Pierrot in Petrograd PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Pierrot in Petrograd PDF full book. Access full book title Pierrot in Petrograd by J. Douglas Clayton. Download full books in PDF and EPUB format.
Author: J. Douglas Clayton
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773511361
Category : Art
Languages : en
Pages : 400
Get Book Here
Book Description
Commedia dell'arte was an essential ingredient of the revolution in Russian art in the early twentieth century. During this colourful and creative period artists sought inspiration in surprising places - icon painting, primitive art, and (in the theatre) circus, music-hall, and commedia dell'arte. The devices and motifs of Italian improvisational theatre played a central role in overcoming theatrical realism and naturalism and formed a basis for a new and expressive theatricality.
Author: J. Douglas Clayton
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773511361
Category : Art
Languages : en
Pages : 400
Get Book Here
Book Description
Commedia dell'arte was an essential ingredient of the revolution in Russian art in the early twentieth century. During this colourful and creative period artists sought inspiration in surprising places - icon painting, primitive art, and (in the theatre) circus, music-hall, and commedia dell'arte. The devices and motifs of Italian improvisational theatre played a central role in overcoming theatrical realism and naturalism and formed a basis for a new and expressive theatricality.
Author: Dassia N. Posner
Publisher: Northwestern University Press
ISBN: 0810133571
Category : Performing Arts
Languages : en
Pages : 405
Get Book Here
Book Description
Finalist, 2017 Theatre Library Association George Freedley Memorial Award Shortlist, 2019 Prague Quadrennial Best Scenography and Design Publication Award The Director's Prism investigates how and why three of Russia's most innovative directors— Vsevolod Meyerhold, Alexander Tairov, and Sergei Eisenstein—used the fantastical tales of German Romantic writer E. T. A. Hoffmann to reinvent the rules of theatrical practice. Because the rise of the director and the Russian cult of Hoffmann closely coincided, Posner argues, many characteristics we associate with avant-garde theater—subjective perspective, breaking through the fourth wall, activating the spectator as a co-creator—become uniquely legible in the context of this engagement. Posner examines the artistic poetics of Meyerhold's grotesque, Tairov's mime-drama, and Eisenstein's theatrical attraction through production analyses, based on extensive archival research, that challenge the notion of theater as a mirror to life, instead viewing the director as a prism through whom life is refracted. A resource for scholars and practitioners alike, this groundbreaking study provides a fresh, provocative perspective on experimental theater, intercultural borrowings, and the nature of the creative process.
Author: Rose-Carol Washton Long
Publisher: Peter Lang
ISBN: 9783039107049
Category : Art
Languages : en
Pages : 440
Get Book Here
Book Description
This volume of essays relate Max Beckmann's work to the tangible circumstances of its production and reception. The essays contextualise aspects of Beckmann's early, middle, and late career by way of detailed reference to contemporary music, film, philosophy, theatre, history, sports and exile.
Author: Irina Shevelenko
Publisher: University of Wisconsin Press
ISBN: 0299320405
Category : Literary Criticism
Languages : en
Pages : 272
Get Book Here
Book Description
Presenting a multifaceted portrait of modernist culture in Russia, an array of distinguished scholars shows how artists and writers in the early twentieth century engaged with politics, science, and religion. At a time when many Russian social institutions looked to the past, modernist arts powerfully amplified a gamut of new ideas about individual and collective transformation. Expanding upon prior studies that focus more specifically on literary manifestations of the movement, Reframing Russian Modernism features original research that ranges broadly, from political aesthetics to Darwinism to yoga. These unique complementary perspectives counter reductionism of any kind, integrating the study of Russian modernism into the larger body of humanistic scholarship devoted to modernity.
Author: Michael Bristol
Publisher: Routledge
ISBN: 1134601190
Category : Literary Criticism
Languages : en
Pages : 220
Get Book Here
Book Description
The book gathers together a particularly strong line-up of contributors from across the literary-performative divide to examine the relationship between Shakespeare, the 'culture industries', modernism and live performance.
Author: Paul Du Quenoy
Publisher: Penn State Press
ISBN: 0271048077
Category : Performing Arts
Languages : en
Pages : 306
Get Book Here
Book Description
"Explores the relationship between culture and power in Imperial Russia. Argues that Russia's performing arts were part of a vibrant public culture that was usually ambivalent or hostile to the tumultuous political events of the revolutionary era"--Provided by publisher.
