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Author: Gabriela Siracusano
Publisher: Archetype Publications
ISBN: 9781904982562
Category : Art
Languages : en
Pages : 0
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Book Description
"This book is the result of a study of cultural practices related to the uses of colouring materials in the South American Andean region during the colonial period (sixteenth–eighteenth century) and their 'powerful' presence in the images of the conquest. It offers the reader a new insight into the techniques and use of colour in Andean colonial painting. A material history of colour in Andean workshops (the 'making'), leads the reader to the exchange of ideas between different parties such as painters, pharamacists, physicians, alchemists, etc. (the 'knowledge'), and then to the symbolic and powerful dimension of these coloured powders as found in the sacred and political messages projected by the images (the 'power'). Starting with an analysis of the images and the concept of representation during the process of evangelisation/domination, the author describes the discursive and iconographic strategies used by different parties to achieve several goals through the use of colour. The book's main hypothesis is that colors were silent protagonists of the Andean ritual system, a fact that was identified only by certain 'idol exterminators' who tried to 'rebrand' them by giving them a Christian meaning"--P. [4] of cover.
Author: Gabriela Siracusano
Publisher: Archetype Publications
ISBN: 9781904982562
Category : Art
Languages : en
Pages : 0
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Book Description
"This book is the result of a study of cultural practices related to the uses of colouring materials in the South American Andean region during the colonial period (sixteenth–eighteenth century) and their 'powerful' presence in the images of the conquest. It offers the reader a new insight into the techniques and use of colour in Andean colonial painting. A material history of colour in Andean workshops (the 'making'), leads the reader to the exchange of ideas between different parties such as painters, pharamacists, physicians, alchemists, etc. (the 'knowledge'), and then to the symbolic and powerful dimension of these coloured powders as found in the sacred and political messages projected by the images (the 'power'). Starting with an analysis of the images and the concept of representation during the process of evangelisation/domination, the author describes the discursive and iconographic strategies used by different parties to achieve several goals through the use of colour. The book's main hypothesis is that colors were silent protagonists of the Andean ritual system, a fact that was identified only by certain 'idol exterminators' who tried to 'rebrand' them by giving them a Christian meaning"--P. [4] of cover.
Author: Barbara H. Berrie
Publisher: Princeton University Press
ISBN: 0691256624
Category : Art
Languages : en
Pages : 176
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Book Description
A concise illustrated history of one of art’s most important and elusive elements Over the millennia, humans have used pigments to decorate, narrate, and instruct. Charred bone, ground earth, stones, bugs, and blood were the first pigments. New pigments were manufactured by simple processes such as corrosion and calcination until the Industrial Revolution introduced colors outside the spectrum of the natural world. Pigments brings together leading art historians and conservators to trace the history of the materials used to create color and their invention across diverse cultures and time periods. This richly illustrated book features incisive historical essays and case studies that shed light on the many forms of pigments—the organic and inorganic; the edible and the toxic; and those that are more precious than gold. It shows how pigments were as central to the earliest art forms and global trade networks as they are to commerce, ornamentation, and artistic expression today. The book reveals the innate instability and mutability of most pigments and discusses how few artworks or objects look as they did when they were first created. From cave paintings to contemporary art, Pigments demonstrates how a material understanding of color opens new perspectives on visual culture and the history of art.
Author: John Wayne Janusek
Publisher: Routledge
ISBN: 1135940886
Category : Social Science
Languages : en
Pages : 350
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Book Description
The Tiwanaku state was the political and cultural center of ancient Andean civilization for almost 700 years. Identity and Power is the result of ten years of research that has revealed significant new data. Janusek explores the origins, development, and collapse of this ancient state through the lenses of social identities--gender, ethnicity, occupation, for example--and power relations. He combines recent developments in social theory with the archaeological record to create a fascinating and theoretically informed exploration of the history of this important civilization.
Author: Carlos Marichal
Publisher: Bloomsbury Publishing
ISBN: 1350408123
Category : History
Languages : en
Pages : 257
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Book Description
This volume explores the global history of natural dyes from the Americas and asks how their production and trade have shaped globalisation since early modern times. From their extraction and processing to their overseas trade, it shows how this commodity contributed to the rise of the textile industry and consumption in Europe, the United States and Latin America. In doing so, it sheds new light on the emergence of a global economy. Spanning several centuries, Colours, Commodities and the Birth of Globalization takes the reader from 1500 through the industrial revolutions of Europe and the United States and culminates in the synthetic age of the late-19th and early-20th centuries. Ranging from the indigo trade in the Atlantic to the secrets of the Indian production of cochineal, the chapters in this collection transcend nationally bounded historical narratives and explore transoceanic dynamics, imperial ambitions and the cross-cultural exchange of knowledge and techniques to better understand the birth of globalization.
