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Author: Lucy Whelan
Publisher:
ISBN: 9780300258868
Category : Art
Languages : en
Pages : 232
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Book Description
An unparalleled reassessment of Pierre Bonnard, exploring his paintings, drawings, photography, and prints As one of the founders of the post-Impressionist group the Nabis, French artist Pierre Bonnard (1867-1947) is frequently seen as a transitional figure between the Impressionists and modernists. This beautifully illustrated book offers a fresh interpretation, revealing the artist's central concern with expanding representation beyond the limits of natural vision. The result is a new understanding not only of Bonnard but of modernism itself. Exploring how Bonnard's dazzling domestic scenes and landscapes reimagine perception, embodiment, and the passage of time, Lucy Whelan characterizes him as a painter of unusual insight in his consideration of the relationship between vision and representation. The book covers Bonnard's paintings, drawings, photographs, and prints, with special focus on his later works from the 1920s to his death in 1947, and draws on an in-depth study of the artist's diaries, interviews, and other written sources. A groundbreaking reassessment, Pierre Bonnard Beyond Vision presents an artist engaged in avant-garde forms of experimentation who complicated vision in innovative ways.
Author: Lucy Whelan
Publisher:
ISBN: 9780300258868
Category : Art
Languages : en
Pages : 232
Get Book
Book Description
An unparalleled reassessment of Pierre Bonnard, exploring his paintings, drawings, photography, and prints As one of the founders of the post-Impressionist group the Nabis, French artist Pierre Bonnard (1867-1947) is frequently seen as a transitional figure between the Impressionists and modernists. This beautifully illustrated book offers a fresh interpretation, revealing the artist's central concern with expanding representation beyond the limits of natural vision. The result is a new understanding not only of Bonnard but of modernism itself. Exploring how Bonnard's dazzling domestic scenes and landscapes reimagine perception, embodiment, and the passage of time, Lucy Whelan characterizes him as a painter of unusual insight in his consideration of the relationship between vision and representation. The book covers Bonnard's paintings, drawings, photographs, and prints, with special focus on his later works from the 1920s to his death in 1947, and draws on an in-depth study of the artist's diaries, interviews, and other written sources. A groundbreaking reassessment, Pierre Bonnard Beyond Vision presents an artist engaged in avant-garde forms of experimentation who complicated vision in innovative ways.
Author: Antoine Terrasse
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 234
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Book Description
Author: Nicholas Watkins
Publisher: Stewart, Tabori, & Chang
ISBN:
Category : Art
Languages : en
Pages : 84
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Book Description
Pierre Bonnard was a very private painter who confined his subject matter to his wife, his homes, the surrounding countryside, and his self-portraits. This book provides a concise review of Bonnard's life, key works, and the development of his technique, which began with early work done chiefly in tone, then led to gradual color-enrichment and, finally, to the mastery of light suffusion. Author Nicholas Watkins presents the artist not as a sentimental survivor of Impressionism, as he was often labeled, but as a highly demanding formal artist who transformed light into an emotional atmosphere enveloping the surface within which objects exist.
Author: Robert Storr
Publisher: Laurence King Publishing
ISBN: 9781786274168
Category : Art
Languages : en
Pages : 0
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Book Description
An authoritative and comprehensive survey of the life and work of the visionary and influential painter Philip Guston. Driven and consumed by art, Philip Guston painted and drew compulsively. This book takes the reader from his early social realist murals and easel paintings of the 1930s and 1940s, to the Abstract Expressionist works of the 1950s and early 1960s, and finally to the powerful new language of figurative painting, which he developed in the late 1960s and 1970s. Drawing on more than thirty years of his own research, the critic and curator, Robert Storr, maps Guston's entire career in one definitive volume, providing a subtantial, accessible, and revealing analysis of his work. With more than 800 images, the book illustrates Guston's key works and includes many unpublished paintings and drawings. An extensive chronology, illustrated with photographs, letters, articles, publications, and other ephemera drawn from the artist's archives and other sources, contextualizes Guston's life and provides in-depth coverage of his life at home, his work in the studio, his relationship with fellow artists and his many exhibitions. Guston was able to speak about art with unrivalled passion and fluency. In celebration of this, the book features Guston's own thoughts on his drawings and his great heroes of the Italian Renaissance.
