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Author: Larry Witham
Publisher: Simon and Schuster
ISBN: 1639360611
Category : History
Languages : en
Pages : 500
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Book Description
In the tradition of The Swerve and Galileo's Daughter, Piero's Light reveals how art, religion and science came together at the dawn of the modern world in the paintings of one remarkable artist. An innovative painter in the early generation of Renaissance artists, Piero dell Francesca was also an expert on religious topics and a mathematician who wanted to use perspective and geometry to make painting a “true science.” Although only sixteen of Piero’s works survive, few art historians doubt his importance in the Renaissance. A 1992 conference of international experts meeting at the National Gallery of Art deemed Piero, “One of the most highly regarded painters of the early Renaissance, and one of the most respected artists of all time.” In recent years, the quest for Piero has continued among intrepid scholars, and Piero's Light uncovers the life of this remarkable artistic revolutionary and enduring legacy of the Italian Renaissance.
Author: Larry Witham
Publisher: Simon and Schuster
ISBN: 1639360611
Category : History
Languages : en
Pages : 500
Get Book Here
Book Description
In the tradition of The Swerve and Galileo's Daughter, Piero's Light reveals how art, religion and science came together at the dawn of the modern world in the paintings of one remarkable artist. An innovative painter in the early generation of Renaissance artists, Piero dell Francesca was also an expert on religious topics and a mathematician who wanted to use perspective and geometry to make painting a “true science.” Although only sixteen of Piero’s works survive, few art historians doubt his importance in the Renaissance. A 1992 conference of international experts meeting at the National Gallery of Art deemed Piero, “One of the most highly regarded painters of the early Renaissance, and one of the most respected artists of all time.” In recent years, the quest for Piero has continued among intrepid scholars, and Piero's Light uncovers the life of this remarkable artistic revolutionary and enduring legacy of the Italian Renaissance.
Author: Sandra Champlain
Publisher: Morgan James Publishing
ISBN: 1614483825
Category : Self-Help
Languages : en
Pages : 305
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Book Description
“We Don’t Die: A Skeptic’s Discovery of Life After Death” gives credible evidence of life after death. The goal of “We Don’t Die” is to have people believe that their deceased loved ones are still near them, help them navigate through the grieving process and educate that we are ‘eternal souls having a human experience. It is unique because it teaches people about the grieving process, keeping relationships whole, gives awe inspiring exercises that the reader experiences that we must be ‘more than our bodies.’ It gets readers in touch with the purpose of their lives and gets them on the path to producing results. Readers will no longer fear death, their pain of losing someone will be lessened, they will have hope, faith, and powerful access to live a successful life.
Author: Sir John Wyndham Pope-Hennessy
Publisher: New York Review of Books
ISBN: 9781892145130
Category : Art
Languages : en
Pages : 100
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Book Description
Thousands of travelers visit Tuscany and Umbria each year to follow the Piero della Francesca Trail. John Pope-Hennessy examines each work of Piero della Francesca. Included is Aldous Huxley's essay "The Best Picture, " which inspired Pope-Hennessy to seek out these paintings and frescoes. 56 photos.
Author: Martin Kemp
Publisher: Lund Humphries Publishers Limited
ISBN: 9781848224674
Category : Art
Languages : en
Pages : 240
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Book Description
Dante Alighieri (1265-1321) is one of the greatest European writers, whose untrammelled imaginative capacity was matched by a huge base in embracing the science of his era. His texts also paint compelling visual images. In Visions of Heaven, renowned scholar Martin Kemp investigates Dante's supreme vision of divine light and its implications for the visual artists who were the inheritors of Dante's vision. The whole book may be regarded as a new Paragone (comparison), the debate that began in the Renaissance about which of the arts is superior. Dante's ravishing accounts of divine light set painters the severest challenge, which took them centuries to meet. A major theme running through Dante's Divine Comedy, particularly in its third book, the Paradiso, centres on Dante's acts of seeing (conducted according to optical rules with respect to the kind of visual experience that can be accomplished on earth) and the overwhelming of Dante's earthly senses by heavenly light, which does not obey his rules of earthly optics. The repeated blinding of Dante by excessive light sets the tone for artists' portrayal of unseeable brightness.