Author: Joanne Pillsbury
Publisher: Getty Publications
ISBN: 1606065483
Category : Art
Languages : en
Pages : 331
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Book Description
This volume accompanies a major international loan exhibition featuring more than three hundred works of art, many rarely or never before seen in the United States. It traces the development of gold working and other luxury arts in the Americas from antiquity until the arrival of Europeans in the early sixteenth century. Presenting spectacular works from recent excavations in Peru, Colombia, Panama, Costa Rica, Guatemala, and Mexico, this exhibition focuses on specific places and times—crucibles of innovation—where artistic exchange, rivalry, and creativity led to the production of some of the greatest works of art known from the ancient Americas. The book and exhibition explore not only artistic practices but also the historical, cultural, social, and political conditions in which luxury arts were produced and circulated, alongside their religious meanings and ritual functions. Golden Kingdoms creates new understandings of ancient American art through a thematic exploration of indigenous ideas of value and luxury. Central to the book is the idea of the exchange of materials and ideas across regions and across time: works of great value would often be transported over long distances, or passed down over generations, in both cases attracting new audiences and inspiring new artists. The idea of exchange is at the intellectual heart of this volume, researched and written by twenty scholars based in the United States and Latin America.
Author: Ramiro Matos
Publisher: Smithsonian Institution
ISBN: 1588345459
Category : History
Languages : en
Pages : 233
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Book Description
This compelling collection of essays explores the Qhapaq nan (or Great Inca Road), an extensive network of trails reaching modern-day Colombia, Ecuador, Peru, Bolivia, Chile, and Argentina. These roads and the accompanying agricultural terraces and structures that have survived for more than six centuries are a testament to the advanced engineering and construction skills of the Inca people. The Qhapaq nan also spurred an important process of ecological and community integration across the Andean region. This book, the companion volume to a National Museum of the American Indian exhibition of the same name, features essays on six main themes: the ancestors of the Inca, Cusco as the center of the empire, road engineering, road transportation and integration, the road in the Colonial era, and the road today. Beautifully designed and featuring more than 225 full-color illustrations, The Great Inka Road is a fascinating look at this enduring symbol of the Andean peoples' strength and adaptability.
Author: Christine Göttler
Publisher: BRILL
ISBN: 9004354506
Category : History
Languages : en
Pages : 649
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Book Description
At the turn of the sixteenth century, the notion of world was dramatically being reshaped, leaving no aspect of human experience untouched. The Nomadic Object: The Challenge of World for Early Modern Religious Art examines how sacred art and artefacts responded to the demands of a world stage in the age of reform. Essays by leading scholars explore how religious objects resulting from cross-cultural contact defied national and confessional categories and were re-contextualised in a global framework via their collection, exchange, production, management, and circulation. In dialogue with current discourses, papers address issues of idolatry, translation, materiality, value, and the agency of networks. The Nomadic Object demonstrates the significance of religious systems, from overseas logistics to philosophical underpinnings, for a global art history. Contributors are: Akira Akiyama, James Clifton, Jeffrey L. Collins, Ralph Dekoninck, Dagmar Eichberger, Beate Fricke, Christine Göttler, Christiane Hille, Margit Kern, Dipti Khera, Yoriko Kobayashi-Sato, Urte Krass, Evonne Levy, Meredith Martin, Walter S. Melion, Mia M. Mochizuki, Jeanette Favrot Peterson, Rose Marie San Juan, Denise-Marie Teece, Tristan Weddigen, and Ines G. Županov.
Author:
Publisher: BRILL
ISBN: 9004468102
Category : History
Languages : en
Pages : 279
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Book Description
This volume explores how visual arts functioned in the indigenous pre- and post-conquest New World as vehicles of social, religious, and political identity.
Author: Barbara Haeger
Publisher: BRILL
ISBN: 9004549528
Category : Art
Languages : en
Pages : 450
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Book Description
By clothing the Word with her flesh, the Virgin Mary made God visible, manifesting Christ as a perfect “image” of the Father. By virtue of this archetypal “artistry” of Incarnation, Mary mediates the tradition of Christian image-making. This volume explores images of the Mother of God in early modern devotion, piety, and power. The book is divided into four sections, the first three of which link the subjects thematically and geographically in Europe, while the last one follows Mary’s legacy. Contributors include: Elliott D. Wise, Anna Dlabačová, James Clifton, Kim Butler Wingfield, Barbara Baert, Steven Ostrow, Barbara Haeger, Shelley Perlove, Cristina Cruz González, and Mehreen Chida-Razvi.
Author: Aaron M. Hyman
Publisher: Getty Publications
ISBN: 1606066862
Category : Art
Languages : en
Pages : 322
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Book Description
This book examines the reception in Latin America of prints designed by the Flemish artist Peter Paul Rubens, showing how colonial artists used such designs to create all manner of artworks and, in the process, forged new frameworks for artistic creativity. Peter Paul Rubens (1577–1640) never crossed the Atlantic himself, but his impact in colonial Latin America was profound. Prints made after the Flemish artist’s designs were routinely sent from Europe to the Spanish Americas, where artists used them to make all manner of objects. Rubens in Repeat is the first comprehensive study of this transatlantic phenomenon, despite broad recognition that it was one of the most important forces to shape the artistic landscapes of the region. Copying, particularly in colonial contexts, has traditionally held negative implications that have discouraged its serious exploration. Yet analyzing the interpretation of printed sources and recontextualizing the resulting works within period discourse and their original spaces of display allow a new critical reassessment of this broad category of art produced in colonial Latin America—art that has all too easily been dismissed as derivative and thus unworthy of sustained interest and investigation. This book takes a new approach to the paradigms of artistic authorship that emerged alongside these complex creative responses, focusing on the viceroyalties of New Spain and Peru in the seventeenth and eighteenth centuries. It argues that the use of European prints was an essential component of the very framework in which colonial artists forged ideas about what it meant to be a creator.
