Description
Our Appalachia
Author: Laurel Shackelford
Publisher: University Press of Kentucky
ISBN: 0813187680
Category : History
Languages : en
Pages : 435
Book Description
Many books have been written about Appalachia, but few have voiced its concerns with the warmth and directness of this one. From hundreds of interviews gathered by the Appalachian Oral History Project, editors Laurel Shackelford and Bill Weinberg have woven a rich verbal tapestry that portrays the people and the region in all their variety. The words on the page have the ring of truth, for these are the people of Appalachia speaking for themselves. Here they recollect an earlier time of isolation but of independence and neighborliness. For a nearer time they tell of the great changes that took place in Appalachia with the growth of coal mining and railroads and the disruption of old ways. Persisting through the years and sounding clearly in the interviews are the dignity of the Appalachian people and their close ties with the land, despite the exploitation and change they have endured. When first published, Our Appalachia was widely praised. This new edition again makes available an authentic source of social history for all those with an interest in the region.
Publisher: University Press of Kentucky
ISBN: 0813187680
Category : History
Languages : en
Pages : 435
Book Description
Many books have been written about Appalachia, but few have voiced its concerns with the warmth and directness of this one. From hundreds of interviews gathered by the Appalachian Oral History Project, editors Laurel Shackelford and Bill Weinberg have woven a rich verbal tapestry that portrays the people and the region in all their variety. The words on the page have the ring of truth, for these are the people of Appalachia speaking for themselves. Here they recollect an earlier time of isolation but of independence and neighborliness. For a nearer time they tell of the great changes that took place in Appalachia with the growth of coal mining and railroads and the disruption of old ways. Persisting through the years and sounding clearly in the interviews are the dignity of the Appalachian people and their close ties with the land, despite the exploitation and change they have endured. When first published, Our Appalachia was widely praised. This new edition again makes available an authentic source of social history for all those with an interest in the region.
Hollybush
Author: Charles E. Martin
Publisher: Univ. of Tennessee Press
ISBN: 9780870498169
Category : Architecture
Languages : en
Pages : 136
Book Description
"The Appalachian community of Hollybush, first settled in 1881, grew to a population of some 150 people on thirty farm sites. Charles Martin shows that its abandonment in 1960 resulted from technological change, which brought social upheaval manifested in the region's now-vanished architecture." "Martin's analysis makes innovative use of the techniques of oral history and material culture. The essential data incorporated within the building survey document the physical displacement that occurred in the community as it attempted to switch from an agrarian to an industrial system. The author assesses the resulting social conflict, showing how coal provided the catalyst for change to which residents so profoundly reacted. In the experience of Hollybush the author discovers a paradigm of the social changes wrought by industrialism elsewhere in America."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Publisher: Univ. of Tennessee Press
ISBN: 9780870498169
Category : Architecture
Languages : en
Pages : 136
Book Description
"The Appalachian community of Hollybush, first settled in 1881, grew to a population of some 150 people on thirty farm sites. Charles Martin shows that its abandonment in 1960 resulted from technological change, which brought social upheaval manifested in the region's now-vanished architecture." "Martin's analysis makes innovative use of the techniques of oral history and material culture. The essential data incorporated within the building survey document the physical displacement that occurred in the community as it attempted to switch from an agrarian to an industrial system. The author assesses the resulting social conflict, showing how coal provided the catalyst for change to which residents so profoundly reacted. In the experience of Hollybush the author discovers a paradigm of the social changes wrought by industrialism elsewhere in America."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The Gothic Forms of Victorian Poetry
Author: Olivia Loksing Moy
Publisher: Edinburgh University Press
ISBN: 1474487203
Category : Literary Criticism
Languages : en
Pages : 309
Book Description
A lonely damsel imprisoned within a castle or convent cell. The eavesdropping of a prisoner next door. The framed image of a woman with a sinister past. These familiar tropes from 1790s novels and tales exploded onto the English literary scene in 'low-brow' titles of Gothic romance. Surprisingly, however, they also re-emerged as features of major Victorian poems from the 1830s to 1870s. Such signature tropes - inquisitional overhearing; female confinement and the damsel in distress; supernatural switches between living and dead bodies - were transfigured into poetic forms that we recognise and teach today as canonically Victorian. The Gothic Forms of Victorian Poetry identifies a poetics of Gothic enclosure constitutive of high Victorian poetry that came to define key nineteenth-century poetic forms, from the dramatic monologue, to women's sonnet sequences and metasonnets, to Pre-Raphaelite picture poems.
