Author: Adam Mars-Jones
Publisher: Faber & Faber
ISBN: 0571284019
Category : Fiction
Languages : en
Pages : 535
Book Description
'Gripping.' New Statesman 'Compulsive.' Observer 'Strange and exhilarating.' Sunday Times 'A joy to read.' Sunday Telegraph 'Constantly surprising.' London Review of Books 'One of the most original comic creations in recent fiction.' Guardian Time passed slowly in the 1950s, especially if you'd been put to bed and told not to move (until further notice). But John Cromer, the central character of this extraordinary novel, is much closer to being an explorer than a victim. He's the weakest hero in fiction - unless he's one of the strongest. The first instalment of the semi-infinite Pilcrow sequence, this novel of capacious wit and style marks the opening chapter of the most memorable and enjoyable experiment in modern fiction. 'Pilcrow is a humdinger, a startling work that stands out against the monotonous field of contemporary British fiction as a genuine, almost miraculous oddity.' Metro
Pilcrow
Author: Adam Mars-Jones
Publisher: Faber & Faber
ISBN: 0571284019
Category : Fiction
Languages : en
Pages : 535
Book Description
'Gripping.' New Statesman 'Compulsive.' Observer 'Strange and exhilarating.' Sunday Times 'A joy to read.' Sunday Telegraph 'Constantly surprising.' London Review of Books 'One of the most original comic creations in recent fiction.' Guardian Time passed slowly in the 1950s, especially if you'd been put to bed and told not to move (until further notice). But John Cromer, the central character of this extraordinary novel, is much closer to being an explorer than a victim. He's the weakest hero in fiction - unless he's one of the strongest. The first instalment of the semi-infinite Pilcrow sequence, this novel of capacious wit and style marks the opening chapter of the most memorable and enjoyable experiment in modern fiction. 'Pilcrow is a humdinger, a startling work that stands out against the monotonous field of contemporary British fiction as a genuine, almost miraculous oddity.' Metro
Publisher: Faber & Faber
ISBN: 0571284019
Category : Fiction
Languages : en
Pages : 535
Book Description
'Gripping.' New Statesman 'Compulsive.' Observer 'Strange and exhilarating.' Sunday Times 'A joy to read.' Sunday Telegraph 'Constantly surprising.' London Review of Books 'One of the most original comic creations in recent fiction.' Guardian Time passed slowly in the 1950s, especially if you'd been put to bed and told not to move (until further notice). But John Cromer, the central character of this extraordinary novel, is much closer to being an explorer than a victim. He's the weakest hero in fiction - unless he's one of the strongest. The first instalment of the semi-infinite Pilcrow sequence, this novel of capacious wit and style marks the opening chapter of the most memorable and enjoyable experiment in modern fiction. 'Pilcrow is a humdinger, a startling work that stands out against the monotonous field of contemporary British fiction as a genuine, almost miraculous oddity.' Metro
Shady Characters: The Secret Life of Punctuation, Symbols, and Other Typographical Marks
Author: Keith Houston
Publisher: W. W. Norton & Company
ISBN: 0393064425
Category : Design
Languages : en
Pages : 353
Book Description
Revealing the secret history of punctuation, this tour of two thousand years of the written word, from ancient Greece to the Internet, explores the parallel histories of language and typography throughout the world and across time.
Publisher: W. W. Norton & Company
ISBN: 0393064425
Category : Design
Languages : en
Pages : 353
Book Description
Revealing the secret history of punctuation, this tour of two thousand years of the written word, from ancient Greece to the Internet, explores the parallel histories of language and typography throughout the world and across time.