Author: Philip Cavendish
Publisher: MHRA
ISBN: 9781902653273
Category : History
Languages : en
Pages : 304
Get Book Here
Book Description
Evgenii Zamiatin's reputation rests on the pivotal role he played in the development of Russian modernism. Hitherto, however, critical engagement with the experimental nature of his fiction has been largely confined to his middle period: the satirical stories set in Great Britain, the dystopian novel My, and related works. As a writer who came to prominence at the time of the October Revolution, Zamiatin is best known as an early and vocal critic of the new culture of conformism, and as the author in the 1920s of various artistic manifestoes in which he engaged with the problem of literature's future in relation to the Revolution, and sought to articulate his own brand of synthetic modernism. This study presents a different and complementary view of Zamiatin as a writer whose fiction, whilst certainly modernist, conformed to what Eikhenbaum termed 'literary Populism'. Zamiatin's intimate knowledge of the Russian provinces and the world of folk-religious culture are key elements in the skaz-style conceit which underpins his early fiction.This study stresses Zamiatin's enormous debt to such writers as Leskov and Remizov, and locates his work within a rich tradition of ethnographic belles-lettres and oral-based fiction. The texts analysed exploit materials from the folk-religious imagination in an attempt to refresh and 'democratize' the literary language through the use of the peasant vernacular. Zamiatin sought immediacy and dynamism in his provincial prose, and his works in this mould are best appreciated through the prism of twentieth-century neoprimitivism and expressionism. Their lubok-style simplicity, however, conceals a complex attitude towards the folk-religious world at their core. The poetic and celebratory is balanced by the sceptical and ironic, and the resulting tension characterizes these texts as essentially modernistic.
Author: David MacFadyen
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773524415
Category : Art
Languages : en
Pages : 388
Get Book Here
Book Description
During this period estrada - which includes comedy, literary readings, and circus arts as well as popular song - saw the birth of tangos, foxtrots, waltzes, and big bands. MacFadyen shows how a nomadic art form survived the pressures of business before the 1917 Revolution and those of politics afterwards.
Author: Eleanor Rees
Publisher: Bloomsbury Publishing
ISBN: 1350246379
Category : Performing Arts
Languages : en
Pages : 281
Get Book Here
Book Description
This book highlights the significant role that production artists played when Russian cinema was still in its infancy. It uncovers Russian cinema's connections with other art forms, examining how production artists drew on both aesthetic traditions and modernist experiments in architecture, painting and theatre as they explored the new medium of cinema and its potential to engender new models of perception and forms of audience engagement. Drawing on set design sketches, archival documents and film-makers' memoirs, Eleanor Rees reveals how less-canonical films such as Behind the Screen (Kulisy ekrana, 1919) and Palace and Fortress (Dvorets i krepost ́, 1923), were remarkable from a design perspective, and also provides new readings of well-known films, such as Children of the Age (Deti veka, 1915) and Strike (Stachka, 1925). Rees brings to light information on significant but understudied figures such as Vladimir Egorov and Sergei Kozlovskii, and highlights the involvement of well-known figures such as Lev Kuleshov and Aleksandr Rodchenko. Unlike the majority of late Imperial directors and camera operators, many early-Russian production artists continued to work in cinema in the Soviet era and to draw on practices forged before the 1917 Revolution. In spanning the entire silent era, this book highlights the often overlooked continuities between the late-Imperial and early-Soviet periods of cinema, thus questioning traditional historical periodisations.
Author: Luke Parker
Publisher: Cornell University Press
ISBN: 1501766597
Category : Literary Criticism
Languages : en
Pages : 202
Get Book Here
Book Description
Nabokov Noir places Vladimir Nabokov's early literary career—from the 1920s to the 1940s—in the context of his fascination with silent and early sound cinema and the chiaroscuro darkness and artificial brightness of the Weimar era, with its movie palaces, cultural Americanism, and surface culture. Luke Parker argues that Nabokov's engagement with the cinema and the dynamics of mass culture more broadly is an art of exile, understood both as literary poetics and practical strategy. Obsessive and competitive, fascinated and disturbed, Nabokov's Russian-language fiction and essays, written in Berlin, present a compelling rethinking of modernist-era literature's relationship to an unabashedly mass cultural phenomenon. Parker examines how Nabokov's involvement with the cinema as actor, screenwriter, moviegoer, and, above all, chronicler of the cinematized culture of interwar Europe enabled him to flourish as a transnational writer. Nabokov, Parker shows, worked tirelessly to court publishers and film producers for maximum exposure for his fiction across languages, media, and markets. In revealing the story of Nabokov's cinema praxis—his strategic instrumentalization of the movie industry—Nabokov Noir reconstructs the deft response of a modern master to the artificial isolation and shrinking audiences of exile.