Publisher: Edinburgh University Press
ISBN: 1474487203
Category : Literary Criticism
Languages : en
Pages : 309
Book Description
A lonely damsel imprisoned within a castle or convent cell. The eavesdropping of a prisoner next door. The framed image of a woman with a sinister past. These familiar tropes from 1790s novels and tales exploded onto the English literary scene in 'low-brow' titles of Gothic romance. Surprisingly, however, they also re-emerged as features of major Victorian poems from the 1830s to 1870s. Such signature tropes - inquisitional overhearing; female confinement and the damsel in distress; supernatural switches between living and dead bodies - were transfigured into poetic forms that we recognise and teach today as canonically Victorian. The Gothic Forms of Victorian Poetry identifies a poetics of Gothic enclosure constitutive of high Victorian poetry that came to define key nineteenth-century poetic forms, from the dramatic monologue, to women's sonnet sequences and metasonnets, to Pre-Raphaelite picture poems.
The Library of Literary Criticism of English and American Authors: 1875-1890
Author: Charles Wells Moulton
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 808
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 808
Book Description
Becoming Browning
Author: Clyde de L. Ryals
Publisher: Ohio State University Press
ISBN: 0814203523
Category :
Languages : en
Pages : 312
Book Description
Publisher: Ohio State University Press
ISBN: 0814203523
Category :
Languages : en
Pages : 312
Book Description
Robert Browning: Selected Poems
Author: John Woolford
Publisher: Routledge
ISBN: 1317864913
Category : Literary Criticism
Languages : en
Pages : 938
Book Description
Robert Browning (1812 – 1889) was one of the defining figures of the Victorian age. Famous in his lifetime for his elopement and marriage to Elizabeth Barratt, his critical reputation grew steadily in the years following her early death. Browning’s mastery of dramatic verse was evident throughout his career, from such chillingly unforgettable monologues as ‘My Last Duchess’ and ‘Porphyria’ to the mature work included in his collection Dramatis Personae. This selection, chosen by leading scholars, reveals the innovation, complexity and profound psychological insight that have ensured Browning’s enduring reputation and his continuing appeal to readers today. Browning: Selected Poems results from a completely fresh appraisal of the canon, text and context of the writer’s work. The poems are presented in the order of their composition and in the text in which they were first published, giving a unique insight into the development of Browning’s art. An introduction and chronology offer useful background material, whilst annotations and headnotes provide details of composition, publication, sources and contemporary reception. This authoritative yet accessible selection should become the first point of reference for scholar, student and general reader alike.
Publisher: Routledge
ISBN: 1317864913
Category : Literary Criticism
Languages : en
Pages : 938
Book Description
Robert Browning (1812 – 1889) was one of the defining figures of the Victorian age. Famous in his lifetime for his elopement and marriage to Elizabeth Barratt, his critical reputation grew steadily in the years following her early death. Browning’s mastery of dramatic verse was evident throughout his career, from such chillingly unforgettable monologues as ‘My Last Duchess’ and ‘Porphyria’ to the mature work included in his collection Dramatis Personae. This selection, chosen by leading scholars, reveals the innovation, complexity and profound psychological insight that have ensured Browning’s enduring reputation and his continuing appeal to readers today. Browning: Selected Poems results from a completely fresh appraisal of the canon, text and context of the writer’s work. The poems are presented in the order of their composition and in the text in which they were first published, giving a unique insight into the development of Browning’s art. An introduction and chronology offer useful background material, whilst annotations and headnotes provide details of composition, publication, sources and contemporary reception. This authoritative yet accessible selection should become the first point of reference for scholar, student and general reader alike.
Browning's Beginnings
Author: Herbert F. Tucker Jr.
Publisher: U of Minnesota Press
ISBN: 081665882X
Category : Literary Criticism
Languages : en
Pages : 271
Book Description
Browning's Beginnings was first published in 1980. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Browning's Beginnings offers a fresh approach to the poet who, among major Victorians, has proved at once the most congenial and most inscrutable to modern readers. Drawing on recent developments in literary theory and in the criticism of romantic poetry, Herbert F. Tucker, Jr., argues that Browning's stylistic "obscurity" is the result of a principled poetics of evasion. This art of disclosure, in deferring formal and semantic finalities, constitutes an aesthetic counterpart to his open-ended moral philosophy of"incompleteness," Browning's poems, like his enormously productive career, find their motivation and sustenance in his optimistic love of the future—a love that is indistinguishable from his lifelong fear that there will be nothing left to say. The opening chapters trace the workings of Browning's art of disclosure with extensive and original interpretations of the unduly neglected early poems, Pauline, Paracelsus, and Sordello, and place special emphasis on Browning's attitudes toward poetic tradition and language. A chapter on Browning's attitudes toward poetic tradition and language. A chapter on Browning's plays identifies dynamics of representation in Pippa Passes, Strafford,and King Victor and King Charles. Tucker discusses the pervasive analogy between Browning's ideas about poetic representation and about representation in its erotic and religious aspects, and shows how the early poems and plays illustrate correlative developments in poetics and in the exploration and dramatic rendering of human psychology. The remaining chapters follow the poetic psychology of Browning to its culmination in the great poems of his middle years; exemplary readings of selected dramatic lyrics and monologues suggest that the ways of meaning in Browning's mature work variously bear out the sense of endlessness or perpetual initiation that is central to his poetic beginnings. Tucker thus contends that the "romantic" and the "Victorian" Browning have more in common than is generally supposed, and his book should appeal to students of both periods. Its discussion of general literary issues - poetic influence, closure, representation, and meaning - in application to particular texts should further recommend Browning's Beginnings to the nonspecialist reader interested in poetry and poetic theory.