Clash of Symbols
Author: Stephen Webb
Publisher: Springer
ISBN: 3319713507
Category : Science
Languages : en
Pages : 246
Book Description
From the ampersat and amerpsand, via smileys and runes to the ubiquitous presence of mathematical and other symbols in sciences and technology: both old and modern documents abound with many familiar as well as lesser known characters, symbols and other glyphs. Yet, who would be readily able to answer any question like: ‘who chose π to represent the ratio of a circle’s diameter to its circumference?’ or ‘what’s the reasoning behind having a ⌘ key on my computer keyboard?’ This book is precisely for those who have always asked themselves this sort of questions. So, here are the stories behind one hundred glyphs, the book being evenly divided into five parts, with each featuring 20 symbols. Part 1, called Character sketches, looks at some of the glyphs we use in writing. Part 2, called Signs of the times, discusses some glyphs used in politics, religion, and other areas of everyday life. Some of these symbols are common; others are used only rarely. Some are modern inventions; others, which seem contemporary, can be traced back many hundreds of years. Part 3, called Signs and wonders, explores some of the symbols people have developed for use in describing the heavens. These are some of the most visually striking glyphs in the book, and many of them date back to ancient times. Nevertheless their use — at least in professional arenas — is diminishing. Part 4, called It’s Greek to me, examines some symbols used in various branches of science. A number of these symbols are employed routinely by professional scientists and are also familiar to the general public; others are no longer applied in a serious fashion by anyone — but the reader might still meet them, from time to time, in older works. The final part of the book, Meaningless marks on paper, looks at some of the characters used in mathematics, the history of which one can easily appreciate with only a basic knowledge of mathematics. There are obviously countless others symbols. In recent years the computing industry has developed Unicode and it currently contains more than 135 000 entries. This book would like to encourage the curious reader to take a stroll through Unicode, to meet many characters that will delight the eye and, researching their history, to gain some fascinating insights.
Publisher: Springer
ISBN: 3319713507
Category : Science
Languages : en
Pages : 246
Book Description
From the ampersat and amerpsand, via smileys and runes to the ubiquitous presence of mathematical and other symbols in sciences and technology: both old and modern documents abound with many familiar as well as lesser known characters, symbols and other glyphs. Yet, who would be readily able to answer any question like: ‘who chose π to represent the ratio of a circle’s diameter to its circumference?’ or ‘what’s the reasoning behind having a ⌘ key on my computer keyboard?’ This book is precisely for those who have always asked themselves this sort of questions. So, here are the stories behind one hundred glyphs, the book being evenly divided into five parts, with each featuring 20 symbols. Part 1, called Character sketches, looks at some of the glyphs we use in writing. Part 2, called Signs of the times, discusses some glyphs used in politics, religion, and other areas of everyday life. Some of these symbols are common; others are used only rarely. Some are modern inventions; others, which seem contemporary, can be traced back many hundreds of years. Part 3, called Signs and wonders, explores some of the symbols people have developed for use in describing the heavens. These are some of the most visually striking glyphs in the book, and many of them date back to ancient times. Nevertheless their use — at least in professional arenas — is diminishing. Part 4, called It’s Greek to me, examines some symbols used in various branches of science. A number of these symbols are employed routinely by professional scientists and are also familiar to the general public; others are no longer applied in a serious fashion by anyone — but the reader might still meet them, from time to time, in older works. The final part of the book, Meaningless marks on paper, looks at some of the characters used in mathematics, the history of which one can easily appreciate with only a basic knowledge of mathematics. There are obviously countless others symbols. In recent years the computing industry has developed Unicode and it currently contains more than 135 000 entries. This book would like to encourage the curious reader to take a stroll through Unicode, to meet many characters that will delight the eye and, researching their history, to gain some fascinating insights.
Book Design
Author: Andrew Haslam
Publisher: Laurence King Publishing
ISBN: 9781856694735
Category : Design
Languages : en
Pages : 264
Book Description
'Book Design' takes the reader through every aspect of the subject, from the components that make up a book, to understanding how books are commissioned and created, to the intricacies of grid construction and choosing a typeface.
Publisher: Laurence King Publishing
ISBN: 9781856694735
Category : Design
Languages : en
Pages : 264
Book Description
'Book Design' takes the reader through every aspect of the subject, from the components that make up a book, to understanding how books are commissioned and created, to the intricacies of grid construction and choosing a typeface.