Author: Piero Gleijeses
Publisher: Univ of North Carolina Press
ISBN: 0807861626
Category : History
Languages : en
Pages : 573
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Book Description
This is a compelling and dramatic account of Cuban policy in Africa from 1959 to 1976 and of its escalating clash with U.S. policy toward the continent. Piero Gleijeses's fast-paced narrative takes the reader from Cuba's first steps to assist Algerian rebels fighting France in 1961, to the secret war between Havana and Washington in Zaire in 1964-65--where 100 Cubans led by Che Guevara clashed with 1,000 mercenaries controlled by the CIA--and, finally, to the dramatic dispatch of 30,000 Cubans to Angola in 1975-76, which stopped the South African advance on Luanda and doomed Henry Kissinger's major covert operation there. Based on unprecedented archival research and firsthand interviews in virtually all of the countries involved--Gleijeses was even able to gain extensive access to closed Cuban archives--this comprehensive and balanced work sheds new light on U.S. foreign policy and CIA covert operations. It revolutionizes our view of Cuba's international role, challenges conventional U.S. beliefs about the influence of the Soviet Union in directing Cuba's actions in Africa, and provides, for the first time ever, a look from the inside at Cuba's foreign policy during the Cold War. "Fascinating . . . and often downright entertaining. . . . Gleijeses recounts the Cuban story with considerable flair, taking good advantage of rich material.--Washington Post Book World "Gleijeses's research . . . bluntly contradicts the Congressional testimony of the era and the memoirs of Henry A. Kissinger. . . . After reviewing Dr. Gleijeses's work, several former senior United States diplomats who were involved in making policy toward Angola broadly endorsed its conclusions.--New York Times "With the publication of Conflicting Missions, Piero Gleijeses establishes his reputation as the most impressive historian of the Cold War in the Third World. Drawing on previously unavailable Cuban and African as well as American sources, he tells a story that's full of fresh and surprising information. And best of all, he does this with a remarkable sensitivity to the perspectives of the protagonists. This book will become an instant classic.--John Lewis Gaddis, author of We Now Know: Rethinking Cold War History Based on unprecedented research in Cuban, American, and European archives, this is the compelling story of Cuban policy in Africa from 1959 to 1976 and of its escalating clash with U.S. policy toward the continent. Piero Gleijeses sheds new light on U.S. foreign policy and CIA covert operations, revolutionizes our view of Cuba's international role, and provides the first look from the inside at Cuba's foreign policy during the Cold War. -->
Author: Joe McNally
Publisher: New Riders
ISBN: 0321712706
Category : Photography
Languages : en
Pages : 758
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Book Description
Following up on the great success of The Moment It Clicks and The Hot Shoe Diaries: Big Light from Small Flashes, legendary magazine photographer Joe McNally takes us on another memorable ride with Sketching Light, another trip into the land of light--but this time running the gamut from small flash to big flash, and everywhere in between. Of course, Joe includes coverage of Nikon Speedlights, but he also covers big flash, as well as "in-between" lights as the Elinchrom Quadra. The exploration of new technology, as well as the explanation of older technology. No matter what equipment Joe uses and discusses, the most important element of Joe's instruction is that it is straightforward, complete, and honest. No secrets are held back, and the principles he talks about apply generally to the shaping and quality of light, not just to an individual model or brand of flash. He tells readers what works and what doesn't via his let's-see-what-happens approach, he shows how he sets up his shots with plentiful sketches and behind-the-scenes production shots, and he does it all with the intelligence, clarity, and wisdom that can only come from shooting in the field for 30 years for the likes of National Geographic, Time, Life, and Sports Illustrated--not to mention the wit and humor of a clearly warped (if gifted) mind.
Author: William George Waters
Publisher:
ISBN:
Category :
Languages : en
Pages : 228
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Book Description
Author: Sharon Fermor
Publisher: Reaktion Books
ISBN: 9780948462368
Category : Art, Early Renaissance
Languages : en
Pages : 330
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Book Description
This is the first book on Piero di Cosimo (1461 1521) widely considered one of the most intriguing figures of the Florentine Renaissance to be written in English for over fifty years. Sharon Fermor presents new solutions to questions the function and iconography that have puzzled commentators hitherto, and examines Piero's approach to pictorial composition and to gesture that contribute to the distinctiveness of his oeuvre. Of crucial importance in this fresh evaluation of Piero's career is the author's explanation of the strategies employed by Vasari for his Life of Piero, written in the mid sixteenth-century. By exposing the misconceptions many still influential today that resulted from Vasari's account, she reveals that even Piero's most unusual paintings on mythological themes are in fact coherent and meaningful compositions, and not the product of an isolated eccentric at odds with the artistic community of his time."
Author: Judith Veronica Field
Publisher: Yale University Press
ISBN: 9780300103427
Category : Art
Languages : en
Pages : 440
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Book Description
Studie over de wiskundige kennis van de renaissanceschilder (ca. 1416-1492) en over het belang van de exacte wetenschap in de betreffende kunstperiode.
Author: James R. Banker
Publisher: OUP Oxford
ISBN: 0191625205
Category : Art
Languages : en
Pages : 304
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Book Description
Largely neglected for the four centuries after his death, the fifteenth century Italian artist Piero della Francesca is now seen to embody the fullest expression of the Renaissance perspective painter, raising him to an artistic stature comparable with that of Leonardo da Vinci and Michelangelo. But who was Piero, and how did he become the person and artist that he was? Until now, in spite of the great interest in his work, these questions have remained largely unanswered. Piero della Francesca: Artist and Man puts that situation right, integrating the story of Piero's artistic and mathematical achievements with the full chronicle of his life for the first time. Fortified by the discovery of over one hundred previously unknown documents, most unearthed by the author himself, James R. Banker at last brings this fascinating Renaissance enigma to life. The book presents us with Piero's friends, family, and collaborators, all set against the social background of the various cities and courts in which he lived - from the Tuscan commune of Sansepolcro in which he grew up, to Renaissance Florence, Ferrara, Ancona, Rimini, Rome, Arezzo, and Urbino, and eventually back to his home town for the final years of his life. As Banker shows, the cultural contexts in which Piero lived are crucial for understanding both the man and his paintings. From early masterpieces such as the Baptism of Christ through to later, Flemish-influenced works such as the Nativity, we gain a fascinating insight into how Piero's art developed over time, alongside his growing achievements in geometry in the later decades of his life. Along the way, the book addresses some persistent myths about this apparently most elusive of artists. As well as establishing a convincing case to clear up the long controversy over the year of Piero's birth, there are also answers to some big questions about the date of some of his major works, and a persuasive new interpretation of the much-debated Flagellation of Christ. This book is for all those who wish to know about the development of Piero as man, artist, and scholar, rather than simply to see him through a series of isolated great works. What emerges is a thoroughly intriguing Renaissance individual, firmly embedded in his social milieu, but forging an historic identity through his profound artistic and mathematical achievements.
