Pierre Boaistuau's Histoires Tragiques PDF Download
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Author: Richard A. Carr
Publisher: Unc Department of Romance Studies
ISBN:
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
In this book, Richard A. Carr elucidates Boaistuau's quest for a 'nouvelle form' in his loose adaptation of Bandello's Novelle. Emphasizing psychological details absent in the Italian original, Carr repeatedly questions the human motives for the gruesome acts that Boaistuau selected as exempla for his readers. This book demonstrates the Boaistuau's use of two elements generally ignored by writers of his day, the conventions of tragedy, and those of rhetoric. Carr's discussion of his style of writing illuminates Boaistuau's use of each accepted rhetorical device to add to the aesthetic appeal of his text without falling into the excesses that would ultimately conflict with his didactic, moralistic purpose. This text delves not only into Boaistuau's work, but also into his character, placing him in the context of the conflict-ridden time in which he lived. The struggle between the author's moralist stance and seeming malaise when confronted with the violence that filled his world allows entry into the limbo that is seeing the evil in mankind, but having no assurance of the infallibility of God and His Law as a means of redemption. Through this analysis, Carr offers new insights on the complexity and generic innovation of an author often accused of banal superficiality.
Author: Richard A. Carr
Publisher: Unc Department of Romance Studies
ISBN:
Category : Literary Criticism
Languages : en
Pages : 270
Get Book Here
Book Description
In this book, Richard A. Carr elucidates Boaistuau's quest for a 'nouvelle form' in his loose adaptation of Bandello's Novelle. Emphasizing psychological details absent in the Italian original, Carr repeatedly questions the human motives for the gruesome acts that Boaistuau selected as exempla for his readers. This book demonstrates the Boaistuau's use of two elements generally ignored by writers of his day, the conventions of tragedy, and those of rhetoric. Carr's discussion of his style of writing illuminates Boaistuau's use of each accepted rhetorical device to add to the aesthetic appeal of his text without falling into the excesses that would ultimately conflict with his didactic, moralistic purpose. This text delves not only into Boaistuau's work, but also into his character, placing him in the context of the conflict-ridden time in which he lived. The struggle between the author's moralist stance and seeming malaise when confronted with the violence that filled his world allows entry into the limbo that is seeing the evil in mankind, but having no assurance of the infallibility of God and His Law as a means of redemption. Through this analysis, Carr offers new insights on the complexity and generic innovation of an author often accused of banal superficiality.
Author: Richard A. Carr
Publisher:
ISBN: 9788449927508
Category : Narration (Rhetoric)
Languages : en
Pages : 258
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Book Description
Author: Robert Muchembled
Publisher: Polity
ISBN: 0745647472
Category : History
Languages : en
Pages : 384
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Book Description
Presents a history of violence in Europe and discusses the theory that violence has actually been in decline since the thirteenth century.
Author: Natalie Zemon Davis
Publisher: Stanford University Press
ISBN: 9780804717991
Category : Literary Criticism
Languages : en
Pages : 244
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Book Description
To receive a royal pardon in sixteenth-century France for certain kinds of homicide--unpremeditated, unintended, in self-defense, or otherwise excusable--a supplicant had to tell the king a story. These stories took the form of letters of remission, documents narrated to royal notaries by admitted offenders who, in effect, stated their case for pardon to the king. Thousands of such stories are found in French archives, providing precious evidence of the narrative skills and interpretive schemes of peasants and artisans as well as the well-born. This book, by one of the most acclaimed historians of our time, is a pioneering effort to us the tools of literary analysis to interpret archival texts: to show how people from different stations in life shaped the events of a crime into a story, and to compare their stories with those told by Renaissance authors not intended to judge the truth or falsity of the pardon narratives, but rather to refer to the techniques for crafting stories. A number of fascinating crime stories, often possessing Rabelaisian humor, are told in the course of the book, which consists of three long chapters. These chapters explore the French law of homicide, depictions of "hot anger" and self-defense, and the distinctive characteristics of women's stories of bloodshed. The book is illustrated with seven contemporary woodcuts and a facsimile of a letter of remission, with appendixes providing several other original documents. This volume is based on the Harry Camp Memorial Lectures given at Stanford University in 1986.
Author: Alice Fiola Berry
Publisher:
ISBN: 9780807892084
Category : Women in literature
Languages : en
Pages : 144
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Book Description
Author: John D Lyons
Publisher: Northwestern University Press
ISBN: 0810137119
Category : Literary Criticism
Languages : en
Pages : 399
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Book Description
Early modernity rediscovered tragedy in the dramas and the theoretical writings of the ancient Greeks and Romans. Attempting to make new tragic fictions, writers like Shakespeare, Webster, Hardy, Corneille, and Racine created a dramatic form that would probably have been unrecognizable to the ancient Athenians. Tragedy and the Return of the Dead recovers a model of the tragic that fits ancient tragedies, early modern tragedies, as well as contemporary narratives and films no longer called “tragic” but which perpetuate the same elements. Authoritative, wide-ranging, and thought provoking, Tragedy and the Return of the Dead uncovers a set of interlocking plots of family violence that stretch from Greek antiquity up to the popular culture of today. Casting aside the elite, idealist view that tragedy manifests the conflict between two equal goods or the human struggle against the divine, John D. Lyons looks closely at tragedy’s staging of gory and painful deaths, ignominious burials, and the haunting return of ghosts. Through this adjusted lens Le Cid, Hamlet, Frankenstein, The Spanish Tragedy, Romeo and Juliet, Phèdre, Macbeth, and other early modern works appear in a striking new light. These works are at the center of a panorama that stretches from Aeschylus’s Agamemnon to Hitchcock’s Psycho and are placed against the background of the Gothic novel, Freud’s “uncanny,” and Burke’s “sublime.” Lyons demonstrates how tragedy under other names, such as “Gothic fiction” and “thrillers,” is far from dead and continues as a vital part of popular culture.