The Waters of Thirst
Author: Adam Mars-Jones
Publisher: Vintage Books
ISBN: 9780679759607
Category : Gay men
Languages : en
Pages : 192
Book Description
William and Terry chanced upon monogamy before it became the symbol of a world ruled by illness and denial. The author--an acclaimed voice in the gay community--offers a brilliant, hilarious, and touching novel about love and desire in the plague years.
Publisher: Vintage Books
ISBN: 9780679759607
Category : Gay men
Languages : en
Pages : 192
Book Description
William and Terry chanced upon monogamy before it became the symbol of a world ruled by illness and denial. The author--an acclaimed voice in the gay community--offers a brilliant, hilarious, and touching novel about love and desire in the plague years.
Songs of Love and Grammar
Author: James Harbeck
Publisher: Lulu.com
ISBN: 1105617335
Category : Education
Languages : en
Pages : 114
Book Description
"I met a buxom grammatician / and said I'd like her out to take; / back she came with proposition: / in let's stay and out let's make..." Who can look at punctuation mark or idiom and not think of romantic frustration? Clearly, what the world needs most is flippant poems that combine points of English grammar with a salacious sensibility. And here it is: Songs of Love and Grammar, some five-dozen-odd poems on romantic and grammatical entanglements. Is it reference? Is it poetry? Well, yes, but above all, it's funny.
Publisher: Lulu.com
ISBN: 1105617335
Category : Education
Languages : en
Pages : 114
Book Description
"I met a buxom grammatician / and said I'd like her out to take; / back she came with proposition: / in let's stay and out let's make..." Who can look at punctuation mark or idiom and not think of romantic frustration? Clearly, what the world needs most is flippant poems that combine points of English grammar with a salacious sensibility. And here it is: Songs of Love and Grammar, some five-dozen-odd poems on romantic and grammatical entanglements. Is it reference? Is it poetry? Well, yes, but above all, it's funny.
The Lonely Beast
Author: Chris Judge
Publisher: Andersen Press USA
ISBN: 146774431X
Category : Juvenile Fiction
Languages : en
Pages : 36
Book Description
Have you heard of the Beasts? No? Well, I'm not surprised. Not many people have. That's because the Beasts are very rare. This is the tale of one Beast, the rarest of the rare, a Beast who decides he is lonely and sets out to find the other Beasts. Will his daring and dangerous journey lead him to some friends?
Publisher: Andersen Press USA
ISBN: 146774431X
Category : Juvenile Fiction
Languages : en
Pages : 36
Book Description
Have you heard of the Beasts? No? Well, I'm not surprised. Not many people have. That's because the Beasts are very rare. This is the tale of one Beast, the rarest of the rare, a Beast who decides he is lonely and sets out to find the other Beasts. Will his daring and dangerous journey lead him to some friends?
The History of the English Paragraph
Author: Edwin Herbert Lewis
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 218
Book Description
Publisher:
ISBN:
Category : English language
Languages : en
Pages : 218
Book Description
Oligarchy
Author: Scarlett Thomas
Publisher: Catapult
ISBN: 1640093079
Category : Fiction
Languages : en
Pages : 208
Book Description
From the author of The Seed Collectors comes a darkly comic take on power, privilege, and the pressure put on young women to fit in—and be thin—at their all–girls boarding school It's already the second week of term when Natasha, the daughter of a Russian oligarch, arrives at a vast English country house for her first day of boarding school. She soon discovers that the headmaster gives special treatment to the skinniest girls, and Tash finds herself thrown into the school's unfamiliar, moneyed world of fierce pecking orders, eating disorders, and Instagram angst. The halls echo with the story of Princess Augusta, the White Lady whose portraits—featuring a hypnotizing black diamond—hang everywhere and whose ghost is said to haunt the dorms. It's said that she fell in love with a commoner and drowned herself in the lake. But the girls don't really know anything about the woman she was, much less anything about one another. When Tash's friend Bianca mysteriously vanishes, the routines of the school seem darker and more alien than ever before. Tash must try to stay alive—and sane—while she uncovers what's really going on. Darkly hilarious, Oligarchy is Heathers for the digital age, a Prep populated with the teenage children of the European elite, exploring youth, power, and affluence. Scarlett Thomas captures the lives of these privileged young women, in all their triviality and magnitude, seeking acceptance and control in a manipulative world.