Author: Pierre Bonnard
Publisher: Metropolitan Museum of Art
ISBN: 1588393089
Category : Interior architecture in art
Languages : en
Pages : 210
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Book Description
"The vibrant late paintings of Pierre Bonnard (1867-1947) are considered by many to be among his finest achievements. Working in a small converted bedroom of his villa in the south of France, Bonnard suffused his late canvases with radiant Mediterranean light and dazzling color. Although his subjects were close at hand-usually everyday scenes taken from his immediate surroundings, such as the dining room table being set for breakfast, or a jug of flowers perched on the mantelpiece - Bonnard rarely painted from life. Instead, he preferred to make pencil sketches in small diaries and then rely on these, along with his memory, once in the studio." "This volume, which accompanies the first exhibition to focus on the interior and related still-life imagery from the last decades of Bonnard's long career, presents more than seventy-five paintings, drawings, and works on paper, many of them rarely seen in public and in some cases, little known. Although Bonnard's legacy may be removed from the succession of trends that today we consider the foundation of modernism, his contribution to French art in the early decades of the twentieth century is far more profound than history has generally acknowledged. In their insightful essays and catalogue entries the authors bring fresh critical perspectives to the ongoing reappraisal of Bonnard's reputation and to his place within the narrative of twentieth-century art."--Jacket
Author: Juliette Rizzi
Publisher: Tate
ISBN: 9781849766180
Category : Art
Languages : en
Pages : 0
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Book Description
Born in 1867, French Postimpressionist artist Pierre Bonnard was, with Henri Matisse, one of the greatest colorists of the early 20th century. As a painter, he preferred to work from memory, using drawings as a reference to capture the spirit of a moment and express it through his distinctive handling of color and innovative sense of composition. This accessible and highly illustrated introduction to his life and work, published to accompany a major Tate exhibition, offers readers a special insight into the popular artist and his practice.
Author: KatherineM. Kuenzli
Publisher: Routledge
ISBN: 1351542052
Category : Art
Languages : en
Pages : 303
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Book Description
Providing a fresh perspective on an important but underappreciated group of late nineteenth-century French painters, this is the first book to provide an in-depth account of the Nabis' practice of the decorative, and its significance for twentieth-century modernism. Over the course of the ten years that define the Nabi movement (1890-1900), its principal artists included Edouard Vuillard, Pierre Bonnard, Maurice Denis, Paul S?sier, and Paul Ranson. The author reconstructs the Nabis' relationship to Impressionism, mass culture, literary Symbolism, Art Nouveau, Wagnerianism, and a revolutionary artistic tradition in order to show how their painterly practice emerges out of the pressing questions defining modernism around 1900. She shows that the Nabis were engaged, nonetheless, with issues that are always at stake in accounts of nineteenth-century modernist painting, issues such as the relationship of high and low art, of individual sensibility and collective identity, of the public and private spheres. The Nabis and Intimate Modernism is a rigorous study of the intellectual and artistic endeavors that inform the Nabis' decorative domestic paintings in the 1890s, and argues for their centrality to painterly modernism. The book ends up not only re-positioning the Nabis to occupy a crucial place in modernism's development from 1860 to 1914, but also challenges that narrative to place more emphasis on notions of decoration, totality and interiority.
Author: Guillaume Morel
Publisher: Koenemann
ISBN: 9783741921513
Category :
Languages : en
Pages : 0
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Book Description
Overview of the life and especially the work of the French painter Pierre Bonnard (1869-1947).
Author: Nicholas Watkins
Publisher: Tate
ISBN:
Category : Art
Languages : en
Pages : 92
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Book Description
Published to coincide with an exhibition of Pierre Bonnard's work at the Tate Gallery in London (12th February - 17th May 1998) and the Museum of Modern Art, New York (24th June - 29th September 1998), this is a concise illustrated survey of Bonnard's use of colour and light. It reviews his life and work, and sets out to show, through an analysis of key works, how his technique and working methods developed over 50 years.
Author: Ludmilla Jordanova
Publisher: Bloomsbury Publishing
ISBN: 1350300586
Category : Art
Languages : en
Pages : 257
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Book Description
Bringing together a fascinatingly diverse yet closely related group of subjects, Where Words and Images Meet asks us to rethink what we know about words and images and how they interact. From 19th-century frontispieces to Soviet photo albums, from the relationships between portraits and biographies to museum labels, the book's richly illustrated chapters open up historically specific connections between word and image to collective examination and fruitful analysis. Written by both established and emerging scholars in a range of interrelated fields, the chapters deliberately foreground previously overlooked topics as well as unfamiliar disciplinary approaches, to offer a stimulating and carefully developed framework for looking at these ubiquitous phenomena afresh. Where Words and Images Meet opens up for analysis and reflection the forms of attention, practices, skills and assumptions that underlie visual interpretation and meaning-making in the writing of history. By bringing the features of the materials we read and look at into focus, we can grasp more effectively the complex interrelationships involved, and enhance our practice and understanding.