Author: Bent Holm
Publisher: Hollitzer Wissenschaftsverlag
ISBN: 3990121251
Category : Art
Languages : en
Pages : 555
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Book Description
The confrontation between European countries and the expanding Ottoman Empire in the early modern era has played a major role in numerous fields of history. The aim of this book is to investigate the European-Ottoman interrelations from three angles. One deals with the circumstances: How did the Europeans meet the Turks in pragmatic and diplomatic connections? Another concerns imagery: how were the Turks depicted in literature and art? The third examines performativity: how were the Turks inserted into plays, operas and ceremonies? This book confronts mental, visual and embodied images with historical positions and conditions. The focus, therefore, is on the dynamic interactive processes of experience, embodiment and imagination in context. Bringing together Turkish and European scholars, it applies a number of research strategies used by historians to the history of art, literature, music and theatre. Contributions by Pál Ács | Robert Born | Asli Çirakman | Anne Duprat | Kate Fleet | Bent Holm | Marcus Keller | Maria Pia Pedani | Mogens Pelt | Mikael Bøgh Rasmussen | Günsel Renda | Pia Schwarz Lausten | Charlotte Colding Smith | Suna Suner | Dirk Van Waelderen
Author: Joachim Küpper
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110563576
Category : Literary Criticism
Languages : en
Pages : 483
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Book Description
This volume presents a new approach to Spanish Baroque drama, inspired by Foucauldian discourse archeology, whose rare fusion of meticulous philology and ambitious theory will be exciting and fruitful both for specialists of Spanish literature and for anyone invested in the history of European thought. Detailed readings are dedicated to some of the most prominent plays by Lope de Vega and Calderón de la Barca, both autos sacramentales (El viaje del alma; El divino Orfeo; La lepra de Constantino) and comedias (El castigo sin venganza; El príncipe constante; El médico de su honra). The "archeological" perspective cast on the plays implies an integration of their discourse-historical "foils", from pagan antiquity through the Middle Ages and the Renaissance, as well as a discussion of related discourses, mainly theological, philosophical and historiographical. A separate "excursus" suggests a reconsideration of the common manner in which the discursive relation between the Middle Ages, the Renaissance, Mannerism and the Baroque is conceptualized.
Author: Courtney Lehmann
Publisher: Bloomsbury Publishing
ISBN: 1408198762
Category : Performing Arts
Languages : en
Pages : 301
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Book Description
The Screen Adaptations series provides an in-depth look at how classic pieces of literature have been adapted for screen. It assesses the ways in which alternative screen interpretations offer up different readings of the original text as well as the methodologies and approaches of filmmakers. Each title in the series collects together a vast array of study material, critical insight and thought-provoking comparisons - from literary context to the afterlife of the screen versions. Shakespeare on Film is a huge area of study and Romeo and Juliet is one of his most popular plays with many teachers using film versions as a way of approaching the text. Focussing in the main on West Side Story and Baz Lurhmann's Shakespeare's Romeo & Juliet, this is a unique and comprehensive insight into the adaptation process providing a vital study aid for students.
Author: John D. Lyons
Publisher: University of Pennsylvania Press
ISBN: 1512804177
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
Appearing in print for the first time in 1558, the book that we now know as the Heptameron is the work of Marguerite, Queen of Navarre. Left incomplete, but dearly modeled on Boccaccio's Decameron, the Heptameron consists of a frame narrative and seventy-two tales told by five men and five women characters in the shady meadow at Notre Dame de Sarrance. As John D. Lyons and Mary B. McKinley contend in their introduction to this volume, the tales of the Heptameron portray the conflicts, ruptures, and upheavals that agitated early modern French society. They present a forum in which different elements of Renaissance and Reformation culture meet and, at times, collide. Contradictory suppositions about men and women are easily discerned behind almost all of the stories, and the discussions among the fictional storytellers represent attitudes both feminist and misogynist, masculinist, and misandrous. Less oppositional are the religious conflicts among the storytellers; some are less ardently religious while others are concerned with the corporeal rather than the spiritual. The stories of the Heptameron are often cautionary tales about the corruption of the late medieval church, about decadent priests and monks, or about the unfortunate faithful whose belief in the efficacy of good works for salvation leads to disaster and death. The conflicts of the Reformation loom over the Heptameron not just as the origin of its ideological tensions but also as a prominent symptom of the larger, related disruptions that marked sixteenth-century Europe. Provocative and wide-ranging, appealing to specialists in numerous fields, Critical Tales is the first collective volume of studies in English on the Heptameron. The authors—Robert D. Cottrell, Hope Glidden, Marcel Tetel, Donald Stone, Tom Conley, Michel Jeanneret, Cathleen M. Bauschatz, François Cornilliat and Ullrich Langer, Mary B. McKinley, Philippe de Lajarte, Andre Tournon, Daniel Russell, François Rigolot, Paula Sommers, and Edwin M. Duval—present different approaches to Marguerite de Navarre's tales, dealing with such topics as confession, rape, the impact of printing on knowledge and narrative, narrative theory, and androgyny. The contributors to Critical Tales, like the storytellers of the Heptameron, are not afraid to challenge the critical establishment and one another. The book will be of interest to students and scholars of French and comparative literature and women's studies.