Publisher: Catapult
ISBN: 1640093079
Category : Fiction
Languages : en
Pages : 208
Book Description
From the author of The Seed Collectors comes a darkly comic take on power, privilege, and the pressure put on young women to fit in—and be thin—at their all–girls boarding school It's already the second week of term when Natasha, the daughter of a Russian oligarch, arrives at a vast English country house for her first day of boarding school. She soon discovers that the headmaster gives special treatment to the skinniest girls, and Tash finds herself thrown into the school's unfamiliar, moneyed world of fierce pecking orders, eating disorders, and Instagram angst. The halls echo with the story of Princess Augusta, the White Lady whose portraits—featuring a hypnotizing black diamond—hang everywhere and whose ghost is said to haunt the dorms. It's said that she fell in love with a commoner and drowned herself in the lake. But the girls don't really know anything about the woman she was, much less anything about one another. When Tash's friend Bianca mysteriously vanishes, the routines of the school seem darker and more alien than ever before. Tash must try to stay alive—and sane—while she uncovers what's really going on. Darkly hilarious, Oligarchy is Heathers for the digital age, a Prep populated with the teenage children of the European elite, exploring youth, power, and affluence. Scarlett Thomas captures the lives of these privileged young women, in all their triviality and magnitude, seeking acceptance and control in a manipulative world.
Typographies of Performance in Early Modern England
Author: Claire M. L. Bourne
Publisher: Oxford University Press
ISBN: 0192588524
Category : Literary Criticism
Languages : en
Pages : 351
Book Description
Typographies of Performance in Early Modern England is the first book-length study of early modern English playbook typography. It tells a new history of drama from the period by considering the page designs of plays by Shakespeare and others printed between the end of the fifteenth century and the beginning of the eighteenth century. It argues that typography, broadly conceived, was used creatively by printers, publishers, playwrights, and other agents of the book trade to make the effects of theatricality—from the most basic (textually articulating a change in speaker) to the more complex (registering the kinesis of bodies on stage)—intelligible on the page. The coalescence of these experiments into a uniquely dramatic typography that was constantly responsive to performance effects made it possible for 'plays' to be marketed, collected, and read in the sixteenth and seventeenth centuries as a print genre distinct from all other genres of imaginative writing. It has been said, 'If a play is a book, it is not a play.' Typographies of Performance in Early Modern England shows that 'play' and 'book' were, in fact, mutually constitutive: it was the very bookishness of plays printed in early modern England that allowed them to be recognized by their earliest readers as plays in the first place.
Publisher: Oxford University Press
ISBN: 0192588524
Category : Literary Criticism
Languages : en
Pages : 351
Book Description
Typographies of Performance in Early Modern England is the first book-length study of early modern English playbook typography. It tells a new history of drama from the period by considering the page designs of plays by Shakespeare and others printed between the end of the fifteenth century and the beginning of the eighteenth century. It argues that typography, broadly conceived, was used creatively by printers, publishers, playwrights, and other agents of the book trade to make the effects of theatricality—from the most basic (textually articulating a change in speaker) to the more complex (registering the kinesis of bodies on stage)—intelligible on the page. The coalescence of these experiments into a uniquely dramatic typography that was constantly responsive to performance effects made it possible for 'plays' to be marketed, collected, and read in the sixteenth and seventeenth centuries as a print genre distinct from all other genres of imaginative writing. It has been said, 'If a play is a book, it is not a play.' Typographies of Performance in Early Modern England shows that 'play' and 'book' were, in fact, mutually constitutive: it was the very bookishness of plays printed in early modern England that allowed them to be recognized by their earliest readers as plays in the first place.