Publisher: U of Minnesota Press
ISBN: 081665882X
Category : Literary Criticism
Languages : en
Pages : 271
Book Description
Browning's Beginnings was first published in 1980. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. Browning's Beginnings offers a fresh approach to the poet who, among major Victorians, has proved at once the most congenial and most inscrutable to modern readers. Drawing on recent developments in literary theory and in the criticism of romantic poetry, Herbert F. Tucker, Jr., argues that Browning's stylistic "obscurity" is the result of a principled poetics of evasion. This art of disclosure, in deferring formal and semantic finalities, constitutes an aesthetic counterpart to his open-ended moral philosophy of"incompleteness," Browning's poems, like his enormously productive career, find their motivation and sustenance in his optimistic love of the future—a love that is indistinguishable from his lifelong fear that there will be nothing left to say. The opening chapters trace the workings of Browning's art of disclosure with extensive and original interpretations of the unduly neglected early poems, Pauline, Paracelsus, and Sordello, and place special emphasis on Browning's attitudes toward poetic tradition and language. A chapter on Browning's attitudes toward poetic tradition and language. A chapter on Browning's plays identifies dynamics of representation in Pippa Passes, Strafford,and King Victor and King Charles. Tucker discusses the pervasive analogy between Browning's ideas about poetic representation and about representation in its erotic and religious aspects, and shows how the early poems and plays illustrate correlative developments in poetics and in the exploration and dramatic rendering of human psychology. The remaining chapters follow the poetic psychology of Browning to its culmination in the great poems of his middle years; exemplary readings of selected dramatic lyrics and monologues suggest that the ways of meaning in Browning's mature work variously bear out the sense of endlessness or perpetual initiation that is central to his poetic beginnings. Tucker thus contends that the "romantic" and the "Victorian" Browning have more in common than is generally supposed, and his book should appeal to students of both periods. Its discussion of general literary issues - poetic influence, closure, representation, and meaning - in application to particular texts should further recommend Browning's Beginnings to the nonspecialist reader interested in poetry and poetic theory.
D.W. Griffith and the Origins of American Narrative Film
Author: Tom Gunning
Publisher: University of Illinois Press
ISBN: 9780252063664
Category : Art
Languages : en
Pages : 334
Book Description
The legendary filmmaker D. W. Griffith directed nearly 200 films during 1908 and 1909, his first years with the Biograph Company. While those one-reel films are a testament to Griffith's inspired genius as a director, they also reflect a fundamental shift in film style from "cheap amusements" to movie storytelling complete with characters and narrative impetus. In this comprehensive historical investigation, drawing on films preserved by the Library of Congress and the Museum of Modern Art, Tom Gunning reveals that the remarkable cinematic changes between 1900 and 1915 were a response to the radical reorganization within the film industry and the evolving role of film in American society. The Motion Picture Patents Company, the newly formed Film Trust, had major economic aspirations. The newly emerging industry's quest for a middle-class audience triggered Griffith's early experiments in film editing and imagery. His unique solutions permanently shaped American narrative film.
Publisher: University of Illinois Press
ISBN: 9780252063664
Category : Art
Languages : en
Pages : 334
Book Description
The legendary filmmaker D. W. Griffith directed nearly 200 films during 1908 and 1909, his first years with the Biograph Company. While those one-reel films are a testament to Griffith's inspired genius as a director, they also reflect a fundamental shift in film style from "cheap amusements" to movie storytelling complete with characters and narrative impetus. In this comprehensive historical investigation, drawing on films preserved by the Library of Congress and the Museum of Modern Art, Tom Gunning reveals that the remarkable cinematic changes between 1900 and 1915 were a response to the radical reorganization within the film industry and the evolving role of film in American society. The Motion Picture Patents Company, the newly formed Film Trust, had major economic aspirations. The newly emerging industry's quest for a middle-class audience triggered Griffith's early experiments in film editing and imagery. His unique solutions permanently shaped American narrative film.
An Index to Poetry and Recitations
Author: Edith Granger
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 1088
Book Description
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 1088
Book Description